Ruthless Page #10

Synopsis: Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by richer neighbours he started to exhibit an obsessive and selfish urge to make more and more money, loving and leaving women at will to further this end.
Genre: Drama, Film-Noir
Director(s): Edgar G. Ulmer
Production: Eagle-Lion
 
IMDB:
6.9
APPROVED
Year:
1948
104 min
255 Views


You asked me to do a lot of things.

For one thing, to forgive you.

What did you think that would do?

Change your nature?

Get off this pier and off my

property. You're in the way.

Everything fits. Your whole pattern.

Your approach.

The way you dislike people.

The way you trample on them and justify

the rottenest things a man can do.

Because you're not merely

a man, not in your sick brain.

You're much, much more than a man.

Isn't that what you believed

ever since we were boys?

Yes. Don't try to impress Mallory.

She has a mind of her own.

Who has a mind of their own when

a Vendig wants to make use of it?

No, you haven't changed.

The Vendigs in this world never change.

That's what makes them Vendigs.

They take. That's their nature.

Now you want a thing you once threw

away. Then you'll have everything.

You poor failure.

You always had the

mark of failure on you.

Branded on you. The way you give in.

All the ideas you had. The ideals.

What do you know about the

things I think are important?

Now listen to him, Mallory.

This is Vendig.

I tried to teach you things,

but they frightened you.

Nothing that's frightened can live in

the jungle. And that's where we live.

Mr Mansfield.

That was well put, Vendig.

We do live in a jungle.

And it's not a plae where

the weak inherit the earth.

Of course, there is this to remember:

Animals kill only for food or love.

You and I, Vendig,

spoil even the jungle.

Because we kill for profit.

For the taste of victory.

For revenge.

Horace!

Revenge!!

Then we destroy each other utterly.

The tide has pulled them out to sea.

Keep searching.

Keep searching.

Vic.

He wasn't a man.

He was a way of life.

T-G

Rate this script:0.0 / 0 votes

S.K. Lauren

All S.K. Lauren scripts | S.K. Lauren Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Ruthless" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/ruthless_17283>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the main function of a screenplay treatment?
    A To provide a summary of the screenplay
    B To detail the character backstories
    C To list all dialogue in the film
    D To give a scene-by-scene breakdown