RONIN Page #21

Synopsis: Deirdre (Natascha McElhone) puts together a team of experts that she tasks with stealing a valuable briefcase, the contents of which are a mystery. The international team includes Sam (Robert De Niro), an ex-intelligence officer, along with Vincent (Jean Reno), Gregor (Stellan Skarsgard) and others. As their operation gets underway, several team members are found to be untrustworthy, and everyone must complete the mission with a watchful eye on everyone else.
Production: MGM/UA
  1 win & 4 nominations.
 
IMDB:
7.3
Metacritic:
67
Rotten Tomatoes:
68%
R
Year:
1998
122 min
Website
1,223 Views


EXT. THE STREET OUTSIDE - A FEW MINUTES LATER

The Customer exits, smiling and carrying his tapes -- what a

great f***ing deal he just got! A few seconds later, Tony

comes out and locks up the store front. He crosses the

street towards -

INT. A FALAFEL JOINT - A FEW MINUTES AFTER THAT

A HUGE FALAFEL drips lettuce and tahini sauce from its end.

We PULL BACK ON - Tony, who's just taken a bite out of the

falafel. He sits at a table in the back with Vincent and

Sam.

TONY:

(his mouth full)

What I've heard so far, it's all a lot of

talk. I wasn't so sure what to make of

it at first, cause, like I said, the

Irish and the Russians are an unlikely

mix.

VINCENT:

You said you might know where we can get

a copy of this tape?

TONY:

All depends on whether you want the

Russian or the Gaelic language version.

SAM:

(instantly)

Gaelic.

TONY:

You sure?

SAM:

I'm sure.

VINCENT:

(to Tony)

Can you get it?

TONY:

The Russian would be easier.

SAM:

Why's that?

TONY:

Cause the Russian production company

would be easier to find.

SAM:

It's the Irish tape we want.

TONY:

(with a sigh)

Gonna be tough.

Tony scribbles something on a piece of paper.

TONY:

Last I heard there was a film rep for the

Irish players staying at this address,

name of Seamus Reilly.

SAM:

(repeating it, he knows this

name)

Seamus Reilly.

VINCENT:

(to Sam)

You know him?

SAM:

I know of him.

TONY:

Seamus Reilly, boy's a serious Irish

Auteur -- a real firebrand. Thinks his

more moderate filmmaking brethren have

turned to making movies for peace-loving

pussies, if you see what I'm saying.

VINCENT:

I get the picture.

Sam reaches for the piece of paper, but Vincent puts his hand

on top of it.

VINCENT:

Tony and I have to talk some business,

first.

TONY:

I gotta try and overcharge him, he has to

moan about the price, we settle somewhere

in the middle.

VINCENT:

It's a matter of respect.

(to Sam)

Why don't you wait outside, this won't

take long.

Sam smiles slightly and rises from the table, moving towards

the exit. Behind him in rapid-fire French, Tony and Vincent

are now discussing the price of the information. They are

both loud and abusive, and obviously they're enjoying

themselves immensely.

EXT. THE FALAFEL SHOP - A LITTLE LATER - DAY

Vincent exits the shop and gets into -

INT. THE PEUGEOT

Where Sam sits in the passenger seat as Vincent slides behind

the wheel. Vincent tosses Sam a piece of paper.

SAM:

The Irish representative?

VINCENT:

Yes.

Vincent gives Sam another piece of paper.

SAM:

What's this?

VINCENT:

The address of the Russian production

company. Just in case we need to find

them.

SAM:

Thorough man.

Vincent starts the car and we -

CUT TO:

EXT. A PARIS STREET - LATER - AFTERNOON

The Peugeot sits, parked at a cub, a discreet distance from -

AN APARTMENT HOUSE: 35 Rue de Glacon. We PUSH IN on the -

INT. THE PEUGEOT - LATE AFTERNOON

A PIECE OF PAPER scarwled with the same address: 35 de

Glacon. We PULL BACK TO REVEAL -

Sam, holding this paper and looking out at the apartment

complex.

SAM:

You sure your friend got the right place?

VINCENT:

If Tony says this is it, then it's it.

BEAT. Vincent wants to know something important.

VINCENT:

Tell me, Sam:
why do you do this?

SAM:

Do what?

VINCENT:

Continue when it would be so much easier

to give it up.

SAM:

It's my job.

VINCENT:

Then quit.

(beat)

You don't work for Interpol, Sam.

SAM:

Sure I do. You heard him, you heard the

guy -- that's what he said, what Edvard

said.

VINCENT:

It's a cover, then. A cover within a

cover, a feint within a feint.

(quick beat)

You work for the CIA, it's the only

possible answer.

LONG BEAT. Sam considers what to say, and then decides he

owes Vincent the truth.

SAM:

I'm a field agent -- last of an already

extinct breed. I do dark ops.

VINCENT:

Dark ops?

SAM:

Dark operations. Wet work. Kidnaping.

Assassination.

VINCENT:

Very ugly.

SAM:

It is at that.

VINCENT:

Not very zen of you, huh? Not so much

the modern Samurai after all.

SAM:

I never made that claim.

VINCENT:

I know. Jean-Pierre did.

SAM:

You were behind the door?

VINCENT:

I was waiting to see what would happen.

I didn't want to kill him if I didn't

have to.

SAM:

You would have done that?

VINCENT:

I would have tried not to. But yes, if

it would have kept him from shooting you,

I would have.

Rate this script:4.0 / 1 vote

David Mamet

David Alan Mamet is an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Ross and Speed-the-Plow. more…

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