Seabiscuit Page #2
to drive the truck.
Well, what are you reading?
Flash Gordon.
Come on, Dad.
lt's about the future!
We'll be in San Francisco
till Wednesday.
Yeah?
What?
No!
Come inside.
l'm not done.
Sam can do that.
l don't want Sam to do it.
l want to do it.
Annie.
Don't... Don't... No!
Ma'am.
Come on, Red! Come on!
Come on, kid.
At a time
when the world
really needed a drink,
you couldn't get one
in the United States
of America.
Liquor was illegal.
Diversions were scarce,
and there's just so much
Soon, the border town
was born,
providing everything to
You could find anything:
food, companionship,
decent gin,
and with gambling
outlawed as well,
the chance to turn
bad luck into good.
Relax! You got it!
You got it! You got it!
Go!
Damn it.
That jockey was riding
like he's got an anvil
in his pocket.
l no bet with you no more.
l no like it.
Who's that?
George Woolf.
Greatest jockey in the world.
That's Charles Howard?
Yeah.
l thought he came
down here for a...
Quickie divorce?
Why?
Look at him.
lt was in the palace
of the great Sultan.
Sultan of where?
The Sultan of Araby.
l'd been living there
for almost a year,
racing his Arabians
across the desert by day
and finishing
my personal history
of the region by night.
Then one day,
into his throne room.
He looks at me and says,
"John Pollard..."
"John Pollard,
"you are my greatest jockey.
lt is you l have chosen
"to ride my 100-mile race
from Kusma to Tripoli."
All right. 200-mile.
Excuse me, sahib.
You didn't need
to wreck it, Georgie.
When you
started telling that story,
it was only 50 miles.
Yeah, well,
everything gets longer
in the retelling.
Just ask your friend
Wanda over there.
You know, if you start
riding a little more
you might start
winning some races.
Well, l got two bucks
says l beat you in this one.
l'm not sure if you do,
but l got five
says l beat you.
Done.
Give me odds.
You're the favorite.
Even money.
Nah! Forget it! 2-to-1 !
All right. You got it.
Hey, Johnny. You're on
a speed horse. What are you
doing back here with me?
l like the conversation,
and it's not a speed horse.
Don't try to hook me.
You going tonight?
Nah. You?
Nah.
What time?
l don't know. 8:
00?Okey-doke.
Oops, there's my hole!
Gotta go!
God damn it!
Whoa!
We got him!
All right.
l'll take him.
Get the hell
out of here.
l said, l'll take him.
He's got a fractured foot.
lf you're gonna
shoot him anyway,
l'll save you the bullet.
Whoa.
Fine.
Let him go. Hey.
Let him have him.
Now, bud.
Hey, boy.
Okey-doke, Johnny.
There's my hole! Gotta fly!
Yeah! Yeah!
Yeah! Yeah!
"There once
was a princess from Siam
"Who was sitting here
sort of like l am
"And then l reclined her..."
Sh*t.
What rhymes with Siam?
That's great.
You make that up?
Pretty obvious, huh?
That's beautiful.
No. You're beautiful.
Don't say that. You pay me.
So, you wanna, you know,
get going?
Sure. Why not?
How do you miss
a hole like that?
There's my hole! Gotta fly!
Are you blind?
Angel, are you okay?
You don't wanna watch?
No. Not really.
l don't either.
So, what? They brought you
down here to make you
feel better, is that it?
Yes. Sort of.
Those guys, they think
everything is fixed
with a party.
l'm sorry. Who are you?
Marcela Zabala.
My sister, lsabella,
she's married...
No. No, no. l know.
Nice to meet you. Charles.
So, do you feel better?
No.
No, not really.
No.
How could you?
Something like that.
Come on, buddy.
Wake up.
Come on.
Did l lose?
Oh, no. You clobbered him.
Easy.
Easy, easy.
Nice and slow.
l'm fine. l'm fine.
Come on. Let me buy you
some turtle soup.
l'm fine, George.
Go win yourself
a race or something.
Look, let's go down
to Sloan's, and we'll just...
l'm fine, George. l don't need
your help, and l sure as sh*t
don't need your charity.
Leave me alone, all right?
lt's been 20 years
since l've been on a horse.
Don't worry.
lt's the kind of thing
Let's go.
Come on!
What? She got you
back up on a horse,
and now you wanna buy them?
Yeah. Maybe.
Maybe a couple.
Well, you wanna win
or just own them?
l wanna win.
What sort of question
is that?
Well, you're gonna
need a trainer
before you buy horses.
No. You need two.
So you can fire one.
Randy Thatcher's barn.
Trains about 50
or 60 ponies.
Good fellow, too.
Real horse person.
A real horse-shitter.
You don't know. l don't know,
maybe you want a smaller barn,
somebody who can
take the time to...
Who's that?
He's a crackpot.
Lives alone in the bushes.
What's he do?
l don't know. He used to be
a trainer, farrier. Now he
Come on. Let's look
at another barn.
Howdy.
Hello.
You hungry?
No. No, thanks.
l'm fine. Charles Howard.
Tom Smith.
Nice to meet you, Tom.
What's...
What's in his bandage?
Oh, that's hawthorn root.
lt increases circulation.
You wanna sit down?
All right. Thank you.
Will he get better?
Already is, a little.
Will he race?
No. Not that one.
So why are you
fixing him?
'Cause l can.
Every horse is good
for something.
He could be a cart horse
or a lead pony.
And he's still nice
to look at.
You don't...
You don't throw
a whole life away
just 'cause
he's banged up a little.
ls that coffee?
Yeah.
lt's bad, though.
You always tell the truth?
Yeah, l try to.
lt ain't just the speed.
lt's the heart.
And you want something
that's not afraid to compete.
Half these horses
are just show ponies.
You want something
that's not gonna run
from a fight.
How do you find that?
Look, l won the Robles
Handicap. l was second
in the Tijuana Derby.
l won the Manzanita Oaks.
You know, that used
to be a stakes race.
l know.
l would've won, T.J.,
but the piece of sh*t
lugged out on me.
Sounds great.
We'll let you know.
Look. l can work them out
in the morning.
Or even hot-walk them
if you need me to.
Really? You'll hot-walk them?
This is something else.
A dream come true,
walking you around.
Hook you up to a plow,
pull me around
for a little while. Come on.
You ever run in the money?
Hey. Hey.
You ever run in the money?
l don't think so.
Couldn't beat a human being,
You goddamn sack-of-crap
old plater. Probably the
fastest you're gonna run
in your entire life,
you piece-of-sh*t
old glue-pot.
That's right.
The first time
he saw Seabiscuit,
the colt was walking
through the fog
at 5:
00 in the morning.Smith would say later
that the horse looked
right through him,
as if to say,
"What the hell
are you looking at?
"Who do you think you are?"
He was a small horse,
barely 15 hands.
He was hurting, too.
There was a limp in his walk,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Seabiscuit" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/seabiscuit_17670>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In