Scarface Page #6

Synopsis: Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.
Genre: Crime, Drama
Director(s): Brian De Palma
Production: Universal Films
  Nominated for 3 Golden Globes. Another 4 nominations.
 
IMDB:
8.3
Metacritic:
65
Rotten Tomatoes:
82%
R
Year:
1983
170 min
$656,161
20,836 Views


For you, maybe.

You like kids?

Kids?

Kids. You know, kids. Little kids.

Sure. Why not?

As long as there's a nurse.

Good, 'cause I like kids, too.

I like them. Boys, girls.

Don't matter to me.

Frank's gonna be back any minute.

Come here.

Sit here.

I want to talk to you. Sit down.

I'm not gonna bite you.

Okay, here's the story.

I come from the gutter. I know that.

I got no education...

but that's okay.

I know the street...

and I'm making

all the right connections.

With the right woman,

there's no stopping me.

I could go right to the top.

Anyway...

what I got to tell you is this:

I like you.

I liked you

the first time I laid eyes on you.

I said, "She's a tiger.

"She'll belong to me."

Anyway...

I want you to marry me.

I want you to be

the mother of my children.

Me? Marry you?

That's right.

What about Frank, Tony?

What will you do about Frank?

Frank is not gonna last, okay?

He's finished.

Just think about it, okay?

I want you to really think about it.

I'll go now. Take care.

All your enemies are gone.

- Mr. Montana. How are you?

- Hello.

What the f*** she doing here?

Come on, man. She's just

dancing. Come on. Take it easy.

- It's just a disco.

- Who's that guy she's with?

He's some guy who works

for Luco. He's nobody.

- He's harmless.

- Works for Luco?

Yeah. Forget him.

Hello, Tony. You remember me?

Bernstein. Mel Bernstein, right?

Chief Detective, Narcotics.

That's right, yeah.

I think we should talk.

Talk?

What are we going to talk about?

I ain't killed nobody, not lately.

No, not lately.

What about ancient history,

like Emilio Rebenga?

Or a bunch of whacked-out Indians

at the Sun Ray Motel?

Whoever's giving you

your information...

is taking you for a long ride.

Tony, baby, we gonna talk...

or am I gonna bust

your wiseass spic balls...

here and now?

Keep your eye on her.

I'll do that.

Okay.

- My office.

- Good.

The word on the street is

you're bringing in a lot of yeyo.

That means you're not

a small-time punk anymore...

you're public property now.

Supreme Court says

that your privacy can be invaded.

Okay. How much?

How much?

There's an answer to that, too.

Here's how much.

Can you see it?

- Big number.

- Yeah!

That's on a monthly basis,

same thing every month.

You know how this works?

No. You tell me.

We tell you

who's moving against you...

and we shake down

who you want shaken down.

Let's say that you got

a real problem making a collection.

And then we step in for you.

Got eight killers with badges

working for me.

When they hit, it hurts.

Same thing works the other way.

You feed me a bust now and then.

Some cowboy setting himself up

in business.

Small fry, you know?

We like snacks.

How do I know you're the last cop

I'm gonna have to grease?

What about Fort Lauderdale?

Metro? DEA?

How do I know what rock

they're gonna crawl out from under?

Well, that's not my business, Tony.

We don't cross no lines.

You think I want this conversation

going any farther than this table?

My guys got families.

They're legitimate cops.

I don't want

to see them embarrassed.

If they're embarrassed,

they'll suffer.

If they suffer,

they'll make you suffer.

You understand

what I'm talking about?

Thanks for the drink.

By the way...

I got a vacation coming up.

I'm gonna take the wife

to London, England.

We've never been there.

So throw in a couple

of round-trip tickets, first class.

You gotta smile more, Tony.

You gotta enjoy yourself.

Every day above ground

is a good day.

- Hello.

- Hello.

Yeah. Now that's the idea.

Okay, Mel.

You think about what I said?

About the kids?

- You know, you are really nuts.

- I'm nuts about you.

Why don't you find your own girl?

My own girl?

Yeah.

That's what I'm doing.

Do it somewhere else.

Maybe I don't hear

so good sometimes.

You won't hear anything

if you go on like this.

Will you do something?

You're f***ing right

I'm going to do something!

I'm giving you orders. Blow!

Orders? You giving me orders?

The only thing in this world...

that gives orders is balls.

You got that?

Balls.

Let's go.

Elvira.

When you gonna learn?

Looking good, honey.

Keep up the bad work.

That cocksucker.

What happened?

- He put that prick Bernstein on me.

- Who? Lopez did?

How do you know?

Who else knew about Rebenga?

Omar?

He's fertilizer.

He's letting me know

he's got weight on me.

I'll tell you what, man.

You know our little trip

we've been planning to New York?

It might be a good time.

Wait. Where you going?

Welcome to my private room.

- Your private room.

- This is my private room.

I got a beautiful, nice,

white lounge chair for you.

Gina, you taste so muy bueno.

What are you doing?

Shut up!

We wasn't doing nothing!

Fernando, wait!

Get out!

Damn you!

You think he's cute?

I saw him putting his hand

all over your ass.

My kid sister in a toilet.

It's none of your business.

None of my business?

The f*** it ain't!

Don't tell me what to do!

I'll tell you!

Listen to me. Come here.

I catch you here again, I'm gonna

wipe you all over the f***ing place.

Yeah? Go ahead!

Do it now. I want to see it.

- I want to see it now, big shot.

- Don't push me.

- I want to see it now!

- Don't push me! Get outta here!

- Go outside.

- You got some nerve, Tony!

You think you can

tell me what to do?

You can't tell me what to do.

I'm not a baby anymore.

I'll do what I want to do,

see whoever I want to see.

And if I want to f*** them,

then I'll f*** them!

F***ing, man! Come on, man.

What the f*** you want?

You want something?

No. Don't touch me.

- No.

- We've got to get out of here.

Not there.

I don't want to go out there.

Another great night here

at the Babylon?

Okay. All right!

Do another gram,

you'll all be babbling on.

Is that coke in your bra,

or are you just glad to see me?

A little bit of hope, I'm sure, yes.

I'm in a good mood. I was depressed

when I got up this morning.

I had a dry dream,

but I'm better now.

I do Laurel and Hardy

in Spanish, too.

That's the height of culture,

I assure you.

But my favorite Cuban of all time

has to be Ricky Ricardo.

Mr. Babalu himself.

He had the same problem

for 10 years.

"Lucy, don't come down to the club."

He's your brother. He loves you.

That's why he did it.

All right? He cares about you.

To him,

you're still his little sister.

That's the problem.

He still treats me like I'm a baby.

I'm 20 years old now.

- I'm not anybody's baby.

- You're so grown-up.

Come on, Gina.

Put yourself in his place, okay?

Right now, you happen

to be the best thing in his life.

The only thing that's any good,

that's pure.

Of course he doesn't want you

mixing with those people...

growing up to be like him.

He has this father thing for you.

Feels like he has to protect you.

Protect me against what?

Against guys like that a**hole

you were dancing with tonight.

I like Fernando.

He's a fun guy and he's nice.

Rate this script:3.2 / 15 votes

Oliver Stone

William Oliver Stone (born September 15, 1946) is an American film director, screenwriter, and producer. Stone came to public prominence between the mid-1980s and the early 1990s for writing and directing a series of films about the Vietnam War, in which he had participated as an infantry soldier. Many of Stone's films primarily focus on controversial American political issues during the late 20th century, and as such that they were considered contentious at the times of their releases. more…

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Submitted on August 05, 2018

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