Salinger
1
So it's 1979.
I'm 20 years old.
I get an assignment
from 'Newsweek' magazine
to photograph this author.
I'm like, "Great."
And they were like, "it's not
quite that easy this time, Mike,
"because he doesn't like
to be photographed.
"We don't have an address or
a telephone number to give you,
"but we do know he picks up
his mail in Windsor, Vermont."
So the first day, after
sitting here for four hours,
drinking Pepsi and eating
Cheetos, making myself sick...
...didn't happen.
I decided, "it's 5:30.
The post office is closed.
"Nobody's gonna come
get their mail that day."
Then I just walked the streets
of Hanover late at night.
Started to wonder
So the next day, I came back.
One man came out
of the post office.
I photographed him, wrote down
but it wasn't him.
So I waited.
And then this Jeep pulls up,
but I don't see his face.
He gets out and he goes into
the post office really quickly,
and as he came back out...
Newsroom.
McDERMOTT:
I got it.I got Salinger.
Thinking back on the guys
who sat around the poker table,
what distinguished Jerry
out of that pack was that
there was in him no doubt
he was going to be published,
no doubt that he had
an enormous talent
and no doubt that everybody else
at the poker table
was inferior to him.
His work was ordained by God.
His work was his way
to enlightenment.
He was put on this earth
to work, to write.
'Catcher in the Rye'
caught my attention
when it first came out.
There had not been
a voice like that-
so personal, so revealing.
It seemed like somebody
stripping the layers
away from his soul.
It said on the cover, "This
book will change your life."
And I bought the book,
but I was afraid to read it
because I didn't
want my life changed.
It's magical - you're a little
like, "How'd he do that?
"How did he put it
all together that way?"
And lead me through it
in such a way
that I would just land like
that in that final statement,
where you're just
so grateful to him
and you wanna go find him -
like you're doing now.
It is
an extraordinary phenomenon
how many millions and millions
and millions of people
came to that book.
'Catcher in the Rye' has
sold 60 million copies.
That's an unprecedented figure.
And continues to sell, by
the way, 250,000 copies a year.
It's defined who we are
as an American culture.
A long-lost sibling had arrived,
and it was Holden Caulfield,
and he became
part of our conversation.
Like a whole generation,
I thought he was
writing about me.
To be on the cover
of 'Time' magazine in 1961
was something that went to
statesmen and Nobel Laureates.
"You owe us another book.
"I mean, after all,
we rewarded you
"with fame, with money.
"We said you're one of
"the important writers
of the century.
"Now, come on,
let's have some more."
And then he doesn't give it.
"How dare you
turn your back on us?
"We're your fans. You've
gotten inside our heads."
why he stopped.
Jerry had
scaled heights, big success.
At the height of that success,
he disappears.
I've heard that
he has a huge bunker.
There has been a rumour
for many years
that Salinger
continues to write.
long stretches of time
where he wouldn't come out
of the bunker at all.
He sort of became
- Mr A.E.
- Oh, there he is!
- How the hell did you get here?
- How are you? My God.
It was the year
after the war ended,
and the only person I knew
who had a job
was a man named Don Congdon,
who was the fiction editor
of 'Collier's magazine.
And we used to play poker,
maybe twice a week -
nickels and dimes,
not much of a game.
And one of the players was
a tall, lanky, dark gentleman
named Jerry Salinger.
Do you remember down here with
Yeah? We". Of course. Yeah.
The end of the evening,
we would go over
to Chumley's bar and grill,
which is an old, old
hangout for writers.
So everybody in here
was convinced that
they were the next Hemingway
or whatever,
except for Salinger, who didn't
wanna be the next Hemingway.
Jerry himself said,
"There's been no great writers
Theodore Dreiser,
Hemingway, Steinbeck - they were
all second-rate talents.
And then it dawned on me -
of all those writers,
Herman Melville was
the only one that was dead,
so it was alright.
He was the only writer
I ever knew
who talked about his characters
as if they were real people.
And it was very strange,
this thing,
because he made them
real in his stories,
they became real for him.
And because they were
so real for him,
as real,
I began to see them as real.
His attitude,
and he lived as if
he was really one of us -
scrabbling and trying to
get along best as we could.
And I was pretty shocked
to discover that
he literally lived
with his parents
in a very posh apartment
on Park Avenue,
that he had been to a succession
kicked out of most of them -
that he really came from
a country club society.
But it didn't seem to make
any difference with him.
He wasn't impressed at all
with the life that he had lived.
And I think that all
becomes very apparent
when eventually he writes
the one book that he writes,
and that's 'Catcher in the Rye'.
Salinger's father, Solomon,
was the son of a rabbi,
an importer of cheese
and meats - very unkosher.
her name was Marie,
which she changed to Miriam
to be accepted by
her husband's Jewish family.
He was very down on education.
"Don't believe everything
your professors say.
"They're just giving you
information.
"Get your own information
on your own terms."
I think
that Salinger understood
something about the culture
long before the culture
understood it about itself.
He saw fakes everywhere.
"Mr Salinger, what does
the 'J.D.' stand for?"
And he smiled sheepishly and
said, "Juvenile delinquent."
After getting
kicked out of prep school,
his father decided
he needed discipline,
he needed structure,
and he shipped him off
to a military academy.
Valley Forge is important
for two real reasons.
Number one - that's where
Salinger really
got his act together.
And number two - that's where
Salinger first began to write.
Salinger wrote at night
by flashlight under the covers.
He was always writing.
What I have here
is J.D. Salinger's yearbook
from the Valley Forge
Military Academy.
It's an extraordinary item.
He signed it not only
in his own name
the characters that he played
in the various plays
in which he performed,
because he wanted
to be an actor.
When he was in high school,
he announced that his ambition
was to succeed Robert Benchley
as the theatre critic
for the 'New Yorker'.
His father thought
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