Shane Page #3

Synopsis: Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like Joe Starrett and his family, whose land Ryker wants. When Shane beats up Ryker's man Chris, Ryker tries to buy him. Then Shane and Joe take on the whole Ryker crew. Ryker sends to Cheyenne for truly evil gunslinger Wilson. Shane must clear out all the guns from the valley.
Genre: Drama, Western
Director(s): George Stevens
Production: Paramount Home Video
  Won 1 Oscar. Another 4 wins & 10 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
97%
NOT RATED
Year:
1953
118 min
773 Views


I guess you don't hear very well,|sodbuster.

I told you, if you want to keep healthy,|stay out of here. Now, get going.

Look, pig-farmer. Get back with|the women and kids, where it's safe.

Don't push it, Calloway.

Did you hear me? I said get going.

Did you think you were gonna come|and drink with the men?

Set 'em up, bartender. Two whiskies.

You bought me a drink|last time I was in here.

Now I want to buy you one.

You ain't gonna drink that in here.

You guessed it.

Let me have him.

- Let him go.|- Let me have him.

Go get him, Chris.

Tear him apart!

Get that sodbuster.

- Hang one on him, Chris.|- Bust him.

Break his back.

This is bad, this is bad.

- I'm going in there.|- No, Stonewall, stay right here.

If we join in, we'll get run out.

- Go on!|- Go get him, Chris.

There ain't a marshal|within a hundred-mile ride.

Get after him, Chris.

Plough him under, Chris.

Beat his brains out!

Get him!

- Land that right, Chris.|- Knock him into that pigpen, Chris!

Dirty pig-farmer!

- Stop this!|- Go on, get at it.

Here, men, stop this!

Settle it outside.

- Looks like it's all over.|- We should get out of here.

- Maybe you'd like to draw straws.|- Hold on, young fella.

You may have a friend|you don't know you've got.

- I could use a man like you.|- I'm working for Starrett.

You don't belong on the end of a shovel.|Anything to stop you drawin' your time?

I like working for Starrett.

- Whatever he's paying, I'll double.|- It's no use.

- What are you looking for?|- Nothing.

- Pretty wife, Starrett's got.|- You dirty old man!

- People don't talk to me that way.|- I'm talking that way.

You had a chance. Nobody messes up|my boys and gets away with it.

We'll ride you out of this valley.

Gonna rough you up and ride you out|and you're gonna stay out.

- Shane, come on!|- Joey, get out of here.

But, Shane, there's too many.

You wouldn't want me to run away,|would you?

But there's too many, Shane.

Go on, son, please.

- Stop!|- I'll pay the damages.

- No more fighting.|- Keep outta this.

- This man's unarmed.|- It ain't a shooting.

Quit butting in.

I'll take him.

Stop it, men! Stop fighting!

Stop it, men.

Stop this!

Break his neck!

- Where's Joey?|- Pa, they're going to kill Shane!

- They're trying to kill him!|- Stay with your mother.

- Don't go in.|- Shane's in there.

What Ryker's got coming|ain't fit for a woman to see.

Don't go in there, Joe...

Beat his brains in!

Stop it!

Stop it!

Stop it! You fools have had enough of it.|You'll all get killed.

Starrett, you and Shane|back on out of here.

That's making some sense, Starrett.|You've won.

- Get out of here.|- Ryker ain't paying for this damage.

I'm paying for what's broke.

No, by Godfrey, we're paying|for what's broke, me and Shane!

Morgan, put one of the boys|on a good horse.

He's got a long trip,|all the way to Cheyenne.

I'm through fooling, Grafton.

From now on, when we fight with them,|the air's gonna be full of gunsmoke.

- I saw it all, Mother, every bit.|- It's no place for you, Joey.

No place for you either, Marian.

I was scared. Then Pa picked up|that man and slung him on the floor.

I didn't do much. It was all Shane.

- How are you feeling?|- Better.

You did, Joe.|It was ugly and you were both wonderful.

When that chair came down on you,|Shane, I thought you were a goner.

It was an easy chair, Joey.

I bet you two could lick anyone.

Well, one thing's for sure,|Ryker's gonna think twice.

- Don't talk about Ryker any more now.|- I wish we could forget him.

- This turpentine'll hurt.|- He wouldn't say nothing.

No matter how much it hurt.|Would you, Shane?

I'm afraid I would, Joey,|if it hurt bad enough.

- It stings like anything.|- Joey, go on to bed.

It does smart, I know.

- Ouch!|- Gosh!

- Joey, for the last time, go to bed.|- Yeah, me, too.

Come on, son.

- Will you kiss me goodnight, Mother?|- All right.

Your head...|Your head needs a bandage.

It's good enough, Marian, it's fine.|Thanks very much.

- You wanna know something, Mother?|- What is it?

- What is it, Joey?|- Mother...

- I just love Shane.|- Do you?

I love him almost as much as I love Pa.

That's all right, isn't it?

- He's a fine man.|- He's so good.

Don't you like him, Mother?

Yes, I like him, too, Joey.

Goodnight, Joey.

What's the matter, honey?

Joe...

Hold me.

Don't say anything. Just hold me tight.

- 'Night, Ma!|- Goodnight, Joey.

- 'Night, Pa!|- 'Night, son.

'Night, Shane!

Where's Ryker?

He's getting a little sleep.

- He sent for me.|- Sit down for a minute.

We're having a celebration today.

- Where's the coffee?|- I'll put it right on.

- What's going on here?|- Plenty.

- Going somewhere?|- Looks that way, don't it?

Don't let 'em bluff you, Ernie.

Bluff, huh?

See that?|They killed my sow last night.

Kept shooting|and yelling what they'd do next.

Woke up the kids and|scared the missus half to death.

- We're gonna put a stop to that.|- I said I'd stay for one more hand.

Well, this is it. I had enough of Ryker.

Here they come again!

Right through my ploughed ground.

What do you think of that,|Stonewall Torrey?

Starrett and the rest of us|are gonna take the juice out of 'em,

one of these days.

Anyhow, I'm going to Grafton's|to get a bottle.

- Show 'em it's Independence Day.|- Ma, you getting ready?

- Good luck.|- Good luck for you, too, Stonewall.

Can't see a pig in sight!

I don't see none,|but I sure can smell 'em.

They cut Mr Wright's fence|and Mr Shipstead's, too.

They did?

Shane, what would you do|if you caught them cutting our fence?

I'd ask them|to please go around by the gate.

Oh, Shane!

- Come on, I'll race you to the barn.|- It's a go!

Why don't you ever wear|your six-shooter, Shane?

I guess I don't see|as many bad men as you do.

Shane.

- You want me to tell you something?|- If you want to.

I saw your gun in there, one day.

- I took a look at it.|- Oh?

- Are you mad?|- No, I guess not.

But if I were you,|I'd leave a thing like this alone.

- I wrapped it up in the blanket again.|- That's a good boy.

Could I see it again?

You promised you'd show me|how to shoot.

Please!

All right, Joey. Come on.

Get 'em up!

We've got some learning to do!|Come on.

You stand right here.

All right, put your arms|down to your side.

Your holster's too low.|Never have your holster at arm's length.

Let's fix this.

You always have it here, with the grip|between the elbow and the wrist.

So when your hand comes up,

the gun clears the holster|without coming up too high, see?

Now you try it, real fast and straight.|That's it.

- Gosh! Is that what real gunfighters do?|- No, Joey.

Most of them have tricks of their own.

One, for instance,|likes a shoulder holster.

Another one puts it|in the belt of his pants.

And some like two guns.|But one's all you need if you can use it...

...after 15 paces. No good for putting|a bullet where you want it.

Which is the best way?

What I'm telling you is as good as any,|better than most.

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A.B. Guthrie Jr.

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Submitted on August 05, 2018

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