Shirin Farhad Ki Toh Nikal Padi Page #9

Synopsis: Farhad Pastakia (Boman Irani) has a dream job as a bra-and-panty salesman. Except that he is a 45-year old Parsi bachelor still living with his overbearing mother and grandmother. But it's not like he's stopped trying. Desperate to get him married, Farhad's mother drags him to see women and even to embarrassing Parsi matrimony services. In the midst of all the daily humdrum, Farhad meets the woman of his dreams: Shirin Fugawala ('Farah Khan'), who drops by his store. Shirin, who works at the Parsi Trust, hits it off with Farhad from the start. Everything seems to be perfect and Farhad gets ready to introduce Shirin to his mother. But mummy becomes the villain in their story when she discovers that Shirin is the devious Parsi Trust Secretary who got the illegal water tank in their home demolished. The water tank being the 'aakhri nishaani' of Farhad's late father doesn't help matters. The ups and downs in Shirin-Farhad's relationship and how the two try to make it work is the rest of th
Genre: Romance
Director(s): Bela Segal
Production: Eros Entertainment
 
IMDB:
4.3
Year:
2012
119 Views


- What are you saying?

Yes, no need. No need.

I've got a better idea.

- Say it.

What is it?

I have my ancestral gun.

I could just kill you

with a single bullet. - No.

No, no.

Rascal!

Police! Come quickly.

Come quickly. You've gone crazy.

You've gone crazy.

- What's going on?

Move aside. Move aside.

What did he do?

What?

- Nothing.

He's a thief. He's a thief.

He's a thief. He's a thief.

Wait, sir. Wait, listen.

Listen to what I've to say.

Arrest him and take him away.

Sir, at least listen to me.

They won't let me speak.

Sir, please let me.

I am wearing a suit.

So, who's the gentleman?

And look at them.

Look, they're all in

their night-suits.

Who looks like a thief?

Don't act too smart.

Let's go to the station.

Sir. Sir, please.

He's a thief.

Sir, listen to me.

Look at my suit

You've all gone crazy.

You've all gone crazy.

Few days ago, he saw me

without my clothes on.

Yes, he did.

- Quiet!

Inspector, charge him

with sections 362, 172, 288.

If you don't take action against him,

then I will kill him, right here.

Will you shoot me?

Who do you think you are?

Inspector what does he think?

Hey mister, do you have

a license for that gun?

Confiscate his gun.

I'll get the license.

I'll get the license.

Happy New Year, papa.

Can I ask her a question?

- Yes.

Aunty, how many fingers

am I holding up? - Four.

And now, aunty?

- Six.

And now?

- 12.

She can't see properly

even under the light

how could she know for

sure that I'm the peeping Tom?

Who's ringing the bell

so early in the morning?

Hey"

Farhad. Come in.

Happy New Year, aunty.

- What happened?

Your clothes!

Your sweet neighbours took

me to the police station.

Why? What happened?

- I'll tell you later.

You want to see Shirin?

- Yes.

Better change.

- No.

You can wear Hoshidaar's clothes.

- No.

Good luck, son.

Hoshidaar uncle,

If you can hear me

there's something

I would like to say.

Your daughter Shirin's

favourite colour is red.

And mine's white.

She likes 'Dhansak'

and I like 'Salli Boti'.

She likes tea, but I don't.

I like

- Coffee.

I like Duke's Mangola.

But what's the difference?

What difference does it make?

The point is

that we love each other.

Just think about it.

Imagine, 30-40 years from

now I fall really sick.

Doesn't make a difference.

Just an example. Let me say it.

Imagine if I can see

no more. hear no more.

Can't ..

Can't remember anything

everything's locked away inside my head.

Even then,

I will always remember one thing

Shirin.

I love you.

I just love her.

So can I, Farhacl

marry your daughter? Is it ok?

Look what I brought, uncle?

Farhad.

My back. My back.

Can I get a Dukes Mangola?

Papa!

Papa's awake! Papa's awake!

Papa's awake! Papa's awake!

Papa's awake!

Papa, I can't believe it.

Mangola.

- Get the Mangola.

I missed you so much, papa.

- Mangola.

Farhad, Mangola.

Papa's awake.

Mangola.

He's awake.

Opener.

It's here.

Farhad, Mangola.

Don't worry.

- Where is the Mangola? Get it soon.

Papa, Mangola's here.

Mangola's here.

I did it.

Papa! Papal

Slowly.

- Slowly, papa. - Hoshidaar is awake!

Slowly.

- Hoshidaar is awake!

Slowly, slowly.

- Hoshidaar is awake!

"They're on a roll."

"They're on a roll."

"They're on a roll."

"It's a circus of destiny."

"A saga of fate."

"The punctured lives

of two people ..."

"... that had gone bust."

"Love gave it a push

and made it jumpstart."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"They made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Lets stomp the ground, ground."

"Hit the floor come, come down."

"Lets stomp the ground, ground."

"Hit the floor come, come down."

"Don't stop it yeah,

Lets do it yeah."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"It's a circus of destiny."

"A saga of fate."

"The punctured lives

of two people ..."

"... that had gone bust."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"They made it."

"Shirin-Farhad made it."

"What will the priest do..

...when the lovers have agreed?"

"Still it is not easy to meet..

...as there's lot of topsy-turvy."

"A spark is enough to fire."

"It is such a wonderful thing."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"They made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"The road of love is difficult..

...you have to be careful while driving."

"Listen to your heart or all."

"Who do you want to wave goodbye to?"

"Drive slow and steadily."

"Or you'll have to pay a heavy price."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"They made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

"They made it."

"Shirin-Farhad made it."

"Shirin-Farhad made it."

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Sanjay Leela Bhansali

Sanjay Leela Bhansali (Gujarati: [ˈsəndʒeː ˈlilɑ ˈbʱəɳs̪ɑli]; born 24 February 1963) is an Indian film director, producer, screenwriter, and music director. One of the most successful filmmakers in Indian cinema, Bhansali is the recipient of several awards, including four National Film Awards and ten Filmfare Awards. In 2015, the Government of India honoured him with the Padma Shri, the fourth highest civilian award. Bhansali made his directorial debut with Khamoshi: The Musical (1996), for which he received the Filmfare Critics Award for Best Film. He rose to prominence in Indian cinema with the commercially successful and widely acclaimed romantic drama Hum Dil De Chuke Sanam (1999), the romantic drama Devdas (2002) — which received nomination for the Best Foreign Film at British Academy of Film & Television Awards (BAFTA) — and the drama Black (2005), for all of which he received multiple Best Director Awards and Best Film Awards along with additional Critics Award for Best Film for the latter at Filmfare Awards, and multiple National Film Awards for the latter two. However, he followed it by directing consecutive commercially flop films such as Saawariya (2007) and Guzaarish (2010), however, Guzaarish received positive reviews from critics and audiences. This changed with his adaptation of Shakespeare's Romeo and Juliet — the tragic romance Goliyon Ki Raasleela Ram-Leela (2013) — opened to positive reviews and strong box office collections, for which he received several awards and nominations. His home production biographical sports film Mary Kom (2014), had him receive his third National Film Award. His period dramas Bajirao Mastani (2015) and Padmaavat (2018) rank among the highest-grossing Indian films of all time. For the former, he won the National Film Award for Best Direction, as well as Best Director and Best Film Awards at Filmfare. He is an alumnus of the Film and Television Institute of India. He is the founder of the production house Bhansali Productions. Bhansali has adopted the middle name "Leela" as a tribute to his mother, more…

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Submitted on August 05, 2018

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