See No Evil Page #3

Synopsis: While investigating a call in an abandoned house, Officer Frank Williams and a rookie find a woman brutally blinded, but they are attacked by a huge psychopath with an ax; the rookie is killed and Frank shoots the criminal in the head, but has a severed arm. Four years later, the mutilated Frank is relocated, working as a guard in the County Detention Center. Frank goes with some delinquents to the Blackwell Hotel, an abandoned place since a fire burnt the last two floors, with the purpose of cleaning the location, preparing it to work as a shelter for the homeless; in return, the criminals will have their sentences reduced. During the night, the inmate Kira who has some Christian tattoos on her body is kidnapped by the deranged serial-killer Kane who collects the eyes of his victims, while the rest of the group is attacked by the psychopath with his ax.
Director(s): Gregory Dark
Production: Lionsgate Films
 
IMDB:
5.1
Metacritic:
17
Rotten Tomatoes:
8%
R
Year:
2006
84 min
$15,019,200
Website
297 Views


Ohhh... damn.

You think he killed

everybody else?

Didn't Margaret

call the police?

I don't know that she could.

We gotta move.

He let the other woman live.

Take this.

Take the stairs.

Whatever you guys gotta do,

just get the f*** outta here.

I'm goin' after Kira.

Wait a minute!

Wait! You can't

do this alone!

You guys gotta go!

Williams!

Williams! Sh*t!

Williams!

Oh, my God!

Williams!

You think he got him?

Williams!

Sh*t!

Come on!

Christine, Come on!

We gotta go!

No! Come on!

Leave him alone!

Come on!

What the hell

are you doin'?

Sorry.

Come on!

Here. Take the Taser.

Far sweet.

Nice.

Could you imagine

cleaning up in here?

This could've been

a classy joint

back in the day.

What do you know

about class?

Oh my God.

This place is disgusting.

At least we got

the sacred herb.

Spark that sh*t.

Let's go.

And one for me.

Try not to suck it all down.

So, you and Kira used

to be a thing, huh?

You know, you could do better.

Here you go.

I keep seeing things.

I told you

this sh*t is gold.

Let's find someplace private.

Oh, sh*t, you go girl!

Hey, wanna come?

Oh, my God.

Oh, God,

where are we going?

Seventh floor.

Why?

Lucky number?

The maid's quarters?

Romantic.

You know what they say.

Beggars can't be choosers.

Who's begging?

Richie? Richie?

Help!

Somebody...

What do you want?

What do you want?

Richie!

Richie!

No!

No!

Please... please.

Did you say something?

You know...

We're all alone up here.

You remember when I said

that you could do better than Kira?

Well, I didn't mean

this much better.

Oh, my God.

That's so pathetic.

My phone!

I'm having my sister up.

Where did you get a cell?

Duh, I took

it from Hannah.

Hey, b*tch, what's up?

No, yeah, save

this number tonight.

This is the cell

that I'm using, okay?

F*** this.

Oh my God, no, it's just this

total bonehead called Michael.

He thinks he's

such a badass.

Do you see the sin?

Open your eyes.

Open your eyes and

wash the sins out.

What ya got in here?

Russell, hold up.

What?

You're kidding, right?

No, wait.

There's something weird

about that mirror.

Let me up.

Mirror... I'll check it out.

Damn. You know what?

This is a two-way mirror.

What?

Get out! Go!

What the f*** was that?

No bars.

We can get down to

the atrium from here.

Okay.

It's not tight enough.

It'll get tighter

when you hang on it.

I'll get stuck

on the glass roof.

Just kick it out.

You'll be fine.

Okay? You'll be fine.

Oh, God, I can't do this.

You have to.

God.

Oh, God!

Russell, go slow.

Okay.

It's all right.

Russell, stop.

Russell? Russell!

Russell, what was that?

Russell, where are you?

Russell. Why are you

pulling me up?

Russell, stop.

No!

Stop! Let go!

Let go of me!

Stop! Let me go!

Let me go.

Let me down.

Please let me down!

Let me go.

Let me go!

No!

Oh, God.

Tease.

Tease? Michael,

do you even have a car?

You skank.

What the f***?

It's stuck.

Move.

It's stuck.

No sh*t.

God damn it.

Yeah, hang on a sec,

will you, just give me a second.

So. Where's the

elevator, Columbus?

Get off the phone.

No!

I'm not Kira, Mike.

Yeah, I don't know,

some really stupid hotel with a retard.

Oh, gross.

Where the hell are they coming from?

Oh, my God, sh*t.

Oh my God.

Sh*t. F***.

No!

Oh my God!

Oh, please, no!

Michael! Michael, please!

Help me!

Please, God!

Please help me!

It's annoying...the sin.

Do you see the sin?

Did you look at them?

Did you see the sin?

Do you see their sin?

Look into their eyes.

Oh my God!

The eyes are

the window of the soul.

Michael!

Come on, sh*t!

It won't f***in' open!

What the f***, man?

It doesn't matter, we're

going after Kira anyway.

He's coming.

We're trapped!

We're gonna f***ing die!

Shoot him!

F***!

Michael?

Jesus Christ!

What's wrong with you idiots?

What the hell is this?

Looks like some

kind of trip wire.

He took Richie

into the elevator.

All right, motherf***er.

Christine, come on!

Let's go, we gotta

get out of here!

- Michael!

- Come on!

Damn, he broke it!

Oh, sh*t!

What the f***

are we gonna do now?

We gotta go up.

Hurry up!

Sh*t!

Help me up!

Pull me up, come on!

Quick, grab my hand.

Go, come on, go.

Come on, go, go.

Come on, let's go this way.

Kira!

God.

Kira!

Sh*t, the other elevator.

Kira!

Help!

Come on.

Help me.

She's in here.

Sh*t.

Come on, Tye!

Holy sh*t.

Look at all this money.

I'll be damn, Richie Rich.

It really was a safe.

Look at all this damn money.

Oh my God.

Are these human eyes?

Help!

Kira?

Kira?

Help, please!

Tye, she's in here,

come on!

Come on, Tye.

Kira... are you in here?

Hurry!

Oh God, Christine,

get me out of here.

Move quick!

How?

The keys.

They're over there

on the table.

Richie.

He's coming, come on!

I gotta go.

I'm gonna come back, okay?

Don't leave me.

I wish you'd just kill me.

We gotta draw him out.

What do you mean

we gotta draw him out?

We gotta get his attention.

Make some noise or something.

Come on, Tye, this

is our only chance.

Oh, you pig!

You're sick.

You're f***ing sick!

You filthy little pig.

You enjoy this, don't you?

Oh, I can tell you do.

I see that.

I see what you're doing.

Stop it.

No.

Oh, no.

Okay, Kira.

Where are the keys?

He took them.

Sh*t.

This'll work.

Come on.

Hurry.

Tye.

Hurry.

Open the cage!

Christine!

Sh*t.

Oh, Margaret, Margaret.

Thank God.

What are you

doing in there?

There's this guy,

and he's just...

Oh, sh*t.

I'd like you to tell me.

Why is that whore still alive?

What? No.

Why is she still alive?

You know him?

Know him?

He's my son.

He's the hand of God.

You got us here

to help you.

Help me?

No. Williams was

the one I wanted.

Found him.

He hurt my boy.

You were a bonus.

Why here?

What better place

to do God's work?

The hotel caters deviants, sinners,

and the ones

that hear voices.

There's only one

voice to hear.

And that's the voice of God.

And He's told you what to do!

Are you f***ing insane!

This is not what God wants!

Don't you see... the tattoos.

Don't you see the sin?

The tattoos are blasphemy.

Don't you see it?

She doesn't know God.

Don't you see it?

Don't you see the sin?

You understand, don't you?

That's why you killed the others.

Now it's her turn.

Judge her.

No.

Judge her.

- No.

- Judge her.

Open your eyes.

Judge her.

And wash the sins out.

Judge her.

Once your soul's clean,

you'll be the hand of God.

- No.

- Judge her.

No!

Fine.

I'll do it for you.

Oh, sh*t!

Because I can see.

Oh, please, no!

Please, God, help!

No!

And I...

will not fail God.

Jacob!

What are you doing?

Let me go!

Let go!

You ungrateful bastard!

You hear me?

Don't you see the sin?

I want my mama.

- Please!

- You brought this home?

Don't you see

what she is?

Look at her.

Look at her.

Look at her!

Damn you!

Let go!

You ungrateful bastard!

Haven't you learned anything?

Bastard, you hear me?

Don't you see the evil

in her eyes?

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Dan Madigan

Dan Madigan is an American television producer, author and screenwriter. He is known for his work in the professional wrestling industry, including writing and producing for WWE Smackdown. more…

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Submitted on August 05, 2018

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