Scooby-Doo Goes Hollywood
- TV-G
- Year:
- 1979
- 49 min
- 432 Views
Faster, Scooby! Faster!
Like, he's right behind us!
This way, Scoob!
I'm coming! Wait for me!
Zoinks!
Like, it's the Crabby Creature
of Creepy Crag!
Run! Run, Shaggy!
I'm trying! I'm trying!
Hey, take it easy!
HeIp!
Somebody, heIp!
Perfect. Cut it, print it. That's a take.
I'm not sure I understand my motivation
in this next scene, VeIma.
Come on, Daphne.
How much motivation do you need...
...to run from the Crabby Creature
of Creepy Crag?
-Like, what did he say, Scoob?
-That's a take. "
A take. A take. FinaIIy.
Hi, Shag, Scoob.
It must be time for our scene.
Do you know how many times...
...we've been put through
this barreI-and-catapuIt routine?
-How many?
-Like, a Iot. That's how many.
Oh, is there no end to this disgrace?
Oh, boy, Iike, I guess not.
Hey, Iook at that.
That was NataIie SpIendor.
She's a big TV star, Scoob.
-Yeah?
-But you're a star too, Scoob.
And you don't have
a fIashy car Iike that.
-I don't?
-No, you don't.
You don't have a big dressing traiIer
Iike The Groove.
And you don't get fIowers
on the set Iike Cherie.
-I don't?
-And another thing.
When was the Iast time you got Iunch
served to you on siIver pIatters?
-Never.
-Never. Like, exactIy.
We have to make our own
saIami, cheese, peanut butter...
...marshmaIIow, sardine sandwiches.
Yeah! And fudge.
WeII, no more.
-No more?
-Like, I've had it.
Like, I've Iost it.
Scooby, we've gotta have
a man-to-dog taIk.
Scooby-Doo!
I'm a wiId and crazy guy.
WeII, excuse me.
What's that name again?
Don't forget to remember...
...Scooby-Doo!
There's the network offices.
Remember...
...we can get everything we want
if you Iet me do aII the taIking.
Okay, Shaggy.
-Hi. We're here to--
-I don't care what you're here for.
You can't drive that piIe of junk
on the-- Hey, is that Scooby-Doo?
Oh, yeah.
It is. Have your driver puII right up
in front. We'II park your car for you.
Thanks.
Now, this time Ieave it to me, Scooby.
Like, excuse me?
Yes, sir, may I--? Hi, Scooby.
-Go right in. So good to see you.
-Thank you.
-And who are you?
-I'm with him. I'm Shaggy.
You certainIy are. But go in anyway.
Hey, Scoob. Caught your show.
You were fantastic.
-They Iove me.
-They Iove you, aII right.
Like, I had no idea
you were this popuIar.
-This is gonna be easier than I thought.
-Hi, Scoob.
-Where to?
-Right to the top.
So this is what we want:
a nighttime series for my cIient...
...five big network speciaIs
and a major movie deaI.
-Now, do you got that?
-Sounds good to me.
Yeah. Like, it sounds good
to me too, Scoob.
The president wiII see you now.
I just hope it sounds good to him.
Yes? Scooby-Doo!
Scooby-Doo, where are you?
You're here in my IittIe office,
of course!
-Sir.
-Scooby-Dooby-Dooby-Doo!
I Iove the way you creep around
after those big, oId nasty monsters.
It's fun. And the way you jump
into Shaggy's arms.
You are the cutest bow-wow.
And you get big ratings too.
That's me.
Is there something you wanted
to taIk to me about, you funny dog?
-Nope.
-Yes.
Like, here, Scoob. Set up this fiIm whiIe
I taIk with C.J. Or may I caII you "C?
Okay.
I'm sorry.
Like, we'II Ieave it at "C.J."
C.J., you see, my cIient here,
Scooby-Doo, is tired of being typecast...
...as a funny, cowardIy, cIumsy dog.
Like, he's reaIIy not Iike that
at aII, you know.
HeIp!
He wants to stretch himseIf
as an actor of dramatic depth.
No one ever takes him seriousIy.
Give him a shot at Shakespeare.
He can do it, I teII you.
And to prove it,
we've put together a piIot fiIm...
...to show you just what he can do.
Scooby! Are you ready, Scoob?
You'II Iove this, C.J.
He's just what the network needs.
-Scoob.
-HeIp, Shaggy!
Like, reIax, paI. I'm here.
He's a great kidder, C.J.
Like, can we try that again, Scooby?
Ready to roII.
Is aII this reaIIy necessary?
You'II Iove it.
Let me just get the Iights.
Okay, Scoob.
Like, do you reaIIy think we can
capture this guy, Sheriff Scooby?
Jesse Rotten Iooks pretty tough.
Don't make me Iaugh.
Scooby? Scooby-Doo, a sheriff?
It's a whoIe new image for him, C.J.
Like, consider the possibiIities.
I am. Oh, my, I am.
I hear teII Jesse's heading
this way Iooking for you, sheriff.
Let him come.
Morning, Sheriff Scooby.
Morning, Deputy Shaggy.
How are you, missy ma'am?
-Jesse Rotten!
-I'm not afraid of him.
So you're not afraid of me,
Sheriff Scooby?
Like, I don't think that was
exactIy what he said, Mr. Rotten.
It was more Iike,
"Ri'm rot araid of rim. "
WeII, you know what
I'm gonna do to you?
Shaggy, caII the sheriff!
I can't caII the sheriff, Scoob.
-You're the sheriff!
-I am?
I'm giving you tiII high noon
to get out of town.
And if you ain't,
I'm coming Iooking for you.
High noon?
But that's onIy two minutes away,
Jesse Rotten.
High noon.
Sheriff Scooby. Sheriff Scooby.
Scoob, Iike, you gotta snap out of it.
You've onIy got a minute
to get out of town, or eIse!
-I'm not Ieaving.
-You're not Ieaving?
Nope, I'm not.
On the other hand....
Howdy.
Come on, Scoob, this is your big chance.
The new image, remember?
-Action.
-What do you got to say for yourseIf...
...Sheriff Scooby?
Giddyup!
-Giddyup?
-Right. Giddyup!
What's going on?
Sheriff Scooby, come back!
Scooby-Doo!
WeII, C.J.?
There are a few rough spots near
the end, but what do you think?
-I don't beIieve it.
-Did you hear that, Scoob?
C.J. thinks it's unbeIievabIe.
Oh, boy. He Ioved it.
That's your star of tomorrow.
Wait. I get it. It's a joke.
You IovabIe IittIe mutt, this is aII a siIIy
joke! You had me going for a secondo.
A joke?
You know, you had me going
for a minute there.
But....
Our good paI and buddy, Scooby
wanting to change his image?
Not do comedy?
It's hystericaI! Oh, what a dog.
What a funny, cowardIy, cIumsy dog.
We Iove him. He's so cute.
That wasn't quite how
it was supposed to go.
I didn't think so.
Like, we've gotta Iet him
know we're serious.
Right. Serious.
And there's onIy one way
to prove it to him.
You're Ieaving the show?
-You're kidding.
-Jinkies. Jinkies. Jinkies.
That's right. I'm Ieaving.
Like, starting right now,
his career is taking a turn for the better.
-Like, I'm sorry, Scoob.
-That's okay, Shaggy.
I don't get it, Scooby.
What's your probIem?
-I wanna be a star.
-You wanna be a star?
-That's right, VeIma.
-But you are a star.
What more couId you want?
-WeII....
-He wants other parts, Daphne.
That's it. Other parts.
He wants to change his image. Like,
I'm gonna make him a dramatic star.
To be or not to be.
That is a reaIIy good question.
Not to mention a Western star...
...an action-adventure star...
...and a singing-and-dancing star.
I see it, but I don't beIieve it.
WeII, Shaggy, I think you've got
your work cut out for you.
Scooby-Doo!
Okay, Scoob. Lavonne's taking time
away from her own hit series to heIp us.
She's on a tight scheduIe.
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"Scooby-Doo Goes Hollywood" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/scooby-doo_goes_hollywood_17613>.
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