Serendipity Page #7

Synopsis: Jonathan Trager and Sara Thomas met while shopping for gloves in New York. Though buying for their respective lovers, the magic was right and a night of Christmas shopping turned into romance. Jon wanted to explore things further but Sara wasn't sure their love was meant to be. They decided to test fate by splitting up and seeing if destiny brought them back together... Many years later, having lost each other that night, both are engaged to be married. Still, neither can shake the need to give fate one last chance to reunite them. Jon enlists the help of his best man to track down the girl he can't forget starting at the store where they met. Sara asks her new age musician fiance for a break before the wedding and, with her best friend in tow, flies from California to New York hoping destiny will bring her soulmate back. Near-misses and classic Shakespearean confusion bring the two close to meeting a number of times but fate will have the final word on whether it was meant to be.
Genre: Comedy, Romance
Director(s): Peter Chelsom
Production: Miramax Films
  3 nominations.
 
IMDB:
6.9
Metacritic:
52
Rotten Tomatoes:
59%
PG-13
Year:
2001
90 min
$49,968,653
Website
4,382 Views


- You mean "exotic dancers."|- No, no. I mean "strippers."

- The women who take off everything.|- I'll see you men at 9:00.

But remember, I promised Judy|I'd be home by 10:00.

Fantastic. It gives you|an hour to get crazy.

Let's get into it.

Before you take Jon and Dad off|to your male-bonding ritual,|I need to talk to him.

Okay. Beautiful bride.|I'll be in the cab.

- Hi.|- I want you to meet Jon.

- Hi. It's so nice to meet you.|- I would love|for you to come tomorrow.

- We'd feel terrible if you didn't.|- Really?

- Yeah.|- That's so sweet.|It's tomorrow at noon?

Yeah, and you can bring|your friend if you want.

- Okay. I'll be there.|- Be there.

Thank you.|That's so nice.

- See you tomorrow.|- Nice to meet you. Bye. See you.

- Halley, what is it?|What's wrong?|- It's you.

- What do you mean, it's me?|What did I do?|- Nothing, exactly.

It's just this feeling|I have, like--

like you've been somewhere else|for the past few days.

- That's not true.|- Don't lie to me, Jonathan.

I've dreamed about this|my entire life, and-and...

I've imagined the dress|and the flowers...

and even the music|the band was gonna play.

And everything is exactly the way|I want it, except for my fiance,

who's just decided to float off|to Never-Never Land.

Look, maybe I've been a little bit|out of it the past week,

but it's just normal,|you know, guy stuff.

- It's a little cold feet.|Doesn't mean I don't love you.|- Well, call me crazy,

but I'd like|my fiance's feet to be warm,

especially when we're hours|from going down the aisle.

I'm sorry, Hal.|Really, I am.

Whatever it is that|you're holding on to,

please just let it go.

Please.

I think it already|let go of me, okay?

Wait.

- What's this?|- What do you think?

It's the traditional|groom's gift.

- I got yours,|and I forgot to bring it.|- I know. It's okay.

Open it.

It's a first edition.

It's just that every time|we go into a bookstore,|you're always flipping through it.

And I checked this week.|You don't even have a copy.

What's wrong?|Don't you like it?

It's perfect.

It's an excellent choice.

# When you know #

# That you know #

# Who you love #

# You can't deny it #

What's going on?|Are you all right?

Her name's Sara Thomas.

What?

How did--

Halley gave it to me|as a wedding gift.

# Never let him go #

# 'Cause you know #

# And you know|that you know #

Sally?

It's Dean from obits.|Hey.

I need an address for a Sara Thomas.|S-A-R-A T-H-O-M-A-S.

Uh, I got|an old phone number.

Yeah, we'll hold.

[Lars] Hang on.|Sir, can you pull this thing over?

I can't hear a thing.

Honey, just one second.|Okay, go. What?

What?

We have to cancel|Dusseldorf. Why?

We have to cancel Stockholm?

# You can feel|love's around you #

# Like the sky|round the moon #

# This is how|love has found you #

# Now you know|what to do #

# When you know ##

Oh. Look at those stars.

They all have names,|you know.

I don't know|what that is.

It's Cassiopeia.

The... stars in the sky.

It's Cassiopeia.

You realize with the time delay,|if our return flight takes off|more than ten minutes late,

I miss my own wedding, okay?

- Does that bother you|in the slightest?|- You are a jackass.

- Well, thank you.|- You are. You--

Y-Y-You're my hero,|you know?

You're like my oracle|and sh*t, you know?

You're out there, man,|and you're making it happen.

Courtney moved out.

- What?|- Yeah. It's-- Look, man.

We'd been fighting|for a really long time.

Why didn't you tell me?

We didn't want to ruin|your wedding, man.

- Didn't want to rain|on your parade, man.|- What the hell happened?

We just--

We let it slip away,|you know?

That's the point. It--|You know, it died.

- We died.|- What was the cause of death?

Not enough of all of this,|of this, of this.

And not enough,|you know? Do you--

Do you remember|the philosopher Epictetus?|You remember what he said?

He said, "If you want to|improve, be content to be|thought foolish and stupid."

That's what you've done.

- I work hard at it.|- Now I want to be a jackass.

You know?|You're the sh*t!

That would be me, the sh*t.

[Dean]|Yeah. He's the sh*t. Okay.

## [Soft Rock]

You know what, old buddy?|On second thought,|maybe you should call first.

- What are you talking about?|- Give her a ring.|It's more polite that way.

Calling her gives her|a chance to clean up.

I don't care how clean|her house is!

- She might.|- What are you talking about?

- You told me to go!|You said I was your hero!|- I forbid you to look.

- You can't look!|- Why are you hanging on?

- I don't want you to get hurt.|Don't get hurt!|- You're hurting me!

I think that went very well.

Didn't-- Didn't she say that|everything happens for a reason?

- Yeah, she did.|- Well, maybe we're|laying here because--

Because why?

Because you don't want to|be standing somewhere else.

I see. Yeah.|We're crawling. We're crawling.

Ladies and gentlemen,|this is the captain speaking.

I'm sorry to report that we're gonna|be on the ground a little longer...

due to some bad weather|heading this way.

The air traffic controller|has put us on hold,

so in the mean time,|I've asked the cabin attendants|to start the movie.

- Hey, you getting ready?|- Yeah.

You know me.|I love a good wedding.

- So have you talked to Lars?|- Yeah.

We spoke this morning|before he left.

I think he's gonna be okay.|At least I hope so.

Of course he's gonna be okay,|and you're gonna be okay too.

Yeah?

Oh, you know what?|There's a lady glaring at me.

I don't think I'm supposed|to be on the phone.|Can I call you when I get home?

Have a safe flight, okay?

- Lots of love. Bye.|- Headsets?

- Yes, I will.|- $3.00, please.

What the hell is this?

Something the matter?

Yes. I think I've mixed up|my wallet with my friend's.

Yes, I have.|See? Prado.

Oh. Well, is there|any money in it?

I'll have a look.

Yes, there is.|Thank you.

Two ones... and a five.

- Thank you very much, sir.|- Thank you.

- Uh, sorry. Excuse me.|- That's this gentleman's change.

- Jonathan. Jonathan.|- Excuse me. I just--

Sorry. You know what?|I'm going to--

Thank you. Excuse me.|Sorry. Whoo! I'm sorry!

Hi. Yeah.|It's in New York City.

I need the address|of a Jonathan Trager.

Yeah. T-R-A-G-E-R.

Hi. I'm looking|for a Jonathan Trager.|Is this his building?

- You must be late.|- Late for what?

The wedding.|Waldorf-Astoria.

- He's getting married?|- Might be already.

- Wait! Hey, wait! Wait!|Excuse me!|- [ Tires Screech ]

Sorry. Can you take me|to the Waldorf-Astoria|as fast as you can go, please?

Can you see what it is?

Oh! Sorry. Sorry!

Oh. Oh, please, God, no.

- Stop!|- Stop?

Is it over?

- The wedding?|- Yeah.

Oh, yeah.|It's over, all right.

Butdon't worry.

You'll get|your present back.

- Excuse me?|- They always return thepresents.

You asked|if it was over.

The truth is,|it never even began.

- What?|- Yeah. He called the whole|thing off this morning.

He called it off?

That's terrible.

Were you a friend|of the bride?

Rate this script:5.0 / 1 vote

Marc Klein

All Marc Klein scripts | Marc Klein Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Serendipity" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/serendipity_17811>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Serendipity

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the primary purpose of the inciting incident in a screenplay?
    A To provide background information
    B To set the story in motion and disrupt the protagonist's life
    C To establish the setting
    D To introduce the main characte