Scarface Page #10

Synopsis: Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.
Genre: Crime, Drama
Director(s): Brian De Palma
Production: Universal Films
  Nominated for 3 Golden Globes. Another 4 nominations.
 
IMDB:
8.3
Metacritic:
65
Rotten Tomatoes:
82%
R
Year:
1983
170 min
$656,161
21,131 Views


She don't eat nothing.

Sleeps all day

with them black shades on.

- Wakes up with a Quaalude...

- Don't pick on her, man.

...and who won't f*** me

'cause she's in a coma.

I can't even have a kid with her.

Her womb is so polluted...

I can't even have

a f***ing little baby with her!

You son of a b*tch!

You f***!

- You shouldn't talk like that.

- How dare you talk to me like that!

What makes you

so much better than me?

- What do you do?

- Don't worry.

You deal drugs and you kill people.

That's wonderful, Tony.

Real contribution to human history.

- Go ahead. Tell everybody.

- You want a kid?

Tell the world.

What kind of a father

would you make?

Gonna drive him to school

in the mornings?

Are you even gonna be alive

by the time the kid goes to school?

- You don't know how to be a husband!

- Sit down before I...

Do we ever go anywhere

without having 600 thugs...

hanging around all the time?

I have Nick "The Pig" as a friend.

What kind of life is that?

Can't you see...

what we're becoming, Tony?

We're losers.

We're not winners, we're losers.

- Go home. You're stoned.

- I'm not stoned, you're stoned.

- Get her out of here.

- Come on.

I'm not going home with you.

I'm not going home with anybody.

I'm going home alone.

I'm leaving you.

I don't need this sh*t anymore.

Okay, but I'll walk you out.

I'll take her home in a cab.

Let her go.

Another Quaalude,

she gonna love me again.

What're you looking at?

You're all a bunch

of f***ing a**holes.

You know why?

You don't have the guts

to be what you want to be.

You need people like me.

You need people like me...

so you can point

your f***ing fingers...

and say, "That's the bad guy."

So...

what does that make you?

Good?

You're not good.

You just know how to hide...

how to lie.

Me, I don't have that problem.

Me, I always tell the truth.

Even when I lie.

So say good night to the bad guy!

Come on.

The last time you gonna see

a bad guy like this again...

let me tell you.

Come on. Make way for the bad guy.

There's a bad guy coming through!

Better get out of his way!

NEW YORK CITY:

No. You tell Sheffield to keep

his nose out of it.

There's gonna be no trial.

I got it all under control now.

Just tell him to stay out of it!

Okay, what about Elvira?

Did she call?

Yeah, all right.

Tony, everything go okay?

Yeah, everything is roses.

Ernie, what time do you got?

- Ten to.

- Ten to.

- Where is this guy?

- I gotta call Manny.

Sit down.

You don't tell me what to do here!

He's coming out.

He's coming.

- I don't give a f***.

- It's him, man.

We do it

in front of the United Nations.

That's how they want it.

I don't care where you blow him up.

Tell me when, okay?

You just tell me when.

That's all I care about.

I want you to stay thirty meters

behind the car, okay?

Thirty meters. No more.

I heard you the first time.

One time.

That's all you gotta tell me.

I told you thirty meters.

This f***ing guy, I'm telling you.

Look. Here he comes.

Where's he going?

What's he doing that way?

What the f*** he doing?

What the f*** is that? Come here.

You said she took the kids

in the other car!

She did, every f***ing day.

I don't know what's going on.

No f***ing way.

No f***ing way. That's it!

Forget it!

We kill this guy alone.

No wife, no kids.

No way. If Sosa says we do it now,

we do it now. Let's go.

This f***ing guy.

Okay, just stay behind him.

Slowly, slowly.

F*** you, you f***ing vulture.

Okay. Easy.

Two little kids in the car.

This is so f***ing bad.

This is so f***ing bad.

You're losing them. Look!

You're losing them!

I see them, all right? I see them!

Ten meters, ten meters!

Move it. Move it!

Shut the f*** up, okay?

You don't have the guts to look them

in the eye when you kill them.

You gotta hide with that sh*t...

Shut your mouth.

He's getting up. Let's do it.

Make you feel good?

Make you feel good to kill a mama

and her kids. Make you feel big.

Shut your mouth!

Like you, big man! F*** you!

What do you think I am?

You think I kill two kids

and a woman?

F*** that!

I don't need that sh*t in my life!

You die, motherf***er!

What do you think I am?

You think I'm a f***ing worm

like you?

I told you, man!

I told you, don't f*** with me!

I told you, no f***ing kids!

No, but you wouldn't listen!

You stupid f***! Look at you now.

Nick, where the f*** you been?

On a delivery?

Where the hell is Manny?

I been calling all over.

Where is he?

I don't know, Tony.

He's been gone

the last couple of days.

He didn't say nothing.

He's gone? Where?

I left him in f***ing charge, man!

Where the f*** is he?

You can't trust nobody anymore!

I don't know, Tony.

He just took off.

He didn't say nothing.

He took off?

Are you all right?

No, I'm not! I'm pissed!

When I get back there...

I'll kick some ass

all over the place!

When you coming back?

I'm coming back tonight!

This f***ing cocksucker.

Tony, your mama called. Gina's gone.

Gone? Where?

She got to see you right away.

Tell her I'll call her tonight.

Listen to me.

What about Elvie? She call?

No.

No.

Okay, listen to me.

If she calls,

just tell her I love her.

Okay? Just tell her that.

You hear from Manny?

No.

Your mama called, she gotta see you.

Sosa's been ringing every half hour.

He sounds pissed.

Get him on the phone. Elvie call?

No.

You keep trying Manny.

I want that cocksucker here.

- I want him here now! Okay?

- Okay.

Come on. Go ahead, get him!

Let's go. Come on!

Yeah? Mama. Yeah, I know.

They told me.

Okay. I'm coming over.

I'll be over to see you.

I'll be over, yeah.

Put it on the speaker.

What happened, Tony?

Alex, how you doing?

What happened?

We had some problems.

Alex?

Tony, what happened?

We had a little problem.

I heard.

How you hear that?

Our friend gave a speech at the UN.

He was not supposed to give

that speech.

Well, your guy, Alberto,

he's a piece of sh*t.

I told him to do something,

he didn't listen...

so I cancelled his contract.

My partners and I are pissed off.

That's okay. No big deal.

There's other Albertos.

We'll do it next month.

No, Tony, you can't do that.

They found what was under the car.

Now our friend has got security

up the ass.

The heat will come down hard

on my partners and me.

There's not gonna be a next time...

- you dumb cocksucker! You blew it!

- Take it easy when you talk to me.

I told you a long time ago,

you f***ing monkey, not to f*** me!

Who the f***

you think you're talking to?

You want to f*** with...

Who the f*** you think I am,

your f***ing bellboy?

You want to go to war?

We take you to war, okay?

Alex, you there? Hey!

He's not there. Clmate, man.

She got a place of her own.

She don't tell me where.

One night, I follow her in a taxi.

She goes to a fancy house

in Coconut Grove.

- Where'd she get the money?

- You!

You were giving her the money!

You see what you do to her?

- I don't give her that much money.

- You did!

Rate this script:3.2 / 15 votes

Oliver Stone

William Oliver Stone (born September 15, 1946) is an American film director, screenwriter, and producer. Stone came to public prominence between the mid-1980s and the early 1990s for writing and directing a series of films about the Vietnam War, in which he had participated as an infantry soldier. Many of Stone's films primarily focus on controversial American political issues during the late 20th century, and as such that they were considered contentious at the times of their releases. more…

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Submitted on August 05, 2018

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