Shockproof Page #8

Synopsis: Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined to make Jenny go straight. For lack of other prospects Griff finds Jenny a job in his own home, and his objectivity about her wavers, while Jenny continues to meet Harry secretly. However, when Jenny transfers her affections from Harry to Griff, the situation becomes even more dangerous...
Director(s): Douglas Sirk
Production: Columbia Pictures
 
IMDB:
6.6
Rotten Tomatoes:
89%
APPROVED
Year:
1949
79 min
90 Views


- What's wrong?

- We're going back, Griff.

We're going to give ourselves up.

Don't talk that way.

It's those people that got you upset.

That frowsy dame with all her snooping.

I'm sorry you have to put up with it,

with a lot of things.

We'll get out of here.

We'll go someplace else.

We'd only have to run away again.

No, we'll run so far this time,

they'll stop looking for us.

Maybe they'll stop looking for us,

but we'll never stop running.

We're getting out of here.

Griff, it's too late.

He's already called the police.

- Police? He knows?

- Yes.

That's why she came over here.

To make sure.

- How did they find out?

- The newspaper. Pictures of us again.

- You saw it?

- Yes.

Well, then, why didn't you... Come on.

Let's hurry. It isn't too late yet.

It is, Griff, for me.

Jenny, please, you're all that matters to me.

You can't go back.

I've got to. It's no good this way.

What kind of life is this for you?

- We haven't got a chance, Jenny.

- Yes, we have.

A little chance, maybe, but at least a chance.

There's no happiness this way, darling.

We're breaking the rules.

That's not for you, Griff,

and it's not for me either, anymore.

It's better, Griff. Please, it's better.

Yes.

Let's go now. Right away.

We don't want to be caught.

We want to give ourselves up.

Wait.

My present.

Will you answer me, Joe?

Did you or did you not tell him?

Yes, I told him.

So, what did you tell him, exactly?

I told him if he didn't get us a new heater,

I was quitting the company.

Yeah? And he said...

You take it from there, Florrie. I'm tired.

Tired.

- Hey, Florrie!

- Yeah?

There's a picture of a dame

here in the paper.

Looks like that girl next door.

In the papers, they all look alike.

She's a nice kid.

For being married,

they sure are crazy about each other.

Come on, Joe, eat this mess.

The police are here, Mr. Wesson.

Well, here they are, Wesson.

All you have to do is identify her.

She gave herself up.

Well, just tell us if she shot you.

It was an accident.

An accident?

That isn't what you said in the report.

It was an accident, I tell you.

Well, I guess there's nothing more

for us to do.

- Come on, Mac.

- What about jumping parole?

She was with her parole officer, wasn't she?

- For two months?

- Yeah, for two months.

Thanks, Harry.

I'm a good enough gambler

to know when I've lost.

But it took a bullet to convince me.

- Nurse, do me a favor.

- Yes, Mr. Wesson.

Throw these people out of here.

Rate this script:0.0 / 0 votes

Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

All Helen Deutsch scripts | Helen Deutsch Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Shockproof" Scripts.com. STANDS4 LLC, 2024. Web. 27 Sep. 2024. <https://www.scripts.com/script/shockproof_18020>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Shockproof

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriting software is considered industry standard?
    A Google Docs
    B Final Draft
    C Scrivener
    D Microsoft Word