Scarecrows Page #4

Synopsis: Five people heist the Camp Pendleton payroll, kidnap a pilot and his daughter, who are forced to fly them to Mexico. Enroute a double cross has one of the thieves parachute with the loot into an abandoned graveyard surrounded by strange scarecrows. Two of the team jump after their loot and their former partner. Everything happens during the course of one very dark night.
Genre: Horror, Thriller
Director(s): William Wesley
Production: Effigy Films
  1 nomination.
 
IMDB:
5.6
Rotten Tomatoes:
50%
R
Year:
1988
83 min
Website
121 Views


no f***ing way.

All right, Curry, you got a better idea?

- Yes, I have a better idea.

- Let's hear it.

- Let's just wait till daybreak, okay?

- And leave $3.5 million...

Guns don't work!

Don't you understand?

I tried it already, okay?

The motherf***er just kept coming!

I mean, you understand

what's happening here, don't you?

Think about it.

I mean, you think

it's an accident we're here, huh?

Well, you tell me, why is it

that those MPs just kept firing at us

and they kept missing?

And we kept firing at them

and they kept falling.

They kept coming and firing and missing.

We kept firing, they kept falling.

Why is that?

Don't you understand nothing?

We got away too clean,

don't you see that?

Then we land here, see?

And then it's Bert, and then it's Jack,

and then it's all of us,

just one by one, all of us.

Wait a minute, man.

What if...

What if they didn't miss us, man?

What if they hit us? And, like...

Maybe

we're dead.

And we're not...

I mean, we're not really here.

This isn't real.

I mean, we're here,

but none of this is really...

- What was that?

- What?

Who is that?

Hey, man, he's here.

Hey, Jack! Man, where've you been, huh?

Oh, Jesus, man, I thought you were toast.

Hey, man, where are you?

Curry, who the hell are you talking to?

Jack, he's on the radio.

What, are you deaf?

Hey, man, where're you at?

I don't hear anything.

What are you trying to pull?

Look, Curry, let's get the hell out of here

right away, okay?

We'll get the rest of the money

on the way to the plane.

- Come on.

- No!

Jack's on his way back to the house.

He's got the money.

Jack is dead, man.

He's on his way back to the house

with the money!

- The money is outside.

- You, shut up!

Curry, look, if we don't leave right now,

they'll kill us.

You go.

Those things don't go down, man.

Now Jack is on his way back to the house,

and I'm not leaving here without him.

Curry, Jack's not coming back.

He's dead.

What are you doing with Jack's gun, huh?

I...

How are we supposed to get out of here

if Jack doesn't have his gun?

All right, Curry. All right, I'll give it

to you. You give it to Jack, all right?

All right.

Now you just get out of here.

We'll be fine.

Me and Jack, we don't need anybody else.

Now you just get the hell out of here.

- You serious?

- God damn right, I'm serious.

- Let's get out of here, Kellie.

- Get out!

- Curry, come with us.

- Just get the hell out!

- No trouble, man, no trouble.

- Get out.

Get out.

Get out!

Come on, move it!

Let's go, let's go!

Come on, we can make it! Come on!

It's Dax! They're hurting him!

- Dax?

- Kellie, don't listen! It's not your dog!

Don't listen! It's the scarecrows!

Dax, I'm coming!

- Kellie, come back, it's not Dax!

- No!

- Come on, she's going after Dax!

- Kellie!

- Don't hurt him!

- It can't!

Stop! Kellie!

Daxie, I'm coming!

Daxie, where are you?

- This way.

- I'm coming, Daxie!

Look, I found more money.

Forget the money. Come on, let's go.

Come on, Roxanne. Forget the money.

We're getting out of here. Come on!

Kellie, we have to get to the plane!

Come back, Kellie. Where are you?

Kellie!

Roxanne, we gotta make a run

for the plane now.

- I'll meet you there.

- Go there now. I gotta get Kellie.

You hear me? Do it. Roxanne!

Dax?

Dax?

Daxie?

Daxie?

Dax?

Daxie?

Dax, come here.

Come here.

Daxie?

Dax?

Come on, your dog's at the plane.

Roxanne?

Come in, Roxanne.

We're getting out of here right now.

Meet us at the plane.

Just forget the damn money

and get to the plane.

It's not worth it.

Do you hear me, Roxanne?

Forget the goddamn money.

It's not worth it.

Roxanne! Roxanne, come in! Roxanne!

Hey, Jack.

Cmo ests?

Hey, Jack, man.

You never grow up, huh?

Hey, Paco!

There's the plane.

Come on!

Come on!

Come on, let's go! Hurry up!

Watch the wire. I got it. Go under!

Go on!

Fly the hell out of here, Kellie!

Hurry, get away!

Run! Don't stop, Kellie! Run, run!

Get out of here! Keep running!

Jack?

You f***, you fall on me, you're dead.

- Hello?

- Hello, Curry.

- Hello?

- Over here, in the fridge.

Reach out and touch someone.

Well, who is it?

Jack?

Jack?

Hey, Jack. Is that you, huh?

Motherf***er, don't play games with me!

Jack?

Hey, Paco.

It's me.

I'm okay, let's go.

Let's get the hell out of here!

Roxanne? Curry?

Can you hear me? We're at the plane.

- Hey, Curry.

- You can still make it if you come now.

- How come you locked me out, man?

- This is your last chance.

Let me in there, amigo.

There are scarecrows out here.

Hurry up, Paco. They're getting closer.

I'm not fooling around. Let me in, Curry.

Gee, these f***ing things,

they're definitely demonic.

Curry, you're not one of them,

are you, man?

Tell me you're not.

Curry, open the f***ing door.

It's me, man. It's Jack.

Open the goddamn f***ing door!

Hey, Curry,

how are we gonna live in Mexico

if we're dead?

It's okay, Daxie. We're gonna be okay.

Kellie! Kellie!

I'm coming, Kellie! I'm coming!

Corbin!

Please, Daddy, no!

Daddy, stop, no!

Daddy, no!

Corbin, help me!

Please, God, help me!

Corbin!

No!

Corbin?

No!

No!

WORZ news time is 7:00.

It's 81 degrees under clear skies

in San Diego.

Good morning, I'm Don Herbert.

The hijacked Baja Air cargo plane,

that was involved in last night's robbery

at Camp Pendleton

and was the object of

a massive all-night search,

has reportedly landed back

at its home base outside San Diego.

Upon entering the plane,

members of the San Diego SWA Tteam

were met by savage attacks

from the pilot's dog.

They were forced

to tranquilize the animal,

and then discovered

that the family pet

had been feeding

on the charred remains of his master

and a yet to be identified robber.

Officials theorize that the two men

were involved in a struggle

and were killed when the robber's grenade

accidentally exploded.

Afterwards, the SWA Tteam

was able to move into the cockpit

where they found the pilot's daughter

strapped into her father's seat.

Apparently, the girl had piloted the plane

all night in a state of extreme shock.

Police and federal agents

found no trace of the stolen money

or of the other robbers.

Currently, investigators are baffled

saying only that

their search will be intensified.

In other stories, an airline co-pilot

brings his jetliner to a safe landing

after the pilot suffered

a fatal heart attack.

WORZ news time, 7:02.

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Richard Jefferies

John Richard Jefferies (6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not." more…

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Submitted on August 05, 2018

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    "Scarecrows" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/scarecrows_17556>.

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