Showrunners: The Art of Running a TV Show Page #12
people stop watching.
At one point early on in my career,
I was worried that
I had run out of ideas.
You know, I thought,
well, what if that's it?
What if the well is dry?
Ten, eleven years later,
I'm faced with the opposite problem,
is I have so many projects
up on my project board,
that I look at them
and realize I'm gonna go tits up
before I get all this stuff out there.
Then I started thinking,
well, there's nothing to say
that I have to do all of this.
I would love to follow the path of...
of a J.J. Abrams.
He's someone that I
definitely look up to,
on not only a creative level,
but on a business model.
To get to a level where you can have
multiple shows on television,
where you can co-create
shows with the writers
you've worked with and love,
and you can also have
a feature career.
I think that is...
that is the ideal thing to shoot for.
What, are these fans?
It is an incredibly difficult
business to break into,
especially for people like me.
I didn't grow up in Hollywood.
I grew up in a tiny little
town in south Jersey.
I could not have been further
from the Hollywood dream.
Uh, but I had always
wanted to make that happen.
And, you know, it's kind of a...
almost a 1940's
"gee whiz" kind of speech,
but, you know,
if you follow your dreams
and you never give up,
you will get what you want.
It may not be how you expect it.
It may not be
in the timeframe you expect it.
But, you will make it.
When I was fresh out of college,
I remember a job interview
where somebody said
"Where do you see yourself
in five years?"
and I thought,
you know, I don't know
what I'm having for lunch.
So, that's not a question I'll answer.
Where do I see myself?
Where do I see this series?
I think that this is a series that has
the ability to go for a long time.
TNT is a great network to be on.
And they're not looking to
knock you off the chess board.
I'm very happy telling
these stories right now.
But, I think, if you said to me,
"you're gonna do this
for the next eight years of your life,"
I would think, "really?"
And I should be going
"Oh, yay!"
some sleep and a vacation I'll think,
"Yeah, eight more years!"
But, right now, I'm thinking,
"No. Eight more years?
Do you know how many that is?"
When the show got canceled, um,
there was a very protracted
period afterwards
where I both was happy
to have another project to distract me
and I was having a lot of trouble
forgetting Men of a Certain Age.
I was writing my pilot,
and at the same time,
I'm on the phone trying to see
if Men of a Certain Age
can go to another... another network.
It's like your girlfriend's in a coma,
but they're going,
"Hey, you wanna go on some dates?"
And when you're on the date,
I guess at some point,
you forget maybe for a few minutes,
and then you come back home and go,
"Oh, still in a coma.
"It'd be nice if you got
out of the coma
so I don't have to go on the dates."
I don't know why I just did that
as Woody Allen.
It was really...
Please cut that, all of that.
I went into my deal
with 20th Century Fox.
Then that started.
So, that was the beginning of,
"Okay, time to move on."
Here's what's gonna happen.
I'm old. I'm 53.
No one will call me.
No one will want me to be
a showrunner.
And then the question will be
will I go write a book?
Will I go work for one of the people
who have come up past me?
I don't know the answer
to any of those things,
because right now,
I cannot see past Christmas.
But, you know, I'm supposed to be
an English professor
in Canada,
and I'm already having more fun
than... than I was supposed to.
First of all, I want a show
with an African-American lead
to do well.
Especially Don Cheadle, 'cause he...
Nobody deserves it more than him.
Then I'd like to keep making the show,
'cause it's...
I feel like it's fun. And it's good.
And, you know,
So, um...
Yeah, I'm nervous, for sure.
Thank you.
I'm so excited to be
showing you guys this show.
I didn't know
that I wanted to make a show
about management consultants.
I didn't...
But, um, we've tried very hard
to hide that fact
in the marketing of it,
and also hide the fact
that it's about rich a**holes.
No offense to anybody in the room.
I'm embarrassed to say
that I feel great about it.
I usually want to pick things apart.
But, I actually
really feel good about it.
The biggest challenge making the show
is encountering myself every day
and what I'm capable of,
and kind of stretching
the limits of what your talent is
and what your experience is.
And thankfully,
I've done it a couple times,
so I have...
I've made a lot of big mistakes.
And so, I can...
I think I've learned a lot from those.
This is a major time commitment.
It's been, you know,
a big chunk of my life
for the last year.
But, I would happily do it again
if I got the chance, for sure.
It's amazing to get to just
do it right once, you know?
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"Showrunners: The Art of Running a TV Show" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/showrunners:_the_art_of_running_a_tv_show_18064>.
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