Scarface Page #2

Synopsis: Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command, and is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may be
Genre: Action, Crime, Drama
Director(s): Howard Hawks, Richard Rosson (co-director)
Production: Universal Pictures
  2 wins.
 
IMDB:
7.8
Rotten Tomatoes:
100%
PG
Year:
1932
93 min
1,888 Views


Don't ever forget that.

You're the boss.

That's better.

From now on, next to me, the

boys take orders from you.

Yeah, me and you, huh?

That's fine talk, boss.

Here. Have a cigar. There'll

be plenty of work for everybody.

Costillo slowed down too much. Yeah.

And now he come

to a dead stop.

Here. You'd better

smoke one of mine.

Mmm. That's pretty nice. Expensive, huh?

I don't like cigar smoke

in my room. Do you mind?

Listen, I'm gonna hold off that

meeting with the boys a couple of days.

After Big Louie's funeral, it's

better. You know what I mean?

Hmm? Oh, yeah. Sure, sure.

It don't look so good.

And I want you to send some flowers...

a cross of white carnations from me, see?

Yeah, and I send

lotsa purple bunch.

Big Louie, he always

liked purple.

Why don't you go

and do it now?

You'd better

make that meetin' Monday.

Tell all the guys that want to run

beer on the South Side to be there.

Tell 'em I'm gonna make a

speech. Know what I mean? Mm-hmm.

Well, good-bye, Poppy.

See ya again.

She don't like anybody but me. Mm-hmm.

She's a very busy girl.

Expensive, huh?

Here you are, Little Boy.

Easy dough, huh,

for just standing outside

and listenin' to a gun go off?

Cinch. When are we gonna get

some more? We'll get plenty.

There's business just waitin' for

some guy to come and run it right.

And I got ideas. We're

workin' for Lovo, ain't we?

Lovo. Who's Lovo? Just some guy who's a little

bit more smart than Big Louie. That's all.

Hey, that guy is soft. I

could just see it in his face.

He's got a setup, that's all,

and we gotta wait.

Someday I'm gonna run

the whole works.

Yeah? Remember, those monkeys

on the North Side ain't so soft.

Oh, yeah? Say, they're

satisfied, ain't they?

Why didn't they come and

take Big Louie before we did?

Listen, Little Boy.

In this business, there's only one law

you gotta follow to keep outta trouble.

Do it first, do it yourself

and keep on doin' it.

Mmm!

Where's Cesca?

Oh, I don't know.

She go out.

What do you mean? Ain't

she comin' home for dinner?

Oh.

Hey, I don't like that.

You tell her I want she should

come home for dinner.

Understand? Sure. I tell her lotsa time.

"Come home. Come home.

Tony no like. "

But she don't...

That's a nice way I catch ya,

huh? What do you mean, "catch me"?

I wasn't doin' nothin'.

You was kissin' him.

Sure. What of it?

Well, I don't like it.

You're missin' lots of fun. Listen, I don't

want anyone kissin' my sister. Understand?

You're hurtin' my arm! I don't want

anybody puttin' their hands on you!

What do you think you're

doing? I'm your brother.

You don't act it. You act

more like... I don't know.

Sometimes I think... I don't care

what you think. You do what I say.

Sure, and never have any fun. Oh, "never

have any fun. " You call that fun, huh?

Runnin' around with guys

like that. That's "fun. "

Listen, you want

real fun, huh?

Here. How's that?

Gee, Tony! Where'd you get it? Never mind

where I got it. You just spend it, see?

Tony, you're swell.

Go on.

Get ready for dinner.

And remember,

you do what I say.

No more fellas,

understand?

What for you wanna

give her money, huh?

Ma, she's just a kid.

She wants to have fun.

Yeah? Sometime,

I think you crazy.

Cesca!

What for you take that money,

huh? Because I want it. That's why.

Give it back.

It's bad money.

Tony no got it in no good way.

It gonna bring you lotsa trouble.

What do I care where he gets it? There's

nothing wrong with his giving it to me.

Tony wants me to have a good

time. Oh, yes? You listen!

Tony no love you

like he make you believe.

All the time,

he smile on top,

but what he thinks...

Oh, he's got lotsa tricks.

He no give money to nobody for

nothing. He would to his sister.

Sister. Huh!

That make no difference.

To him, you're just

another girl.

Someday when he need you, he

mix you up in his business...

just like anyone else, and he's

gonna make you bad like him.

He can't make me do

anything I don't want to.

I'm gonna live my own life.

I can take care of myself.

Yeah? All the time,

Tony say like that.

Afterward, he no

belong to me no more.

He's-a no good,

and now you start to be

just like him.

No, I'm not.

Don't worry about me.

I'll get along

all right.

Hey.

Thank you.

Thank you.

That's all right, boys. Just

changin' the name on the door.

Meet the new president...

Johnny Lovo.

Hiya, boys.

Where's Berdini,

Zeigler, Meehan?

Anybody see 'em?

I did.

They ain't comin'.

Is that all they said?

- They said you could take a flyin'...

- Okay, okay.

Now we know

where they stand.

All right, you guys, I'm

makin' a speech. Here it is.

Big Louie gets a wad of dough,

and then he gets soft.

He lets you guys come

into the South Side and run beer.

Well, I'm gonna change it, see?

You can still stay in,

but, from now on,

you're operatin'the way I say.

Are you askin' us

or telling us?

I'm tellin' ya. We're gonna get

organized, and I'm gonna handle the works.

It's gonna mean twice as much dough

for everybody and half as much trouble.

- You got somethin' figured out, Johnny?

- Everything.

Not being able to get it's gonna

make this town thirstier than ever.

Runnin' beer ain't a nickel game anymore. It's

a business. I'm gonna run it like a business.

Swell. We've been cuttin' each

other's throats long enough.

There are 3,000 saloons on the South Side...

half a million customers. Figure that out.

Add up what they're gonna lay on the line

every year for drinks, and nobody in charge.

- So you're going to be it.

- Yeah, it. That's me.

I make my own beer,

and I got my own trucks.

I don't have to go

into business with nobody.

Where you goin'?

Who wants to know?

You sit down here, and don't

interrupt the president no more.

All right, President.

Well, are the rest

of you guys in or out?

- What about Meehan?

- Yeah. Berdini and Zeigler?

Why, they been sellin' to

700, 800 joints between them.

Yeah? Well, from now on, they're

out. Those joints buy from us.

Sure. If you try to sell

at one of those places,

Meehan'll turn this side of the

town into a shootin' gallery.

Fine. Anything he starts,

we'll finish.

You guys don't have to worry.

All you gotta do is to haul beer.

Yeah? Well, who's gonna stick his

neck in those joints to get the orders?

- My friend Tony Camonte.

- Yeah. I'm what he call "a good salesman. "

Hey, I start right now

to get orders, hey, boss?

All you can get. Go to it. Hey.

Dope, got a pencil?

Oh, boys, I don't write.

That's one.

Come on.

Come on, Little Boy.

Business.

Here, have your beer.

Hey! What is this?

Let go of me, will ya?

What do ya want?

Let go of me.

Let go! What's the idea? Come on.

Say, what's the big idea?

Sit down.

Who you buyin' your beer

from? Meehan and Berdini.

How many barrels a day? Three.

He's lyin', Tony.

He's been takin' five.

Chiseler. Well, you're

gettin' eight now, see?

And you're buyin' from us...

Rate this script:0.0 / 0 votes

Armitage Trail

Armitage Trail (July 18, 1902 – October 10, 1930) was an American pulp fiction author, best known for his 1929 novel Scarface. This novel depicted the rise of gangster Al Capone, and was adapted into the 1932 film Scarface directed by Howard Hawks and produced by Howard Hughes. The 1932 film was loosely remade as 1983's Scarface. His only other significant work is detective novel The Thirteenth Guest, though Coons is speculated to have written under a variety of pen names. more…

All Armitage Trail scripts | Armitage Trail Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Scarface" Scripts.com. STANDS4 LLC, 2024. Web. 4 Oct. 2024. <https://www.scripts.com/script/scarface_17562>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "INT." stand for in a screenplay?
    A Internal
    B Internet
    C Introduction
    D Interior