Sholay Page #3

Synopsis: Sholay means embers in Hindi. In this particular movie, a Police Officer, who's family was killed by a bandit named Gabbar Singh, decides to fight fire with fire and recruits two convicts, Jai and Veeru to capture Gabbar. He approaches them in jail, puts the proposal in front of them, and they agree to bring in Gabbar Singh alive - for a hefty price. After their discharge from jail, they travel by train to the village where the Police Officer lives - now with only his widowed daughter-in-law. The three band together to fight one of the most elusive and dreaded bandits of all time. Will the two ex-cons be able to bring Gabbar alive to the Police Officer?
Director(s): Ramesh Sippy
Production: Adlabs Film
  2 wins.
 
IMDB:
8.2
Rotten Tomatoes:
83%
NOT RATED
Year:
1975
162 min
20,155 Views


Me, of course.

People ask how a girl like me|can go around plying a tonga.

I have an answer ready|for them.

Dhanno is a mare; and she|can still draw the cart.

So why not Basanti?|Am I right?

So what's wrong? City girls drive|cars... no one says anything to them.

You're a wise man, although|you're from the city.

- What is your name?|- Veeru.

You haven't yet asked me|my name, have you?

What is your name, Basanti?

Oh, shut up! You're always|talking nonsense!

I wasn't talking to you, you know.

But since you have asked me,|let me tell you...

...my name is Basanti.

That's the first time|I've heard the name.

Basanti! What a lovely name!

There's a story|behind my name, too.

Really? Do tell me...!

When I was a little girl...

...a distant relative said...

That's it, Dhanno! Halt!

This is the Thakur's mansion.

Strange! Talking to you guys,|I didn't even realize the distance.

That's right.|We are very talkative.

Here's the 1.50 Rupee|we had settled for.

You're a nice man. I shouldn't be|accepting the money from you.

But what will the horse eat,|if it befriends its food?

- So I will accept the money.|- That's very kind of you.

Let's go, Dhanno!

Wow! She talks so well!

She talks too much!

Let's go. You don't have to|score with every girl you meet.

Come on!

Welcome.

This way, please.

Greetings, Thakur.

You had no problems|getting here, I hope?

Well, not much.

Come in.

Had you dropped a letter, I'd have|sent someone to receive you.

Your stay has been arranged.

Just let me know, if there|is anything you need.

I had promised to pay you 5000|rupees on your arrival here.

You remember your|assignment, don't you?

I want Gabbar.

- I want him alive.|- Of course, remember.

You want Gabbar...|captured alive.

You will have him.

Go and take some rest.|You must be tired.

We'll discuss the rest later.

Follow me.

Please go ahead.|I'll go and fetch the keys.

That safe was|stuffed with riches!

Folks in this village|seem to wear a lot of gold.

So what do you say?

Quite a big house...|and beautiful, too.

- Who else stays in there?|- Your keys.

That is your quarters.

Do call me over, should|you need something.

I can't quite figure this out.

Why must we bother, Jai?|The Thakur has paid us 10,000.

Let's clean out his safe tonight|and get away. What say?

Very well.

Let's sleep now, if we're going|to keep awake tonight.

Thakur! These guys were...

They're my men.

Then why did they attack us?

I wanted to see if you still|possess the courage and strength.

Or whether time has rendered|your might, impotent.

So? What did you see?

I see that I have made no mistake|in having you brought here.

There is one mistake you|have made, Thakur!

Here's the key to the safe.

The safe has some ornaments|which are of no use to me.

A widow will never need them again.

It has some money, too.|You can take that away.

I'm glad, it will at least break|the Thakur's false hopes.

Hopes, that he has pinned on you.

Excuse me.

That which happened last night|will not happen again.

Here... have some more!

You've eaten enough|to be big and strong!

But when we make to trip to Belapur,|you sure do put on airs!

- Go ahead and eat...!|- Basanti...!

I'm here, feeding|this donkey, auntie!

Now watch her take off!

Listen, lady!|You can roam around all day!

But you wouldn't do|a simple chore for me!

There she is! Ranting as usual!

You're always losing|your temper with me, auntie.

Won't you give me a chance?|What had you asked me to do?

You asked me to go to|the physician, didn't you?

I did go to him to|fetch your medicines.

But he wasn't there.

He's supposed to be ill...

...and has gone to the neighboring|village for treatment.

I didn't mention the doctor and|you gave me a whole lecture!

What else did you ask me to do?

Didn't I ask you to fetch some|raw mangoes for the pickle?

But you will never remember!

Oh sure, you did tell me!|I'll go and fetch them right away!

Lmamsaheb! Do you want me|to reach you home?

Who's that?

Basanti! It's you today.

I've spent years in this village.

You weren't even born then.

But even before I can alight|the steps of the mosque...

...there is someone|to reach me home.

Why wouldn't anyone?

There's not a soul in town|who does not respect you.

When they respect you so much,|why won't they help you too?

It's all very natural.|Actually...

When you can talk so much, why don't|you talk some sense to Ahmed too?

He's even younger to you.

I know how to make them|see sense, lmam.

I can make your son|see reason too.

But unless I know what I have|to talk about, how will I?

Ahmed's uncle works for a beedi-|manufacturing factory in Jabalpur.

- He earns 300 Rupees every month!|- Really?

He has written to me so very often|to send Ahmed over...

...so he'll talk to his boss and|find Ahmed a job in the same factory.

But Ahmed is just not|prepared to go!

He says I'd be left all alone!

- Hi! How are you?|- I'm fine, all right.

Now tell me; you've completed your|matriculation and speak English too.

And as your uncle|in Jabalpur writes...

There you are! You're taken up|with my father says, too!

That's the only thing he says|to anyone who meets him.

So what's wrong? I just answered|a question she asked.

You know, I'm not used|to talking without reason.

But just think it over!|It's a beedi-manufacturing factory!

Work while you work... and smoke|a beedi, when you feel like it!

It's like getting all the|mangoes for nothing...

- My God!|- What's wrong?

The mangoes! I forgot them again!

- The raw-mangoes!|- The raw mangoes?

Yes. I had to fetch them|for the pickle...

Well? What are you doing here?

Well...! That's how it is.

Well... which mango do you|want me to knock off?

Can you really shoot down|the mango I want?

That's child's play!

The best of the big shots pay|respects at my meet...

...and swear they haven't seen|a marksman like me!

You seem to be a damn good-shot!

Sure... he's of royal|descent, isn't he?

- What was that he said?|- Never mind. He talks nonsense.

So, which mango do you want?

That one there... the other one,|too. And yet another one there.

My word! Your friend|is a great shot, too!

Eh? Oh, yes. Bright chap, you know.

I'm still teaching him...|He'll learn soon.

- Can you teach me, too?|- Certainly! I can teach you, too!

In fact, I can teach you this|in a matter of two days.

- In just two days?!|- Of course.

There have been people he has|"taught" in a couple of hours!

- In just a couple of hours!|- He talks nonsense, you know!

Well, come with me, if you|wish to learn this.

Can you see that mango there?

- You can see it, can't you?|- Sure.

Now hold the gun...

...and bring this other hand...|close to the other.

Now place this finger|on the trigger.

Now close your eye and...

I have already shut my eyes!

What is he talking about?

The usual nonsense!

- Now close your eyes.|- Very well.

You've shut your eyes, have you?|Now... can you see that mango?

Strange! How can I see the mango,|when I've shut my eyes?

Rate this script:4.2 / 26 votes

Javed Akhtar

Javed Akhtar (born 17 January 1945) is an Indian poet, lyricist and screenwriter. He is a recipient of the Padma Shri (1999), Padma Bhushan (2007), the Sahitya Akademi Award as well as five National Film Awards. more…

All Javed Akhtar scripts | Javed Akhtar Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Sholay" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/sholay_18024>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "Jurassic Park"?
    A Peter Jackson
    B Ridley Scott
    C James Cameron
    D Steven Spielberg