Sherlock Holmes Page #17

Synopsis: When a string of brutal murders terrorizes London, it doesn't take long for legendary detective Sherlock Holmes (Robert Downey Jr.) and his crime-solving partner, Dr. Watson (Jude Law), to find the killer, Lord Blackwood (Mark Strong). A devotee of the dark arts, Blackwood has a bigger scheme in mind, and his execution plays right into his plans. The game is afoot when Blackwood seems to rise from the grave, plunging Holmes and Watson into the world of the occult and strange technologies.
Production: Warner Bros. Pictures/Village Roadshow
  Nominated for 2 Oscars. Another 10 wins & 27 nominations.
 
IMDB:
7.6
Metacritic:
57
Rotten Tomatoes:
71%
PG-13
Year:
2009
128 min
$208,711,166
Website
6,623 Views


43B.

51 CONTINUED:
(4) 51

PALM READER:

(wincing)

I see madness. A man driven out

of his mind by a malign force.

Watson looks at Holmes.

PALM READER:

I see a letter... the letter M...

another M... Mary? You will be

married... I see... I see...

(horrified)

Patterned table clothes, china

figurines, lace doilies...

Watson snatches his hand away.

WATSON:

You think you are clever don't

you?

Holmes feigns innocence.

PALM READER:

She turns to fat...

WATSON:

Enough.

The Palm Reader looks at Holmes.

HOLMES:

(to Watson)

Do you have any changes?

Watson shakes his head as he pays the woman.

WATSON:

This is a new low -- even for you.

(CONTINUED)

44.

51 CONTINUED:
(5) 51

HOLMES:

It's the most honest prediction

old Flora has made in years. And

you know it yourself, Watson.

That is precisely the reason you

can't find a suitable ring.

You're terrified of a life without

the thrill of the macabre, as well

you should be.

Holmes swallows the last of his cod and casts the

wrapping aside, pleased with himself.

WATSON:

Do you still have my cut from the

fight?

Holmes digs into a pocket, produces a wad of coins.

HOLMES:

Why, do you --

Watson snatches the money, storms into Madison and Haig.

Holmes is confused until he spots a sign in the window:

"Large selection of engagement rings for every wallet."

Holmes starts to look a bit nervous. As he follows

Watson, he is intercepted by the Palm Reader who grabs

his arm.

PALM READER:

I seen something in his hand.

Darkness and great pain. Mortal

peril. Warn your friend, he's not

safe.

Even Holmes is taken aback by this.

52 52

EXT. LONDON EAST END - MINUTES LATER

Holmes and Watson move down the street, the pawnshop

behind them. Now Watson is smiling, and Holmes is not.

Watson is beaming at: an ENGAGEMENT RING in a box.

WATSON:

Not bad, eh?

Holmes turns away, looks down at the TICKET he got from

the pawnshop:
an ADDRESS.

HOLMES:

Reordon's lodgings should be right

around this bend. Here we are...

(CONTINUED)

44A.

52 CONTINUED:
52

He slows, looks up at a dark, dingy LODGING HOUSE. Some

windows are boarded up.

HOLMES:

Looks promising. And possibly

dangerous. Oh, well, give my

regards to Mary.

(CONTINUED)

45.

52 CONTINUED:
(2) 52

Holmes heads for lodging house. Watson checks his watch.

53 OMITTED 53

54 INT. LODGING HOUSE 54

Holmes winds his way up a twisting flight of creaky

stairs, finds a door with scratches on the keyhole.

Holmes takes out his knife and goes to work on the lock.

It is fiddly. It takes him a while. He kneels to get a

better angle with the knife.

CRACK! Watson's boot flashes past him as he KICKS the

door off its hinges. Off Holmes' pleased reaction, he

gestures them inside.

WATSON:

I can spare ten minutes.

55 55

INT. REORDON'S ROOMS - DAY

The squalid doorway opens into a series of dark rooms.

Watson lights a lamp which reveals details of an interior

that stops them both in their tracks:

From floor to ceiling, every available inch is covered in

writing, biblical Latin and Hebrew. Scrawled-on paper

and pages are tacked to walls and carved into the

plaster, crucifixes punctuate the yards of text and

collage, strange pagan charms hang from the ceiling.

HOLMES:

He clearly felt something was

coming to get him.

WATSON:

Something did.

They move further inside where there is a hallway and a

basic bedroom. Holmes inspects it, moves through a door.

(CONTINUED)

46.

55 CONTINUED:
55

HOLMES (O.S.)

Watson, come take a look at this --

Watson puts down what he was looking at, goes towards...

56 INT. REORDON'S LAB 56

Instantly, Watson covers his nose with a handkerchief.

WATSON:

(reeling)

Bloody hell...

The room is stacked with an alarming amount of scientific

and biological paraphernalia. Some of it gives off a

distinctly electrical hum. Ungodly fragments of limbs

and matter float in jars.

HOLMES:

(inhaling deeply,

loving it)

Ammonium sulfate.

In the center of the room, something ROTTING. An

experiment generating a massive stench, a seething cloud

of flies. Holmes and Watson step closer to see:

DEAD FROGS. Eyes opened impossibly wide, their bodies

frozen in strange contortions, as if mid-death-rattle.

Holmes moves around the room, sniffing like a morbid

perfumer. Watson does his best not to gag.

HOLMES:

(mumbles)

Phosphorous... Formaldehyde...

Hemlock...

Rate this script:3.5 / 2 votes

Simon Kinberg

Simon David Kinberg (born August 2, 1973) is an British-born American screenwriter and film producer. He is best known for his work in the X-Men film franchise, and wrote and/or produced several other box-office successes such as Mr. & Mrs. Smith, Sherlock Holmes, Cinderella, and The Martian, earning an Academy Award nomination for the latter. His production company is Genre Films (usually credited as Kinberg Genre), which has a first-look deal with 20th Century Fox. more…

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