Scent of a Woman Page #11

Synopsis: Frank is a retired Lt Col in the US army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to university; to help pay for a trip home for Christmas, he agrees to look after Frank over thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his thanksgiving in New York.
Genre: Drama
Director(s): Martin Brest
Production: Universal Pictures
  Won 1 Oscar. Another 5 wins & 14 nominations.
 
IMDB:
8.0
Metacritic:
59
Rotten Tomatoes:
88%
R
Year:
1992
156 min
20,937 Views


You are in the Baird school,

not a barracks.

Mr. Simms, I will give you one

final opportunity to speak up.

Mr. Simms

doesn't want it.

He doesn't need

to be labeled...

"still worthy of

being a Baird man."

What the hell

is that ?

What is your motto here ?

"Boys, inform on your

classmates, save your hide;

anything short of that,

we're gonna burn you at the stake" ?

Well, gentlemen,

when the sh*t hits the fan,

some guys run...

and some guys stay.

Here's Charlie facin' the fire,

and there's George...

hidin' in

big daddy's pocket.

And what are you doin' ?

You're gonna

reward George...

and destroy Charlie.

-Are you finished, Mr. Slade ?

-No, I'm just gettin' warmed up.

[ Slade ] I don't know who

went to this place.

William Howard Taft,

William Jennings Bryant,

William Tell, whoever.

Their spirit is dead,

if they ever had one.

It's gone.

You're buildin'

a rat ship here,

a vessel for

seagoin' snitches.

And if you think you're

preparin' these minnows for manhood,

you better think again,

because I say you are

killin' the very spirit...

this institution

proclaims it instills.

What a shame.

What kind of a show

are you guys puttin' on here today ?

I mean, the only class

in this act is sittin' next to me.

I'm here to tell you

this boy's soul is intact.

It's non-negotiable.

You know how I know ?

Someone here, and I'm not gonna say who,

offered to buy it.

- Only Charlie here wasn't sellin'.

- Sir, you're out of order.

I show you out of order.

You don't know what

out of order is, Mr. Trask.

I'd show you,

but I'm too old,

I'm too tired,

too f***in' blind.

If I were the man I was

five years ago, I'd take...

a flamethrower

to this place !

Out of order ? Who the hell

you think you're talkin' to ?

I've been around,

you know ?

There was a time

I could see.

And I have seen.

Boys like these,

younger than these,

their arms torn out,

their legs ripped off.

But there is nothin'

like the sight...

of an amputated spirit.

There is

no prosthetic for that.

You think you're merely sendin'

this splendid foot soldier...

back home to Oregon with

his tail between his legs,

but I say you are...

executin' his soul !

And why ?

Because he's not

a Baird man.

Baird men.

You hurt this boy,

you're gonna be Baird bums,

the lot of you.

And, Harry, Jimmy,

Trent, wherever

you are out there,

- f*** you too !

- [ Gavel Pounding ]

Stand down, Mr. Slade !

I'm not finished.

As I came in here,

I heard those words:

"cradle of leadership."

Well, when

the bough breaks,

the cradle will fall,

and it has fallen here.

It has fallen.

Makers of men,

creators of leaders.

Be careful what kind of leaders

you're producin' here.

I don't know if Charlie's

silence here today...

is right or wrong;

I'm not a judge or jury.

But I can tell you this:

he won't sell

anybody out...

to buy his future !

And that, my friends,

is called integrity.

That's called courage.

Now that's the stuff

leaders should be made of.

Now I have come to

the crossroads in my life.

I always knew

what the right path was.

Without exception, I knew,

but I never took it.

You know why ?

It was too damn hard.

Now here's Charlie.

He's come to the crossroads.

He has chosen a path.

It's the right path.

It's a path

made of principle...

that leads to character.

Let him continue

on his journey.

You hold this boy's future

in your hands, Committee.

It's a valuable future,

believe me.

Don't destroy it.

Protect it.

Embrace it.

It's gonna make you proud

one day, I promise you.

How's that for cornball ?

[ Applause Continues ]

Nothing can

shut them up, sir.

[ Applause Stops ]

The Disciplinary Committee will

take this matter under advisement...

in closed session.

[ Indistinct ]

- What are they doin', Charlie ?

- I think they're going

to come to a decision now.

[ Indistinct

Conversation ]

Very well.

Apparently, that meeting

will be unnecessary.

Mrs. Hunsaker.

The joint student-faculty

Disciplinary Committee...

needs no further sessions.

They have come

to a decision.

Misters Havemeyer,

Potter and Jameson...

are placed

on probation...

for suspicion of

ungentlemanly conduct.

It is further recommended

that Mr. George Willis, Jr....

receive neither recognition

nor commendation...

for his cooperation.

Mr. Charles Simms

is excused...

from any further response

to this incident.

- Whoo-ah.

- [ Cheering And Applause ]

Charlie !

- Last step.

- I can always count on you, Charlie.

[ Woman ]

Colonel.

Colonel !

I'm Christine Downes,

Colonel Slade.

I teach

Political Science.

I wanted to tell you

how much I appreciate...

- your coming here

and speaking your mind.

- Thank you. Are you married ?

Uh --

I, uh --

Went to a artillery school

at Fort Sill with a Mickey Downes.

Thought he might've

snagged you.

Uh, no, no,

I'm afraid not.

Uh, Colonel Slade was on, uh,

Lyndon Johnson's staff,

Miss Downes.

Were you ? Fascinating.

We should get together,

talk politics sometime.

Fleurs de rocailles.

Yes.

"Flowers from a brook."

That's right.

Well, Miss Downes,

I, I'll know

where to find you.

Charlie.

- [ Charlie ] Bye, Miss Downes.

- Bye.

You don't have

to tell me, Charlie.

auburn hair,

beautiful

brown eyes.

Yabba dabba doo.

Hah !

Manny.

Aw, Colonel,

this is too much.

You earned it.

Next time Charlie and l...

want to take a breather to New York,

we're gonna call you.

You can drive us

both ways.

You're on. Not only

will it be an honor,

I'll give you

a rate.

I'll see your rate

and raise you.

Stay outta

harm's way, Manny.

- Take care, Colonel.

- You too.

- Ready ?

- No, thanks, Charlie.

I'll take it from here.

You go on ahead.

Manny'll drive you back to your dorm.

Come by before you

go home for Christmas.

We'll have a little cheer.

And if you like,

stay for dinner.

Sometimes she cooks

a pot roast.

It's almost edible.

All right, Colonel.

- That'd be really --

- Bye, Charlie.

Who's there ?

- That you, Francine ?

- Yes.

- What are you doing ?

- Taking a ride.

Taking a ride ?

What about you giving me a lift ?

- No.

- No ?

Aw, come on,

Francine.

We should make up.

Don't you think it's time we made up ?

- [ Francine ] No.

- [ Slade ] Francine ?

- What ?

- Your Uncle Frank's had himself...

a really hard

Thanksgiving weekend.

- [ Willie Muttering ]

- What's that ?

I hear a chipmunk.

Is it a walrus ?

No, it's Willie.

Willie, why don't you

help me with my bag ?

Come on, son.

Help me with my bag.

Come on. Come on.

You got it. Hold onto it.

You're strong.

Come on.

Here we are.

Francine, come on

with me and Willie.

I'll let you make me

some marshmallow chocolate.

- Whaddaya say ?

- Okay.

Rate this script:3.7 / 6 votes

Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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