Saw II Page #5

Synopsis: When detective Eric Matthews is called to a crime scene of a victim of Jigsaw, he finds a lead to the place where he is hidden. Once there, he realizes that Jigsaw trapped his son Daniel Matthews with three women and four men in a shelter, and they are inhaling a lethal nerve gas. If they do not use an antidote within two hours, they will die. Eric follows with increasing desperation the death of each member of the group in monitors, while trying to convince Jigsaw to release his son.
Genre: Horror, Mystery
Director(s): Darren Lynn Bousman
Production: Lions Gate Films
  4 wins & 8 nominations.
 
IMDB:
6.6
Metacritic:
40
Rotten Tomatoes:
37%
R
Year:
2005
93 min
$87,025,093
Website
6,071 Views


Your tech team's arrived.

Just in time.

You better hope they find

the source of that feed.

There's something

I haven't told you, Eric.

- I'm done listening to you.

- Maybe I can just show it to you.

But unfortunately, it's going to be

difficult for me to get it myself...

so perhaps you could ask

the people...

who are listening

on that walkie in there...

if they could get it for me,

all right?

Brown desk.

Second drawer down.

You might not remember

all those people...

but I'm sure they remember you.

You were the arresting officer

in all their cases...

and you were the one

who planted all the evidence...

used to obtain

their convictions.

You were the one

who put them away.

Your son is playing a game

with a lot of people...

who don't like you very much,

detective.

It would be a shame

if they discovered who he was.

You all possess

the combination to the safe.

Think hard. The numbers

are in the back of your mind.

The clues of their order

can be found over the rainbow.

Son of a b*tch.

What are you doing?

I haven't decided yet.

You know, the others...

they're scared of you.

Good.

You and me...

we can keep going at each other

like we're back in the yard...

or we can come together

and figure out who's doing this to us.

You and the others

can do what you want.

I already found

what I'm looking for.

You remind me of me.

No matter what kind of

f***ed up situation you're in...

you always gotta

find yourself an enemy.

You know what?

I got enemies, man.

Outside these f***in' walls, bro.

And they're looking for me.

And if they don't find me...

they going after the ones

closest to me.

My family.

You understand?

No. I don't understand.

It's just me...

and that's the way I like it.

Now, turn around.

What?

Turn around.

Oh, sh*t.

No. We can't stop.

Sh*t.

Oh, my God.

We've been here for two hours.

If what that tape says is true...

then in one hour,

the front door will open.

- We're not gonna make it that long.

- That's a real winning attitude.

She knows what she's talking about.

Oh, yeah?

"X" marks the spot.

What?

"X" marks...

marks the spot.

There's the answer.

What are you doing with him?

This is your father?

- What, you know him?

- Yeah.

He's the guy who put me away.

He set me up.

Tell me that's not your father.

F***.

It's OK. It's OK.

I can't trust any of you.

You two are on your own.

Now we know

what we have in common.

Amanda, please. I didn't know.

Hey, kid, Amanda!

Where are you?

Please don't leave me.

We gotta move.

Hey, kid.

Amanda!

I found a way out.

Eight.

Hey, kid!

Do... not...

run.

Eric!

Eric! No! Stop!

Get your hands off of me!

We tried it your way.

You motherf***er, where is he?

Eric.

Damn it.

Not a lot to go now

until your son is pissing blood.

Now, that's the Eric Mathews

they gave medals to.

Help!

Help me!

Oh, my God.

Jonas.

Help me!

Help me!

Help!

Please.

It's OK.

- Help me.

- It's OK.

No!

F***er!

No!

Amanda.

Nobody's listening anymore,

a**hole.

Open your mouth.

Open your mouth. Come on.

There you go.

You gonna tell me

where he is now?

What?

Say it again.

Game... game over.

I'll take you to the house.

You're gonna take me right now.

Right now.

I will only take you.

No one else.

All right.

Me and you.

How do we get out of here?

There's a button on the wall.

You better hurry.

There's not much time left.

- The elevator! Open it!

- Come on!

- Pull it down!

- F***!

Secure the warehouse now!

All right. Let's go!

- Go! Go! Go! Go!

- Damn it.

We've got a lock.

This is Kerry.

They're both gone.

If I don't find my son,

I swear to God...

Kerry, they're gone.

F***ing gone.

Yes! Kerry. We got a lock.

We got a lock on the house.

- Rigg, we got it.

- What?!

237 North Hyde Crescent.

237 North Hyde Crescent. Got it.

Where to now?

Straight ahead.

Come on, come on.

Where are you?

Make a right on Alfred.

Come on, let's go!

Open the f***ing door!

Open the door!

There's nowhere to go!

All I want is the number

on the back of your head!

There's nowhere to go!

Come on, Amanda!

I can't hold it.

Come on, let me in! Let me in!

Open the door! Come on!

What do we do?

Take a left at the next street.

It's the last house on the left.

Oh, sh*t.

Oh, sh*t!

Come on!

Come on, Amanda!

- Man, what is it?

- It's a door.

It's a f***ing door.

You have nowhere to go!

You have nowhere to go!

Come on!

Help me move this thing.

I'm not gonna hurt you!

Come on, Amanda!

- Sh*t, it's locked!

- Let me in!

Come on. Open this door!

Come on!

The key. The one we found

with the tape recorder.

Where is it? Where is it?

F***!

Jonas. Jonas had it last.

Come on, Amanda!

Find it! Hurry!

Come on!

Come on! Open this door!

Let me in!

Eric, you're gonna need

this key...

when you get inside the house.

No!

Where the hell are we?

Run! Run!

Daniel?

Daniel!

Daniel, we've got to go!

We've got to go!

Run.

- All right, come on.

- Let's go, let's go.

Go, go, go!

- Hallway's clear.

- We're in.

Daniel!

Ground floor secure.

Moving out. Moving out.

Kerry, we're in the house.

I repeat... we're in the house.

I cannot see you, sergeant.

Repeat... cannot see you.

Repeat... I cannot see you.

- Where the hell is everybody?

- What is your 20?

Rigg, do you copy?

Hello, Mr. Hindle.

Follow your heart.

I wish I would've

checked in there first.

What the f*** is this?

My name is "Very f***ing confused!"

What's your name?

I'm gonna kill your husband now.

He doesn't want us

to cut through our chains.

What are you doing? No!

He wants us to cut

through our feet.

Oh, my God!

Daniel!

Oh, no.

Please.

He's gone.

It doesn't matter.

All I want is the number

on the back of his neck.

And then yours.

You still don't know

your own number.

How are you gonna get it

if I don't tell you?

Daniel!

F***.

Daniel?

I still cannot see you,

sergeant.

Rigg, do you copy?

- Left side clear.

- Right side clear.

All clear.

I still can't see you, sergeant.

I repeat... cannot see you.

It's not live.

Kerry, we're in

the wrong f***ing house!

They've been dead

this whole f***ing time.

- Get your team out of there.

- Let's go.

Daniel?

Daniel?

Daniel?

Daniel.

Daniel.

Hello, Eric.

You probably don't even

remember me...

but you changed my life once.

You sent me to prison.

I was guilty

of a lot of things...

but not the drug charge

you framed me for.

You wouldn't know

the things you lose...

when you're locked away.

The second time somebody

changed my life...

I was guilty.

Hello, Amanda.

But my life was saved that day.

- You said you survived this, right?

- Yeah.

I found myself a father...

a leader... a teacher.

You must meet death...

in order to be reborn.

He helped me.

What is the cure

for cancer, Eric?

Those that don't appreciate life

do not deserve life.

The cure for death itself.

The answer is immortality.

Daniel!

By creating a legacy...

by living a life

worth remembering...

Rate this script:4.0 / 3 votes

Leigh Whannell

Leigh Whannell (born 17 January 1977) is an Australian screenwriter, producer, director, and actor. He is best known for writing films directed by his friend James Wan, including Saw (2004), Dead Silence (2007), Insidious (2011), and Insidious: Chapter 2 (2013). Whannell has directed two films, Insidious: Chapter 3, released in 2015, and Upgrade, released in 2018. Whannell and Wan are the creators of the Saw franchise. Whannell wrote the first installment, co-wrote the second and third installments, was producer or executive producer for all the films, and appeared as the "Adam Stanheight" character in four of the installments. He was also the writer of the Saw video game (2009), and co-writer of the 2014 film Cooties. more…

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Submitted on August 05, 2018

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