Rough Diamonds Page #4
- Year:
- 1995
- 90 min
- 335 Views
INT. TEAM CLIFFORD BUILDING - CONTINUOUS
Jay walks out of his office, into the half-finished top floor of
the condos. Exposed beams and drying cement reveal how far behind
schedule Jay really is...
.
JAY:
Hello? Anyone there?
He swings the gun round impotently, seeing nothing in the
flickering florescent light...
Finally Jay lowers the weapon. It looks like he might collapse,
until he catches himself, palms flat against the wall, head down.
JAY (CONT'D)
F*** me...
ELENA (O.S.)
Any time. Any place...
He reels around, sees Elena moving toward him, brushing aside the
thick plastic sheeting. She has a bottle of beer in one hand, a
video camera in the other. Jay's video camera to be precise...
JAY:
What are you doing here?
ELENA:
You promised to show me your erection...
"Wild Things 3" 03/22/2004 16.
Elena focuses the video camera on Jay's crotch. Makes him
incredibly uncomfortable, obviously.
JAY:
Is that my...camera?
Elena thrusts the bottle of beer at Jay.
ELENA:
Lighten up, Jay.
Jay takes the bottle from her, sets it down on the concrete floor.
JAY:
Enough's enough. I think it's time you
left.
This brings a teasing pout to Elena's lips.
ELENA:
Is that any way to treat Marie's new best
friend?
Jay's taken aback.
JAY:
You're best friends are you?
ELENA:
Sure. We've been having sleepovers.
Talking about boys, swapping tips. She's
been teaching me about shopping, I've
been teaching her about giving mind
blowing head...
Jay's taken aback once more. How much more aback can he be taken?
He reaches out and blocks the video camera lens.
JAY:
Gimme the camera back...
Elena saunters slowly past, brushing up against him. Keeps the
camera trained on his worried face...
ELENA:
Come get it.
Jay's reaching his elastic limit. He reaches for the camera, but
Elena won't let go. They wrestle for control of the video camera.
And finally the camera slips from both their grasps, flies across
the room and SHATTERS on the concrete floor...
"Wild Things 3" 03/22/2004 17.
ELENA:
(slyly)
Ooopppps.
Elena runs her finger under Jay's chin, then turns and walks away,
leaving Jay standing there, all taken aback.
EXT. TEAM CLIFFORD BUILDING - NIGHT
A drunken Marie brings her BMW to a swerving halt outside the
construction site. She takes a swig from the Champagne bottle on
the passenger seat for dutch courage...
MARIE:
(sotto)
It's present time.
She reaches for the car door handle, but comes up short. When she
looks back up she's in for some taking aback of her own...
Elena comes walking out of the building site, and the two girls
lock eyes. There's an uncomfortable moment before Elena flashes a
satisfied smile and walks away...
MARIE:
What the hell...
Marie's about to get out of her car when Jay comes walking out of
the site, looks around the lot, sees Marie's car.
JAY:
What are you doing here at this time of
night?
Marie stammers to find the words...
MARIE:
I just...wanted to apologize for my
behavior earlier. I was out of line.
Jay's mood lightens.
JAY:
When we admit our mistakes we grow.
You've made an important step.
MARIE:
So...what about my present?
JAY:
Meet me at the Museum. Before school
tomorrow. Now go home, get some sleep,
"Wild Things 3" 03/22/2004 18.
He walks away and a smile creeps across Marie's face.
FADE TO BLACK:
INT. MUSEUM - MORNING
A perfect rainbow is trapped inside the two flawless Mother
Daughter DIAMONDS, glinting in the morning sun.
Marie can barely contain her excitement as she paces frantically
in the dark marble museum hall, reaching out a trembling hand
towards the glass case containing the priceless jewels...
JAY (O.S.)
You really think you're ready for your
inheritance?
Marie looks round to see Jay striding into the Museum, still in
the same clothes as yesterday...
MARIE:
It was...it was what Mom wanted...
Jay looks at her sternly.
JAY:
You're the only one who can open that
lock, but I'm the one with the key. She
wanted you to have the diamonds when you
were responsible enough to know what to
do with them...
.
MARIE:
I'm...responsible...
Jay shakes his head slowly, deliberately.
JAY:
Really? Underage drinking, prying into my
personal affairs, fighting...
MARIE:
But they're mine. Mom left them to me.
JAY:
They're yours when I say they're yours.
For the time being, I've got some major
problems at the construction site.
Deadlines have to be met. We'll talk
again when you've done some growing up.
Jay puts an arm around his stepdaughter, starts walking her back
towards the massive wooden doors.
"Wild Things 3" 03/22/2004 19.
JAY:
Please, don't fight me on this. We're
Team Clifford, remember?
MARIE:
(without conviction)
Team Clifford...
She's stuck in an awkward embrace with her Step Father...
EXT. MUSEUM - MORNING
Jay leads Marie down the stone steps outside the quaint Museum
building. But as they approach his car they're hit by...BLUE and
RED FLASHING LIGHTS.
The whine of sirens has Jay spinning around in surprise, looking
over to see four Police Cruisers come to a screeching halt...
MARIE:
What the hell?
Half a dozen of Blue Bay's finest, lead by the dashing young
OFFICER ENTWISTLE, draw their badges, approach Jay.
OFFICER ENTWISTLE
Mr. Clifford?
JAY:
Can I help you, Officer?
OFFICER ENTWISTLE
You're under arrest on suspicion of rape.
Jay's jaw drops to the ground.
JAY:
There must be some mistake, this isn't
possible...
MARIE:
Jay, what's going on?
Entwistle puts a powerful hand on Jay, leads him to the first
Police cruiser.
.
JAY:
Call my lawyer, tell him to meet me down
the station. This is outrageous...
Entwistle gets into the Police car's passenger seat.
"Wild Things 3" 03/22/2004 20.
JAY:
I didn't do anything, I swear.
OFFICER ENTWISTLE
I'm afraid she's got a different story.
JAY:
Who's 'she'?
INT. BLUE BAY PD INTERVIEW ROOM - DAY
Elena paces the sterile interview room like a caged tiger. She
stops in front of the two way mirror, examines her reflection...
Tentatively she reaches out a trembling finger touching the scab
on her lip, covering the wound Marie inflicted at the party. And
slowly Elena starts to press on the cut, until the blood starts to
flow once more...
There's a quiet knock on the door and Elena quickly lowers her
hand, looks round...
Kristen Richards, the young Parole Officer who so heart
wrenchingly told her story at Blue Bay High earlier, comes quietly
into the gray room.
KRISTEN:
Elena.
Elena just looks up at her pitifully.
KRISTEN:
Could you tell me what happened?
Through stifled sobs, Elena states...
ELENA:
It was Jay Clifford. He raped me...
The interview room door swings open and DETECTIVE MICHAEL
MORRISON, 30's, enters. He's the personification of the term
"overworked, underpaid."
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Rough Diamonds" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/rough_diamonds_663>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In