Scarface Page #5
- PG
- Year:
- 1932
- 93 min
- 2,021 Views
Sit down. You're
gonna stay for a while.
Well?
Can't get a thing on him.
wherever we go.
And Gaffney's turned yellow.
He's hiding out. What about Lovo?
Lovo is practically out.
He's as scared as Gaffney.
It's Camonte, all right, but we
can't prove it yet. No, but we will.
Hey, Chief.
What do you want?
This fellow Camonte.
What about him?
Public's interested in him.
He's a colorful character.
Colorful? What color
is a crawling louse?
Listen, that's the attitude
of too many morons in this country.
are some sort of demigods.
What do they do
about a guy like Camonte?
They sentimentalize, romance,
They had some excuse for glorifying
our old western bad men.
They met in the middle of the street at
high noon and waited for each other to draw.
But these things sneak up, shoot a
guy in the back and then run away.
I guess you're right.
Colorful!
Did you read what happened? A carful of'em
chased another down the street, broad daylight.
Three kiddies playing hopscotch
get lead poured in their little bellies.
When I think what goes on in the minds
of these lice, I want to vomit.
Ben?
Yeah?
See if you can find Gaffney.
He'll probably get it next.
They got all the others.
Right.
Our organizations are opposed
to your policy, Mr. Garston.
Your paper could be an influence
against the gangster,
yet you keep right on playing up
his activities as front-page news.
Murders, gang war, killing!
That's all we read about!
You're glorifying the gangster
by giving him this publicity.
You're trying to tell me you can get
rid of the gangster by ignoring him?
By keeping him off the front
page? That's ridiculous!
You're playing
right into his hands!
Show him up! Run him out of the country!
That'll keep him off the front page.
In the meantime, you expect our children
to read of nothing but outrage and murder?
That's better than
they're being slaughtered.
The city is full of machine
guns, gang war in the streets.
Kids aren't even safe
to go to school.
You want that to go on?
Certainly not.
But what can private
citizens do?
Even our police force
can't stop it.
Don't blame the police.
They can't stop machine guns from being
run back and forth across the state lines.
They can't enforce laws
that don't exist.
Then it's up to the federal
government to do something about it.
You're the government!
All of you!
Instead of trying to hide the facts,
get laws passed that'll do some good!
For instance?
Pass a federal law...
that puts the gun in the same
class as drugs and white slavery!
Put teeth
in the deportation act!
These gangsters don't belong in this
country. Half of'em aren't citizens!
That's true. They bring nothing
but disgrace to my people.
All right.
I'll tell you what to do.
Make laws and see
that they're obeyed...
if we have to have
martial law to do it!
The governor of New Mexico declared
martial law to stop a bullfight,
the governor of Oklahoma
to regulate oil production!
Surely gang rule
and wholesale law defiance...
are more of a menace
to the nation...
than the regulation of oil
or a bullfight!
The army will help.
So will the American Legion.
They offered their services
over two years ago!
And nobody
ever called on 'em.
Let's get wise to ourselves.
We're fighting organized murder!
That Sadie Thompson,
What's a girl wanna hustle
in a place like that for?
Yeah, it's
rainin' all the time.
Yeah, that rain.
That's pretty good.
That comes from a pipe,
just like a shower.
Them two fellas... Which
one do you think she takes?
The guy with the collar?
Nah. He ain't so hot.
Hey, listen. Them marines
ain't so hot too.
Come on. I go take a smoke.
That's a fine show. I gotta
see more shows like that.
You know, serious.
Ain't got no jokes.
I like a show with jokes.
That's-a dope.
What more do you want?
Listen, this girl Sadie, she's
got what you call a problem.
This fella with
the collar, he's gonna...
What's the matter?
They found Gaffney.
Spotted him down at Frank's
Bowling Alley. He got in a game.
Yeah? It's a setup.
Take about an hour...
I'm lookin' at a show now.
Listen, it's the last act.
There's two fellas after a girl
which is called Sadie, see?
And this girl Sadie, she's been
what you call... disillusioned.
We gotta do it now! He's
liable to slip us again.
He's the last one, boss.
Come on, Tony.
Ah, that's too bad.
All right, come on.
Wait a minute.
You stay here.
You stay and see the show. Ah, boss!
this girl Sadie, she take.
You stay here and find out,
then come and tell me.
It's all right, boss.
The copper's gone.
All right.
Come on.
Hey, Little Boy, you go around
the back, up on the balcony.
Hey, Pietro, side door. He may
have friends. You never can tell.
Joe, I want you to stand in the alley.
If he gets that far, you do your stuff.
You keep the motor running.
Bring the presents.
You stay here.
Come on, fellas.
Ah, now we'll know what happened
to that girl, Sadie.
Angelo, did she take
the guy with the collar?
Nah. She climb back
in the hay with the army.
Yeah? That's fine.
She's a smart girl, that kid.
Come on.
What're you doin'?
Not bad, huh?
Just watch this one.
Hello, Tony.
How are you?
Ahhh, that's-a pretty hot!
Hello.
Hello.
Hello.
Hello, stranger.
Chair. Well, Johnny!
Well, you're lookin' swell.
I thought we were gonna
see something of you.
- Well, here I am.
- Where have you been? On a vacation?
I've been workin'. Up on
the North Side, huh, Johnny?
That's what the papers say.
Don't work too hard.
I just finish up tonight.
Now I play a while.
You get your own table,
Camonte.
Why is that?
This is a table for two.
Well, maybe you get
another table, huh, Johnny?
Hey, listen, you!
Who do you think you are?
What are you tryin' to do?
All right, go on.
Nothing seems to bother
you much, does it?
Well, I get used to noises.
Hello, Guino.
Hello, baby.
Why are you always
high-hatting me? Go on, beat it.
I suppose you need
an organ grinder to work with?
Tony's inside. He see you
in that outfit?
from two stories up.
Am I different now?
Wanna dance with me?
Listen, you're
Tony's sister, see?
Besides,
you're only a kid.
I'm 18.
You like that music?
Now do you wanna dance?
No.
Afraid! Afraid
ofTony's sister! Why, you...
Well, I notice
Someday you'll find out
you've been missing something.
Hey, how about it,
you and me, huh?
I thought
you weren't dancing.
I changed my mind.
I need exercise.
We show 'em
somethin', huh?
That's right.
We make up for lost time.
How do you wanna play,
Tony? Like this?
That's it.
You wait here.
I take her home myself.
You can't!
Shut up!
You'll be sorry for this.
Next time I catch you in a place
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Scarface" Scripts.com. STANDS4 LLC, 2025. Web. 10 Jan. 2025. <https://www.scripts.com/script/scarface_17562>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In