Salaakhen Page #3

Synopsis: School-master, Sachidanand Agnihotri lives a middle-class life-style with his family consisting of his wife, Gayetri and son, Vishal. Sachidanand is honest to the core and thus he is unable to keep any permanent job as his honest policy is regarded as a liability. One day he witness Nagesh the son of a wealthy, influential and corrupt social worker, Jaspal Rana raping a female. His attempts to involve the police in this matter only leads to frustration; unable to witness the injustice done to his father Vishal decides to take a stand only to be thrown behind bars. The case is then call up in court and on the advice of advocate, Ashok Pradhan, Jaspal and his men decides to create such situations that Sachidanand find hard to comprehend which weakens him making him unable to explain things in the right manner; thus Pradhan is able to prove to the court that Sachidanand is mentally unfit - under intense pressure Sachidanand commit suicide. Vishal then escapes from prison with an objective
 
IMDB:
5.3
Year:
1998
165 min
425 Views


why do you sober down at all?

You are the first man

I meet in the morning.

Atleast meet me sober.

I'd to go to Chowgule's house. Wonder

if I have brought his application.

Take, you feed this to the birds.

Let me check my bag.

The birds have eaten enough.

Arrangement for my drink is made!

Take, this is the Mayor's letter.

You can admit him to Tata Hospital

without paying any expenses.

- Master, you have done so. . .

- Come on! What have I done?

Just did a running around.

No big deal.

Go get me tea.

The police caught the idol thieves,

recovered the idol from them. . .

and arrested the temple priest.

Did you read this, Ma?

- Give me the paper.

If your father lays hands on it,

he'll only talk about them all day.

He had left at 6 in the morning,

and is not back home yet.

Where do I hide this?

. . .No, he will find it here.

This place is okay.

Where were you?

- Offer these flowers in the temple.

Has Vishal left?

- No, he is sitting out & having tea.

Found it.

Are you leaving?

- Yes, father.

Did you have breakfast?

- Yes.

Go to the bank on your way

and collect the pass book.

Tell your mom to hide the newspaper

in some good place next time.

Idol theft!

- You gave it to him?

No, I found it.

Take your watch.

- I'm leaving, mom.

Here's your tea.

Gayatri, you also bring your

tea here. Sit here with me.

If I sit with you and hear about the

whole world, who will do the chores?

You will anyway talk about the

temple, priest, idols all day.

I have so much to do. As it is,

I cannot run around too much now.

Your son has started earning now.

Meet people, try getting him married.

Even that will happen.

Tell me, what kind of a

daughter-in-law do you want?

Kanta, is my breakfast ready?

- Yes, madam.

What's this?

- Prospective grooms.

I said I don't

want to marry like this!

We have a bomb explosion

early morning!

You put pictures of

big shots at my feet?

This one's got stuck in my bottoms.

This guy's become a doctor

now in America.

That's your old style, daddy.

First you'll show me the pictures,

then ask me to choose one of them.

Then you will match horoscopes.

And then you only will say

their stars are no good.

That's old style. There is

no excitement in this process.

I'll get married in new style.

The fun is when someone bangs

into me, I fall, he holds me. . .

and I look into his eyes and say,

'he's the one! '

You will ruin me.

Please don't bang into some crook. . .

who will make me a

pauper from a millionaire.

Love is love. When you fall in love,

you don't care about money or society.

But try to understand my point. . .

You are unnecessarily getting upset

over a small matter.

I know Neha. She will bang into the

right guy at the right time.

You don't care about the plants.

If anything happens to my plants,

I won't spare you!

No!

This is what I had dreamt of.

Banging, falling, and steadying.

Then looking into each other's eyes.

He's the one!

I love you!

What's happening?

It's happened! Something's happened!

- What's happened?

Tell him.

Dad, I turned back suddenly, banged

into him, fell down, then he. . .

Then he what?

- Saved me.

He did? It's done now?

Now leave his hand.

Mr. Nayar, when she was falling,

couldn't you have saved her?

You have been handling

all my jobs since the last 1 7 years.

What happened to you today?

You just stood and stared?

What's going on!

Come with me!

Not you, you come with me.

I'll get your eyes tested.

So that you bang into

the right person.

''Mad, crazy, vagabond''

''What name do I call you by?''

''Should I behold you in my eyes''

''Or keep you in my heart''

''Whatever name you like''

''Call me by that name''

''Through your eyes''

''Let me enter your heart''

''My desire is my beloved''

''He's my love, my passion''

''How do I tell you''

''How much I wait for you''

''You have my name on your lips''

''Ours is a bond forever''

''I can give up the whole world''

''When I have your hand in mine''

''Spirited, lover boy, carefree''

''What name do I call you by?''

''Should I behold you in my eyes''

''Or keep you in my heart?''

''Keep me in your heart''

''You are some damsel

come from heaven''

''I'm lost in your love''

''My heart cannot forget

you for a minute''

''How am I at fault?''

''The whole world is no

comparison against you''

''I wear your flower in my tresses''

''I'll accept whatever sorrow I may

have to suffer for your sake''

''Beloved, darling, dearest''

''What name do I call you by?''

''Should I behold you in my eyes''

''Or keep you in my heart?''

Leave me!

Forgive me!

- He's apologizing, let him go.

He should be handed

over to the police.

If I let him go,

he will pick other people's pocket.

Forgive me!

Alright, we'll take him

to the police station.

Go get a rickshaw.

I'll hold on to him till then.

Go! I'll hold on to him.

You can go.

My son hits very hard.

- Yes sir, he does.

Did you begin with me, or have

you picked someone's pocket before?

I started with you.

Which means you

failed your first attempt.

Why don't you do some honest work?

Why do you steal?

Yes sir, I'll take up some work.

Keep this money.

Visit a doctor.

Add turmeric to milk and drink before

you sleep at night. You'll be fine.

Now scram!

Where did he go?

- He ran away.

Ran away?

I tried holding on to him, but

he was stronger. What could I do?

Look, there is no cure to suspicion.

If you feel I deliberately

let him go, what can I do?

I was just saying. . .

- Close that chapter and have tea.

The chapter closed long ago,

I am only stretching the matter.

Right Vishal? Look Gayatri,

he is still staring at me.

Gayatri, he smashed his face.

Why didn't you give him

some money for medication?

I gave him rupees. . .

The tea has gone cold.

Why were you hesitating to

come to the temple today?

Mom, actually. . .

- Shut-up! Don't make excuses.

You know I never forgo prayers

on 'Ekadashi'.

And who do I offer prayers

and fast for anyway?

For you.

- For me?

Yes, I come and pray for

a good bride for you.

Even I don't come here to ask anything

for myself. Even I pray for you.

Is it?

And what do you pray for me?

I pray that you get

a good daughter-in-law.

Naughty!

But how will our wish be fulfilled?

You never take any interest in girls.

I am interested in a girl.

- Really?

Matters have moved ahead.

- But who is she?

I'll introduce her to you soon.

As soon as the time. . .

Time. . . time!

Ma, I wanted to make a call!

You were going to call me at 10.

- I'm sorry.

Fraud! Alright, I'll wait

for you at 1 at National restaurant.

We'll lunch together.

- Neha, I am very busy.

I have some meetings to attend.

And moreover, your dad keeps

an eagle's eye on me nowadays.

I don't know anything!

You have to be there at 1.

Alright, call me up in office,

I'll think of something.

What if dad catches us

talking to each other?

You have plotted to

put me in trouble.

Rate this script:0.0 / 0 votes

Dilip Shukla

All Dilip Shukla scripts | Dilip Shukla Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Salaakhen" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/salaakhen_17361>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A The end of a scene
    B A camera movement
    C A transition to a new scene
    D The beginning of the screenplay