Septien Page #4
Connie?
What did he do to you?
What did he do to you?
[knocking at door]
- Can I help you?
[door slams]
is, can I help you?
That's right.
This house is unclean.
- No.
No, I-I clean this house
every day.
- You clean the house?
- Every day.
- So I guess you didn't see
or the 3-inch invisible rat
in the snake's mouth,
or the ten dimensions
of hell up underneath it.
- We've-we've had plumbing
problems under the house.
- Excuse me?
May I sit down?
- Amos, get up.
- Who the hell is this guy?
- Get up, Amos.
- Now, I want somebody
to tell me
what's making my skin crawl
in this house.
- Tell him, Connie.
Tell him.
- The Red Rooster.
- The Red Rooster?
- Coach Rippington.
- He's a plumber.
- He's not a plumber.
- He's not
a plumber.
The Lord wants us
to discombobulate this rooster
by crossing his wires
and humbling the evil
out of him.
what he has done,
which is why we must
massage him into a confusion
with mysterious words
and phrases.
We will lure him back
to this house tonight
to purge both him and you
of this evil
which courses through
your veins, my brothers.
- How you gonna do that?
- What time is it?
You have a telephone?
- Yes.
[phone ringing]
- Hello?
- Yeah, is this, uh-
Is this Red Rooster plumbing?
I thought a plumber
But it says here
that you clog 'em.
Do you get a little
cock-a-doodle on your doo-doo?
- Who is this?
[phone ringing]
God damn it.
Hello?
- You ever been force-fed
a cheeseburger by your mama
sitting next to a man
with half a body?
Let me tell you.
There's a before that experience
and an after it.
a after it.
- Who was that?
- Hush.
- Now, you need to perpetrate
a prank call of your own
and get him over here right now.
[phone ringing]
- All right, that's it.
Listen to me,
you son of a b*tch.
You got that?
Or I'm gonna come over there
and quiet you down.
- Red Rippington?
- Who's this?
- This is Ezra Rawlings.
You've been working out here
this week.
I'm fine.
How are you?
Look, I don't know what you did,
but one of the pipes
you've installed,
I think it's burst or something.
I mean, we have a hell
of a flood out here.
Uh-huh.
I understand that,
and I'm willing
to pay you overtime
if you come here right now.
I mean, this is
a serious flood, sir.
Uh-huh.
I appreciate it.
Bye-bye.
- Hallelujah, gentlemen.
- God damn it.
- What?
- I go to go back
to that shithole farm.
They've flooded it.
They must have been messing
around with something.
- Can I come with you?
- No.
You stay here.
- But it's scary here.
- It's much scarier there.
- Not if I'm with you.
- Well, okay.
Get your sweatpants on.
We'll go.
Hey!
Where you going?
God damn it.
[sighs]
[knocking at door]
Hello?
[pounding at door]
Hello?
[muffled groaning]
[knocking at door]
- Oh, hey, Savannah.
Uh, come on in.
- What are you reading?
- Oh, it's a old Indian fable
I found in the house.
- I like the pictures.
- Yeah.
They're really ornate.
- Do you want to look
at the stars with me?
- Yeah.
It's a nice, cool night out.
I'd love to.
- Come on.
You see any constellations?
[flames roaring]
- What did you do to him?
What did you do to him?
You f***.
- "I will be his God,
and he shall be my son.
"But as for the cowardly
and the unbelieving
"and the abominable
and murderers
"and fornicators and sorcerers
"and idolaters and all liars,
in the pool that burns
with fire and brimstone,
which is the second death."
- What are we gonna do with him?
- We're gonna f***in' kill him.
- It's time.
Let's take this man out of here.
- The day of miracles has come.
- [muffled screaming]
- Where's Ezra?
- All right.
Now, I know you gonna
crucify this son of a b*tch
and all,
but I want you to know that this
is what I like from now on.
And this is what I'm gonna wear
from now on.
- Well, that's exactly why we're
gonna start with you, Mama.
You are not their mother.
- I am their mother.
I am such a good mother.
You tell this man that I am
a good mother.
- Get down on your knees.
You are not their mother.
- Yes, I am!
- You are not.
You are your mother's son.
You are your brother's brother.
You cannot save them
from the past.
- No, no, no, no, no.
Protect them.
That's all I want to do.
That's all I want to do.
- Then protect me.
- Shut up.
- You're not our mother, Ezra.
- [speaking in tongues]
Oh, yes, I sense a demon of fear
that is paralyzing you, my son.
There's something evil
inside of you.
- There is.
- What is it?
- A monster.
- It's not a monster.
It's you.
You are not evil.
The evil is your inability
to accept what's inside of you.
- [screaming]
I accept him.
- This night, this time,
we shall be redeemed.
You have been wronged.
But you are strong.
I want you to listen to me,
and you listen good.
You are not damaged goods.
You are good.
Now say it with me.
You are not damaged goods.
You are good.
You are not damaged goods.
You are good.
I want you to say it.
Say it!
- I am not damaged goods.
I am good.
[together]
I am not damaged goods.
I am good.
- Say it.
I cast you into the fire,
oh, demon of sodomy.
- I am not damaged goods.
I am good.
- Demon of hell.
- I am not damaged goods!
I am good!
I am not damaged goods!
I am good!
- Oh, I sense it, Lord!
Oh, oh!
I cast you into the fire!
- Thank you.
- Are you ready to get right
with God?
You want to get on the same page
with the Lord, boy?
- Yeah.
- I didn't hear you.
- Yes.
- Say it again.
Are you really sorry?
- Yes, I'm sorry.
- But you've been living in hell
for some time, haven't you?
- Yes, I have.
But it only-
I only did it one time.
- You did it one time?
What about that sweet
little girl
you're so abusive to?
Huh?
- I swear to God.
I got her out
of a bad situation.
Y'all been making up
all this sh*t.
I love Savannah.
I love her like my mama
loved me.
[sobbing]
Throw me in that damn fire.
- Now you listen to me.
so that you can perform
your final act of penance.
All right, now stand up.
Red Rippington,
chop down that ungodly tree.
- [coughs]
[grunting]
[crowd cheering]
[cheering growing louder]
[cheering growing louder]
[insects humming]
[rooster crows in distance]
[melancholy
acoustic guitar music]
- Sing a song.
- Oh, okay.
I will knock in
all the doorways
I will visit all the houses
I will always be
down the road
- As my footsteps
go around them
Fellow passers
will not see me
Splashing
in the muddy puddles
And it all came
from long ago
It was a long time ago,
long time ago
And it all came
from long ago
It was a long time ago,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Septien" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/septien_17806>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In