Separation
- TV-MA
- Year:
- 2013
- 81 min
- 205 Views
[ SUSPENSEFUL MUSIC PLAYS ]
[ BIRDS SQUAWKING ]
NO HANDS!
[ SUSPENSEFUL MUSIC PLAYS ]
MOMMY?
[ CLANGING ]
HI, SWEETIE.
[ WAVES CRASHING ]
[ SUSPENSEFUL MUSIC PLAYS ]
[ SIGHS ]
YOU'RE A GOOD MOTHER.
[ SIGHS ]
P.B. AND J. WITH THE CRUSTS CU OFF -- YOUR FAVORITE.
YOU LIKE YOUR NEW ROOM?
GO AWAY.
THIS IS ALL GONNA WORK OUT,
SWEETIE.
YOU'LL SEE.
NO MATTER WHAT HAPPENS, MOMMY
AND DADDY -- WE LOVE YOU VERY,
VERY MUCH.
LOOK AT ME.
NO!
IF YOU EAT YOUR LUNCH, THEN
YOU CAN HAVE A COOKIE.
LIZZIE.
MOTHER.
COOKIE BRIBES ARE BETTER
SUITED TO SCRAPED KNEES.
YOU NEED TO GIVE HER SOME SPACE.
LET HER FIND HER OWN WAY.
WE CAME OUT HERE TO MAKE THIS
WORK, MOTHER.
YOU'RE NOT SUPERWOMAN, YOU
KNOW, DARLING.
YOU'RE PUTTING WAY TOO MUCH
PRESSURE ON YOURSELF.
[ SIGHS ]
NO, I WON'T GIVE UP.
I WANT TO BE A FAMILY.
IT'S A 2-WAY STREET, DARLING.
YOU DON'T THINK I KNOW THAT,
MOTHER?
[ SIGHS ]
NO, I DON'T!
[ WAVES CRASHING ]
JACK?
JACK, ARE YOU SMOKING?
SO, DID YOU BRING IN THE REST OF
THE STUFF?
I DON'T KNOW.
SHOULD I BOTHER?
WHY DO I GET THE FEELING
YOU'VE ALREADY ANSWERED THA QUESTION FOR YOURSELF?
OR SHOULD I SAY YOUR MOTHER'S
ANSWERED IT FOR YOU?
WORK?
A F***ING MIRACLE.
WHAT DID YOU SAY?
YOU SAID YOU'D TRY.
SO DID YOU, LIZ.
DOESN'T SEEM TO MATTER.
YOU'RE NEVER GONNA GET OVER IT.
EVERY TIME YOU LOOK AT ME...
YOU'RE JUST NEVER GONNA GET OVER
IT.
DADDY.
I WANT GRANDMA.
Get lost!
YOU ARE A GOOD...
LIZZIE, LIZZIE.
LIZZIE.
I'M FINE.
IT'S JUST A HEADACHE.
Okay.
[ VAN BEEPING ]
[ NATHANAEL CHADWICK'S
"SECRET LOVE" PLAYS ]
FOR THIS LITTLE THING
I HOLD IN MY HAND
I CAN'T LET GO
[ CLEARS THROAT ]
YOU MUST BE MR. APPLETON.
WELL, ONE SECOND.
EVEN THOUGH YOU NEVER,
EVER HURT,
DON'T YOU LOVE...
GUY SELLERS.
I GET IT SOLD.
OH...RIGHT, THAT.
NICE TO MEET YOU, GUY.
I DIDN'T MEAN TO STARTLE YOU.
I JUST WANTED TO COME OVER AND
INTRODUCE MYSELF.
I HATE HOW BUSINESS HAS BECOME
SO IMPERSONAL -- AGENTS,
LAWYERS -- ON THE CLOSE AND
EVERYTHING, RIGHT?
LUCKY FOR YOU, IT'S NEVER TOO
LATE -- OR TOO EARLY -- TO FIND
OUT EXACTLY WHAT GUY CAN DO FOR
YOU.
[ CHUCKLES ]
YEAH, SURE.
YOU KNOW, I SOLD THIS PLACE
FOR 10% OVER THE ASKING PRICE
FOR THE McMANNS -- NOT THA THAT'S SOMETHING YOU WANT TO
HEAR.
BUT I COULD DO THE SAME FOR
YOU...WHEN YOU'RE READY.
YOU DON'T WANT TO SELL THIS
PLACE -- NOT YET.
THE MARKET IS JUST GETTING HOT.
YOU GOT A CARD?
YEAH, SURE.
YOU KNOW, I STILL DO THE ODD
ACTION HERE?
It's good.
YOU LOOKING FOR A RENTAL
PROPERTY?
WELL, YOU NEVER KNOW.
MRS. APPLETON.
HONEY, THIS IS -- THIS IS
GUY SELLERS.
YOUR HUSBAND TELLS ME THA YOU'RE INTERESTED IN A RENTAL
PROPERTY.
OH, IS THAT SO?
WELL, WHATEVER THE CASE, I'M
YOUR MAN.
TOP SELLER IN TOWN.
THERE'S MORE OF YOU.
[ LAUGHS ]
THAT'S GOOD!
I MEAN, 'CAUSE IT'S A SMALL
TOWN, AND THERE'S NOT A LOT OF
US.
THAT'S -- THAT'S FUNNY.
I PLAN TO RUN THEM ALL OUT,
ANYWAY.
WELL, AS I SAID, ANYTHING YOU
FOLKS NEED, YOU DON'T HESITATE
TO CALL.
THANKS, THANKS.
YOU FOLKS TAKE CARE.
YEAH. SEE YOU AROUND.
[ SONG CONTINUES ]
YOU THINK GUY SELLERS IS HIS
REAL NAME?
CAN WE KEEP:
OUR SECRET LOVE?
AND DON'T LET ANYBODY KNOW?
SO, YOU BETTER SWALLOW
THIS KEY, OR ELSE
THEY'RE GONNA SWALLOW YOU
WHOLE:
THIS LITTLE THING
I CAN'T LET GO
EVEN THOUGH YOU'RE NEVER,
EVER HURT,
DON'T YOU LOVE
HOW THIS STORY GOES?
GIVEN SOMETHING:
THAT YOU CAN'T IGNORE
EVEN THOUGH YOU'RE NEVER,
EVER HURT,
DON'T YOU LOVE
HOW THIS STORY GOES?
GIVEN SOMETHING:
THAT YOU CAN'T IGNORE
...IS NOT STUPID.
I'M NOT TAKING THOSE PILLS
ANYMORE.
THEY MAKE ME NERVOUS.
I NEVER SAID HE WAS STUPID.
HE DOESN'T KNOW HOW TO HELP YOU.
SO, HE JUST IGNORES IT.
THAT'S NOT A HUSBAND.
MORE LIKE DAD -- NEVER AROUND?
OUT WHAT MAKES A GOOD MAN.
I FINALLY DECIDED THERE AREN' ANY.
I'M SPEAKING FROM EXPERIENCE.
HE'S GONNA LEAVE.
A GIRL NEEDS A FATHER.
NO, A GIRL NEEDS A MOTHER,
SWEETHEART.
LET HIM GO.
[ CLATTERING ]
I'M GLAD YOU'VE DECIDED TO
THINK FOR ME NOW, TOO.
THAT'S YOUR SH*T.
MIGHT HAVE BROKEN SOMETHING.
STOP.
[ SIGHS ]
"FAMILIES FILL OUR LIVES WITH
HAPPINESS AND LAUGHTER, LEAVING
AS MOMENTS TO TREASURE TODAY AND
FOREVER AFTER."
[ LAUGHS ]
I JUST NEED TO PICK UP A FEW
THINGS.
WHAT DO WE NEED?
I CAN GO.
NO.
I'LL BE FINE.
ALL RIGHT?
YOU CAN START ON THOSE LEAVES.
[ DOOR CLOSES ]
[ BIRDS CHIRPING ]
[ SUSPENSEFUL MUSIC PLAYS ]
[ SOFT INSTRUMENTAL MUSIC
PLAYS ]
I'LL GET THIS, TOO.
LAST ONE.
[ SUSPENSEFUL MUSIC PLAYS ]
WELL, THAT WASN'T TWO
SECONDS.
I REMEMBER A TIME WHEN TALKING
TO ME WAS ALL YOU NEEDED.
[ SIGHS ]
[ SUSPENSEFUL MUSIC PLAYS ]
JACK?
MOM?
HMM?
I THINK IT'S CUTE.
[ LIZ SCREAMS ]
I'LL DRIVE.
SO IMPORTANT?
A BIKE RIDE.
IT'S GONNA GET DARK, JACK.
I KNOW WHAT YOU'RE THINKING.
YOU'RE TO STAY HERE UNTIL SHE
GETS BACK.
[ HONKING HORN ]
LET'S GO!
SHE COULDN'T HAVE GOTTEN FAR.
YOU DON'T EVEN KNOW WHEN SHE
LEFT.
WE'VE BEEN UP AND DOWN THIS ROAD
FOR THE PAST HOUR, JACK!
YOU'RE SELFISH.
SELFISH -- YOU'RE SO SELFISH!
YOU'RE SELFISH!
SHE'S GONNA BE FINE.
HOW DO YOU KNOW SHE'S FINE?
DID YOU ASK HER, JACK?
DO YOU EVEN CARE ABOUT HER?
DO YOU?
WHAT KIND OF A FATHER ARE YOU?!
NEED ME TO BE.
HAPPENED TO HER, JACK...
[ TIRES SCREECH ]
THERE.
[ EXHALES ]
I'M SORRY I LOST MY TEMPER.
I'M SORRY, TOO.
[ HORN HONKS ]
GREAT.
COMPLETE A**HOLE.
[ EXHALES ]
YOU ALL RIGHT?
STILL SLEEPING.
[ CAR BEEPING ]
HI.
HI.
HOW IS SHE?
OUT LIKE A LIGHT.
TOMORROW'S A NEW DAY.
[ CHUCKLES ]
THAT'S TRUE.
DON'T YOU BELIEVE IN US
ANYMORE, JACK?
AND ME?
THAT'S WHY WE'RE HERE.
WE CAN'T AFFORD TO STAY HERE,
LIZ.
THIS WAS A MISTAKE.
A NEW HOUSE ISN'T GONNA CHANGE
ANYTHING.
WE HAVEN'T EVEN TRIED.
ARE YOU KIDDING ME?
THIS IS ALL FOR YOU.
IT'S...IT'S LIKE I'M NEVER GONNA
BE GOOD ENOUGH.
OR I'M NEVER GONNA BE ABLE TO
I MADE A DECISION, AND YOU'RE
NEVER GONNA FORGIVE ME.
I WANT TO BE HAPPY HERE.
I REALLY DO.
I JUST DON'T KNOW IF THAT'S
POSSIBLE NOW.
I'M SORRY.
I'm sorry.
I NEVER MEANT TO HURT YOU, LIZ.
I WANT TO BE HAPPY.
I WANT TO BE HAPPY.
[ SIGHS ]
[ SUSPENSEFUL MUSIC PLAYS ]
YOU'RE A GOOD MOTHER.
[ ANGIE LAUGHS ]
SWEETIE?
DID YOU GET OUT OF BED?
[ ANGIE LAUGHS ]
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Separation" Scripts.com. STANDS4 LLC, 2025. Web. 21 Jan. 2025. <https://www.scripts.com/script/separation_17799>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In