Side Street Page #4

Synopsis: Joe Norson, a poor letter carrier with a sweet, pregnant wife, yields to momentary temptation and steals $30,000 belonging to a pair of ruthless blackmailers who won't stop at murder. After a few days of soul-searching, Joe offers to return the money, only to find that the "friend" he left it with has absconded. Now every move Joe makes plunges him deeper into trouble, as he's pursued and pursuing through the shadowy, sinister side of New York.
Director(s): Anthony Mann
Production: MGM
 
IMDB:
7.2
Rotten Tomatoes:
83%
PASSED
Year:
1950
83 min
98 Views


Or we can get anything listed | in the catalogue here.

No, I'm not buying anything.

Is Mr. Drumman, Nick Drumman, here?

No. No, he ain't.

- Did Nick give you that pasting? | - I'm a friend of your uncle.

Who is it, Tommy? | It ain't no one, Ma.

I'm going out and play kickball.

- You got a half a dollar? | - Yeah.

- Okay, give me. | - What for?

That's what I charge for Nick's address.

- You know the address? | - Pay me first.

Listen, Nick's hiding out.

I followed my old man the other night. | He keeps in touch.

It's the third floor back, | 226 Vanguard Street.

Nick's calling himself Stevenson.

Thanks, junior.

Come on, let's play ball.

Oh, the heck with the game.

I'm gonna buy myself a banana split.

Maybe even two.

That Uncle Nick of mine has turned out | to be a gold mine. Well, I'll see you later.

Stevenson.

Stevenson, telephone.

Maybe nobody's home.

I just heard someone go in.

Mr. Stevenson, telephone.

Coming.

Thank you.

Oh, it's me, darling.

- Oh, Joe. | - Yes, honey.

Somebody may come in. | I got in through the fire escape.

You've got to hold on and listen.

I've done something horrible.

I tried to tell you yesterday, | but when I saw the baby...

What is it, Joe? What is it?

Oh, I'd give anything, | anything at all not to hurt you.

You gotta believe that.

That money I gave you.

I didn't borrow it, I stole it.

Oh, Joe.

That and a lot more, $30,000.

I don't know why I did it, | I knew it was crazy wrong.

I must have known that.

I had this stupid notion that a couple | hundred dollars could cure everything.

You wouldn't have to have the baby | in a charity ward. I...

I'd built up a feeling of shame...

...because everywhere I turn, | people had things I wanted you to have.

Oh, Joe. Joe.

You were all right. | You were doing your best.

Oh, I hated to admit I was a flop, | a complete bust.

Even after I lost the gas station, | I kidded myself I'd bounce back.

- Living with your folks was only temporary. | - Please, don't.

We'll go to the police.

They'll give us another chance. | We'll take back the money.

- I still have almost... | - I haven't got the money.

Don't know where it is. | I was afraid to keep it.

- I left it with Nick Drumman, the bartender. | Right after my checkup.

Is something falling here? | I heard a glass breaking.

No, nothing.

Would you like something | to help you sleep?

No, thank you. The light woke me.

Carter. Here it is.

Somebody smashed the window | to get in.

Don't step on the glass.

Well, let's phone and get help. | We'll check the rooms.

I've gotta get away, honey, | as far away as I can.

No.

Don't you see, Joe? | How long can you keep on running?

- How long...? | - But you don't understand.

It's not just stealing. It's a murder.

People know I was looking for Nick. | I was seen going into his apartment.

Hiding and running. | What good will that do?

We're going to the police, Joe. We must.

No. I've got to get away.

At least it's a chance, my only chance.

Maybe if the police find out about Backett | and find the two men...

...or find where the money came from | originally, why Backett said it wasn't his.

This was on the floor | of Nick's apartment.

The packets of money | were wrapped in these bands.

Maybe the banks keep a record.

You've got to listen, Joe. | We'll get a lawyer...

Search the ward. | Howard, you help them.

They're looking for me. Goodbye, darling.

Joe.

Excuse me, who do I see | for information on withdrawals?

- Your account? | - No, ma'am.

One of your depositors.

I don't think we give that out.

But try the chief teller. He'd know.

Thank you.

Yes, sir?

Could you tell me about a withdrawal? | It was for $30,000 sometime last week.

- Your account? | - Oh, no, a friend's.

Well, that would be against the rules. | I'm sorry.

But please, it's very important.

I'm sorry. | I didn't make our rules and regulations.

Well, you can make this one exception. | They were all hundred dollar bills.

Anything wrong, Mr. Simpsen? | - Nothing, Phillip.

I was just explaining to this young man | why we must adhere to our rules.

I'm sorry.

Find anything, Frank? | - Yes, sir.

Both of these were cut | from the same length of clothesline.

- Yes, sir? | - Send in the other bartender.

- Okay, Frank, thanks. | - All right.

All right, Heldon. | Where did Norson say he lives?

Well, all he said | was in the neighborhood.

You know, captain, he wasn't definite. | Just around the corner, he said.

And they wanted to locate Drumman, | is that right?

The fellow gave you nothing. | Didn't say where he came from?

All he wanted was Nick's address.

Okay. You can go back to your saloon.

Have men keep them company at the saloon | in case the big fellow or Norson show up.

I can't have cops hanging around my place. | It'll kill business.

- Yes, sir? | - Let's have young Drumman.

I'm sorry. The officers will try | to be inconspicuous.

- Turkish waiter come up with anything? | - He's still looking over rogues' gallery.

- I'm taking the saloon detail with Casey. | - Right.

Hey, did you get to the killers yet?

You ought to stop reading | that junk, Tommy.

You know, captain, it's a cinch | the same man did both jobs.

Maybe a partnership, two men.

The big fellow and this Norson.

It couldn't have been a partnership. | The guys didn't even know each other.

Why would each of them give me | a half a buck if they was partners?

Remind me to talk | to this kid's father, Stan.

I want an alarm out for Norson.

Locate his home, pick up pictures, | anything you can find.

- You want me to go with him? | - Sit down, Tommy.

- Maybe the War Department can help us. | - All right, captain.

Yes, yes, oh, you've been a good boy?

Ohh. You missed me, didn't you? | Sure, sure, you did.

Why, I'm glad you looked me up | at my home. Very glad.

As long as I'm not at the bank, I don't have | to follow those rules and regulations, do I?

A Mr. Lorrison cashed the check. | Mr. Emil Lorrison, the broker.

He's a very nice man. | All hundred dollar bills.

Where does this Lorrison live?

Why, yes, of course.

Central Park West.

Number 170 Central Park West. | He's a very nice man.

You stay right here. And don't move.

Thank you. Thank you very much.

Mr. Daniels.

Mr. Daniels.

Mr. Daniels, call the police.

So you think it's coincidence, counselor?

Apparently.

- Certainly a bad week for my ex-clients. | - I would say so.

One gets herself murdered | and another wanted on a murder charge.

A witness just picked this one | out of rogues' gallery.

Any idea where we can locate him?

The only way I know where to find Garsell | is when you people have him in jail.

And that happens pretty often.

I thought you might give us a lead.

You arranged his parole, didn't you?

His and quite a few others. | That's my business, you know.

I like to help you, captain, | but you know as much about Garsell...

...and his whereabouts as I do.

How about this fellow, Joe Norson?

Ever see him before?

Rate this script:0.0 / 0 votes

Sydney Boehm

Sydney Boehm (April 4, 1908 – June 25, 1990) was an American screenwriter and producer. Boehm began his writing career as a newswriter for wire services and newspapers before moving on to screenwriting. His films include High Wall (1947), Anthony Mann-directed Side Street (1950), the sci-fi film When Worlds Collide (1951), and the crime drama The Big Heat (1953), for which Boehm won a 1954 Edgar Award for Best Motion Picture Screenplay. Boehm was born in Philadelphia, Pennsylvania on April 4, 1908 and died in Woodland Hills, California on June 25, 1990 at age 82. more…

All Sydney Boehm scripts | Sydney Boehm Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Side Street" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/side_street_18108>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Side Street

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "The Dark Knight"?
    A Tim Burton
    B Christopher Nolan
    C Zack Snyder
    D J.J. Abrams