Session 9 Page #2
GRIGGS:
Well, I guess you guyshave seen enough, huh?
Need anything else?
- GORDON:
No.- GRIGGS:
All right.- What's all this, Bill?
- Ah, they're punks.
Little motherfuckers come in,
and they get high, boot scag,
shoot guns.
- Destructive little bastards.
- Shoot guns... at what? At what?
Well, hopefully, each other.
- Hey Bill.
- GRIGGS:
What?What is this?
GRIGGS:
Hey, Phil,what, are you checking in?
Don't go in there
without your bathing suit.
Oh, yeah, this is...
this is seclusion.
That's what they called the patients'
rooms back then, seclusions.
It's some part of some therapy
that was big in the '70s.
All these cut-outs and... stuff.
You know, art therapy,
creative expression.
You know, it helped them with their...
you know, like, self-esteem.
Yeah.
Helped them feel good
about themselves and more at home.
It was creepy, huh?
PHIL:
Shades of your childhood, huh?GRIGGS:
Yeah, there's a pictureof me at summer camp
somewhere up here.
PHIL:
Huh. Wow.What do you think was wrong
with this one?
GRIGGS:
I don't know.Watch out for the broken glass here.
Yeah.
Hey, you know, I got a little time.
You want to check out that cemetery?
- 750 bodies buried there. It's like...
- Gentlemen, I'm -- I'm sorry.
- What, Phil?
- I left a bag. I got to go back.
- Oh, you know where you're going?
- Yeah, middle of the bat wing, right?
You got it.
- Okay, I'll see you down here.
- PHIL:
I'll be out!- Gum?
- No, thanks, man.
Oh, you know, I don't think I ever
congratulated you and Wendy
on your new addition.
Ah, thanks man.
Thanks!
You know, I know how long you both...
Well, you know, we're just so happy
for you and Elizabeth.
- You wanna see her?
- Oh, yeah. Bring a picture?
- I'll show you my baby.
- Aww.
Aww.
- Yeah?
- Isn't she just a doll.
- Emma.
- Oh, yeah!
Listen, I'll match Yankee's bid.
Well, this isn't how we normally do
the bidding process.
I mean, the deadline's Friday,
paperwork on my desk...
I know, I know. We'll be in on Monday,
and we'll be out the following Monday.
- I thought you said two weeks.
- One week. I'll do it in one week.
I've got four really good guys.
I'll hire another guy.
One week, we're gone.
- One week?
- One week.
- That's fast.
- Uh-huh.
I'm good for it.
You know I'm good for it.
I need the job.
I really need this job.
[ Baby crying ]
[ Dog barking ]
[ Sighs ]
WOMAN:
Roses? They're lovely!What's the occasion, Gordon?
[ Screaming ]
[ Electrical hum ]
Genny is up and running, sir.
- Take the mask off, Hank.
- Are the ACO levels safe, sir?
Take it off, d*ckhead.
GORDON:
Here's what I want youto do, okay?
I want you to go down to the tunnel,
Tag those ducts
we looked at this morning.
Use the green slime.
You mean red, right?
Those ducts are hazards, Gordo.
- What?
- Red, right?
Yeah, red.
Hey ya, Phil.
Amy says hi.
Keep it up, d*ckhead.
Don't shoot the messenger, Phil.
I'm just relaying information.
She says to me this morning,
while we're laying in bed,
to say hi to you.
[ Chuckles ]
Keep it up.
Yeah, I got it.
That's the problem, right?
So dude, how long have you been
working with my Uncle Gordon?
- MAN:
Five whole years.- All right.
Was he a slave driver or what?
Well, Gordon's a very reasonable
man. I'm the slave driver.
Safety first, get the job done, second.
And, uh, no drugs on the job, dude.
- Woo-hoo!
- What the hell is that?
So, Mike, you gonna show me
the ropes?
- This the new guy?
- They call it Jeff.
MIKE:
It's Gordon's nephew.- Mikey didn't tell you about these?
- What?
- You can't use these.
- Why not?
Rule one, music creates
sonic vibrations.
into the air.
Gets into the air,
it gets into your lungs.
This the kind of music you plan on
listening to here, buddy?
- Yeah.
- Yeah, yeah. You trying to kill us all?
Put it away
or play something else, man.
Like Yanni or John Tesh
or something, all right?
HANK:
I'll see you guys at lunch.I'm going down deep.
MIKE:
Later.Who's Yanni?
HANK:
You know, Gordo, you finallylanded us the perfect gig.
Next time someone says
what we do is crazy,
you just say, "Yeah, well,
we work in an insane asylum."
to be grateful, my man.
You're about to make
some decent money.
Yeah, what?
Five bucks an hour?
- You didn't tell him?
- Oh, you tell him.
Okay. $10,000 bonus.
Gordon arranged it with the town.
What's the catch?
We got to finish by the 13th.
The 13th? As in what, this Monday?
Come on, Gordo, you know
this is at least a two-week job.
That's exactly right.
So, we're gonna work our asses off.
So, what is it? Ten G's each?
If you don't like it Henry, I'll give you
a ride to the airport right now.
Let it go, Phil.
You drive me to the airport. What about Amy?
You gonna take Amy to the airport?
She likes to travel.
- I know she likes to travel...
- GORDON:
Hank!GUARD:
Hey, guys!I got your keys for the gate.
GORDON:
Thanks, man.GUARD:
So, what do you think, huh?Fifteen years really does a number
on a place.
You know, it's hard to believe
there used to be over 2,400 patients
here at one point.
JEFF:
Yeah, so why'd theyclose this place down?
Nearly all these places
got closed down in the '80s.
Ya know, the budget cuts.
The Feds called it
Deinstitutionalization.
So, they just dumped the people
on the street?
Some. Some went to, like,
homecare-type programs.
So, the loonies are outside
in the real world,
and here we are with the keys
to the loony bin, boys.
[ Chuckles ]
Well, it wasn't just the budget cuts,
you know.
What was it, then, Mike?
Patricia Willard scandal, 1984.
GUARD:
Patricia Willard?I don't recall that.
Patricia Willard, she was committed
here in the 1970s by her parents.
Manic depression, that sort of thing.
Typical adolescent crap.
But in the 1980s,
this new kind of therapy took off,
Repressed Memory Therapy.
See, the shrinks figured
that with these new techniques
they designed, they could release...
hidden memories of traumatic events
in your life:
rape, incest.So Patricia,
with the help of her doctors,
recalls that when she was 10,
But not once, right?
No, he'd do it three times a week.
And he didn't just rape her.
He came into her room at night
wearing a black robe.
He'd take her and drive her
to a wooded area
where her grandparents
and her mother were.
And they'd all have black robes on.
They'd take them off,
And then they bring out the newborn.
She was forced to watch,
this baby's heart out
with a stone dagger.
She'd drink the blood,
others would eat the flesh.
Her grandfather and father
would f*** her repeatedly.
She was forced to have abortions,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Session 9" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/session_9_17827>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In