Satya Page #4

Synopsis: A young man named Satya (J.D Chakravarthy) comes to Mumbai from South India in search of a job. Jailed for something he did not do, the once-honest young man meets an underworld boss, Bhiku Mhatre (Manoj Bajpai) in jail and joins his gang. He lives in a poor neighborhood, where he meets, Vidya (Urmila Matondkar), who lives next door. She is not aware of his underworld connections. Satya slowly rises up the ranks of his gang, and becomes the most influential person. Satya is torn between his girlfriend and his gangster life.
Genre: Action, Crime, Drama
Director(s): Ram Gopal Varma
Production: Eros Entertainment
  10 wins & 7 nominations.
 
IMDB:
8.2
NOT RATED
Year:
1998
170 min
4,151 Views


...that I'll barge into

his house and kill him!

If you want to kill him,

what's the need to say so?

Meaning?

Guru Narayan should be killed

in one shot...

...without saying

or explaining anything.

Satya is right. The swine should

be eliminated in that manner!

The bloody fool

has become too smart!

Your heartthrob.

I'll be back soon.

Phone and find out where

that bloody Guru Narayan is.

All right.

Chander, who is that girl?

She's Satya's heartthrob.

She stays opposite his house.

What a piece she is!

The other day when we had

taken the van, we saw her.

They were whispering to each other.

- There is something cooking!

- Look at what's happened.

He has barely come to the city

and has already wooed a girl!

- Yes.

- Why are you jealous?

Even you can follow his footsteps.

Listen, you should woo

a girl just like her.

But she will not get wooed

if your face appears so crestfallen.

Open up a little!

She's nice. Is she your girlfriend?

What a girl you have wooed!

Your matter is fixed!

I don't wish to talk about it.

There's no need

to talk, understand?!

Didn't you hear what he said?!

Yes... Okay.

Guru is in Dubai.

Now what?

What now?

We will wait.

But if we set him free,

the swine will divulge everything.

Tell me beforehand!

Bapu, dispose off the body.

And don't leave it outside the

gutter, like you did the last time.

- Is the matter serious?

- Which matter?

The one concerning the girl outside.

No, it's nothing like that.

Really? Then why did you

get angry? They were only joking.

Why should you speak

like that about anyone?

About anyone!

Look into my eyes and speak to me.

Come on, talk to me.

You love her, don't you?

- No!

- Does she love you then?

Answer truthfully.

Come off it! I've just met her!

Tell me about it.

- She is a friend.

- And what do I mean to you?

I know it all, understand?

You cannot hide it from me.

Tell me something.

Why did you run to meet her?

Now, forget it!

Have you seen your face?

You are blushing!

Shall I say something?

The girl is nice.

But, Sir, I have even

learnt classical singing.

For 4-5 years.

Even my father used

to play the sitar.

So, if you would give me

a chance to sing, then...

Fantastic!

Many girls like you come to me.

All of them want to

become playback singers.

I can give a chance.

But why should I

give you this chance?

Sir, only if you give me

a chance to sing once...

...can you decide whether

I possess the talent or not.

Everybody is talented.

Even I am.

The question is not of talent...

...but of what else you can

give me other than that?

My guru would always say...

He'd always say, in order to gain

something, you have to give something.

Understand?

The producer is here to meet you.

Make him feel at home.

I'll be there soon.

Keep meeting me. I'll see

what I can do for you.

Okay.

Do meet me.

- Excuse me.

- Yes?

You are very beautiful!

You're back, my dear?

How was your day?

Did the music director

listen to your cassette?

- Has father taken his medicines?

- Yes. I'll be back in a jiffy.

No, father. Nothing was fruitful.

I'm not dejected, I'm smiling.

Vidya, a man brought the cooking

gas cylinder in the afternoon.

So I borrowed money from Satya

and gave it to him.

Repay Satya Rs.200.

Rs. 150 for the cylinder

and Rs.50 which I spent.

- Have the sweet dish.

- Sweet dish?

Why did you prepare it, mother?

You know we don't have money!

It's your birthday today.

You're the limit!

You know we don't have money!

What was the need to borrow money

from people and prepare a sweet dish?!

Just because it's my birthday...

I'm eating it now.

And it's delicious too.

You're here, and I was

looking out for you downstairs.

Actually...

...I went to meet a music director.

The types of people that

exist in this world, and...

...the loose manner

in which they speak!

To gain something,

you have to lose something!

Sometimes, I feel that things

like talent just do not exist!

They are only spoken words!

And I don't understand

what to say to such people.

What do I answer?!

I can't even mention

all this to my poor parents.

As they are already worried.

That their daughter earns

a livelihood all by herself.

That her earnings don't suffice...

I wonder what they keep thinking!

You may explain to them often but...

Oh! I came to return your money.

I have only Rs. 170.

I'll repay Rs.30 later.

No, I don't need the money.

- Please take it.

- I'll take it later.

No, please.

This is Satya speaking.

Do you know the

music director Runu Sagar?

Who's speaking?

- A girl had come yesterday.

- Who?!

- A girl had come to sing yesterday.

- So?

- Give only her a chance to sing.

- What!

If you value your life,

only give her a chance.

Hey! Stop talking nonsense,

you drunkard!

You are spared this time. The next

time, the target will be your skull!

Excuse me, where does

Ms. Vidya stay?

- Who?

- Ms. Vidya.

I don't know.

Where does Ms. Vidya stay?

The one who sings.

- On the second floor.

- On the second floor?

Is Ms. Vidya here?

- One minute... Vidya!

- Yes, mother?

Somebody is here to see you.

- Sir, you here?!

- Hello.

Please come inside...

Sir, you...

Father, he is Mr. Runu Sagar.

Hello... no, thanks.

- What brings you here?

- Well, actually...

...I kept pondering over your voice

all night and decided that...

...you will sing the song

which will be recorded tomorrow.

- Me?!

- The recording is at 9 a. M tomorrow.

- Please do come to Famous Studios.

- Me, sir?!

You...

- Please have some coffee.

- No. At the dot of 9 a.m. Tomorrow.

- Please be there.

- But at least have some tea...

There's no need.

- It'll take just two minutes.

- At the dot of 9 a.m. Tomorrow.

- Why are you coming along?

- I'll order for a cold drink.

At this rate, you will

reach the Studio with me!

It isn't so. I'll order

for a cold drink, sir.

- At the dot of 9 a.m. Tomorrow.

- Please, Sir!

Your job's done. Don't worry, okay?

The night's threats have worked

wonders. He's reached her house!

- Chander, give it to me.

- Speak to Bapu.

Satya, the work's done.

My friend, Razhak, is the

assistant of that film.

He mentioned that the dwarf

is scared to death!

He's suffering from diarrhea

since the time he received the call!

He said, "Call that girl and

let her only sing the song!"

He said that she had a melodious

voice which would be a great success!

He said that henceforth, he'd

let her only sing all the film songs.

I'm speaking the truth.

- Listen, ask him to call Bhiku.

- Is Bhikubhai there?

Uncle Kallu wants to speak to him.

Bhikubhai, speak to Uncle Kallu.

Yes, Bhiku?

Hey, listen.

After finishing off Malhotra,

the builders are scampering here!

Bloody Gidwani was here

a while back.

He said that I should take the

money right now but reduce the amount.

We will not spare them.

Ask them to increase the amount if

they want their lives to be spared.

- We should not increase the amount.

Rate this script:3.1 / 7 votes

Anurag Kashyap

Anurag Kashyap (born 10 September 1972), is an Indian film director, writer, editor, producer and actor known for his works in Hindi cinema, He is the recipient of several accolades, including a National Film Award, and four Filmfare Awards. For his contributions to film, the Government of France awarded him the Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) in 2013. After writing a television serial, Kashyap got his major break as a co-writer in Ram Gopal Varma's crime drama Satya (1998), and made his directorial debut with Paanch, which never had a theatrical release due to censorship issues. He then went on to direct Black Friday (2007), a film based on the book by Hussain Zaidi about the 1993 Bombay bombings. Its release was held up for two years by the Central Board of Film Certification because of the pending verdict of the case at that time, but was released in 2007 to widespread critical appreciation. Kashyap's followup, No Smoking (2007) met with negative reviews and performed poorly at the box-office. His next venture Dev.D (2009), a modern adaptation of Devdas was a critical and commercial success; followed by the political drama Gulaal (2009), and the thriller That Girl in Yellow Boots (2011). His prominence increased with the two-part crime drama, Gangs of Wasseypur (2012). Kashyap subsequently co-produced the critically acclaimed drama The Lunchbox, and the biographical drama Shahid (both 2013), the former earned him a BAFTA Award for Best Film Not in the English Language nomination. His next films were the anthology Bombay Talkies (2013), and the drama Ugly (2014). In 2016, Kashyap directed Raman Raghav 2.0, a film based on the serial killer Raman Raghav. His next film was the sports drama Mukkabaaz, which was released in 2018. Apart from filmmaking, Kashyap serves as the Member of board of the Mumbai-based NGO, Aangan, which helps protect vulnerable children around India. He is the founder of two film production companies: Anurag Kashyap Films and Phantom Films, with partnership from directors Vikramaditya Motwane and Vikas Bahl and producer Madhu Mantena. more…

All Anurag Kashyap scripts | Anurag Kashyap Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Satya" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/satya_17490>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Satya

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "tagline"?
    A A catchy phrase used for marketing
    B The final line of dialogue
    C A character’s catchphrase
    D The opening line of a screenplay