Scarface Page #7

Synopsis: Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command, and is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may be
Genre: Action, Crime, Drama
Director(s): Howard Hawks, Richard Rosson (co-director)
Production: Universal Pictures
  2 wins.
 
IMDB:
7.8
Rotten Tomatoes:
100%
PG
Year:
1932
93 min
2,021 Views


I didn't know.

I didn't know.

Tony, what is it?

Tony, say something. Tony...

Yeah? Yeah?

He did? Did he get the rest of them?

Let me talk to Duffy. Ben,

here's what you've been waiting for.

Camonte killed Rinaldo.

Holed up in that steel fort of his.

Get him. Take the whole outfit.

I'll send more if you need them.

Don't lose any men. Block off

the street and smoke him out.

Hello? Send those monkeys in.

Tell Jake to stay put.

Tony!

- Quick, Tony. They're coming. The police.

- Cesca...

They're after you. They're gonna get you.

Why didn't you shoot me?

Why didn't you shoot?

I don't know. Maybe...

Maybe because you're me.

And I'm you. It's always been that way.

You fellas go on that roof

across the street.

Cover that alley

at the back of the house.

Tony, what are we gonna do?

Come here, I show you what we do.

They followed me.

It's my fault. I shouldn't have come.

What's the difference, yours, mine?

You're here, that's all what matters.

- You load them.

- Sure.

- I'm not afraid. I'm like you.

- That's the way to talk.

Come on, we'll show them.

Put it here.

We'll show them.

Look at them monkeys.

They think they'll get Tony Camonte?

What did I tell you? Look, Cesca, see?

Steel! All steel!

All steel. No one can get in here.

Cesca, you and me, we'll show them.

We'll lick them all.

The North Side, the South Side.

We'll lick the whole world!

Cesca!

Cesca!

Let me lie down, Tony.

I'm all hollow inside.

- Cesca, what is it? Where?

- It doesn't hurt, really.

Put your arms around me.

Just for a minute.

- I won't be able to help you now.

- You can't go away. I won't let you.

So dizzy. Hold me.

- Don't let me get scared.

- I'll be here all alone.

- You can't leave me here all alone.

- Tony...

- You're afraid. Don't be afraid.

- You're all I got left.

Little Boy, he's gone. Angelo, he's gone.

I'm no good without you.

I'm no good with myself. Cesca...

Cesca, they're out there.

They wanna get me.

They won't give me a chance.

Please. Cesca!

Guino wasn't afraid.

Cesca, don't go. Please.

I won't let you go. You hear?

You understand? You gotta stay here.

I don't want to stay. You're afraid.

Guino. Guino...

Cesca, please! Come back, you hear?

Come back, I say.

Hurry up with that gas.

- That second window up there.

- All right.

Cesca! Cesca!

Cesca...

I can't see.

Cesca! Angelo! Little Boy!

Cesca... Cesca...

I can't see.

Get him out of there!

Take it down.

No! Don't shoot, Guarino.

Look, I'm all alone. I got no gun, see.

- Give me a break.

- Who did you ever give a break to?

Look, I got nobody. I'm all alone.

Little Boy is gone.

Angelo is gone. I'm...

- My steel shutters don't work.

- Shut up. Come down.

I'll come down. Give me a break.

Don't shoot.

You got me covered. I can't do nothing.

Give me a break, will you?

Don't shoot, will you?

I told you I'd get you without a gun

and you'd squeal like a yellow rat.

Come on. Climb into this.

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Armitage Trail

Armitage Trail (July 18, 1902 – October 10, 1930) was an American pulp fiction author, best known for his 1929 novel Scarface. This novel depicted the rise of gangster Al Capone, and was adapted into the 1932 film Scarface directed by Howard Hawks and produced by Howard Hughes. The 1932 film was loosely remade as 1983's Scarface. His only other significant work is detective novel The Thirteenth Guest, though Coons is speculated to have written under a variety of pen names. more…

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Submitted on August 05, 2018

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