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Signs Page #22
MERRILL:
You know about signs Morgan? Not
like the ones people write on. It's
like if you poured a glass of milk
and you dropped the glass by mistake
and broke it before you could drink
it. Then you looked at the milk carton
and saw that the milk was spoiled.
They're things that happen by chance
or luck, but make you feel that
someone's watching out for you.
The children think it over. Beat.
MORGAN:
I once had a bad dream and I couldn't
wake up. I kicked at the table next
to my bed and something fell on me
and I woke up. It was a picture of
mom. She was smiling. It made me
feel safe... You mean like that?
Beat.
MERRILL:
Yeah, like that.
(beat)
I believe in signs Morgan. I think
there's someone watching out for us.
I got to believe he's going to make
sure we're all right in the end.
CUT TO:
Merrill smiles as he steps out of the closet and closes the
door half-way.
He stands in the hall by himself. He takes a couple deep
breaths as everything hits him.
CUT TO:
Morgan turns off the television.
He and Bo sit quietly in the closet under the stairs.
CUT TO:
INT. FAMILY ROOM - LATE AFTERNOON
Graham sits in a chair by the windows. He has a board on his
lap. He has a hammer in his hands. Graham drowns in his
thoughts as the skies darken behind him.
CUT TO:
INT. UPSTAIRS LANDING - EVENING
Graham, Bo and Morgan are seated in the upstairs hallway.
There's a couple boards left leaning against the walls.
Merrill comes out of the children's room with his tools.
MERRILL:
Too many windows in the bedrooms.
We don't have enough boards.
Merrill stands and leans against the wall.
GRAHAM:
We'll have to board up the bedroom
doors.
MORGAN:
Where are we going to sleep?
GRAHAM:
The family room.
Everyone sits quietly for a moment.
MORGAN:
What about Isabelle?
GRAHAM:
We'll keep her in the garage, after
dinner.
Beat.
MERRILL:
I'll make sandwiches.
BO:
I want spaghetti?
MERRILL:
We should eat fast Bo.
GRAHAM:
Spaghetti sounds great.
Merrill glances at Graham.
GRAHAM:
What do you want, Morgan?
Beat.
MORGAN:
Anything?
Graham nods "yes."
MORGAN:
French toast... and mashed potatoes.
GRAHAM:
Now we're talking.
(beat)
How about you Merrill?
Graham turns and looks at Merrill. They stare at each other
quietly. They have a conversation without words. Beat.
MERRILL:
(soft)
Chicken Teriyaki.
GRAHAM:
Good choice... I'm going to have a
cheeseburger with bacon.
(smiles)
Extra bacon.
CUT TO:
INT. KITCHEN - EVENING
The windows in the kitchen are boarded up, as is the back
door.
The sink is piled with pots and pans. It seems like every
utensil and dish in the kitchen was used.
CUT TO:
One side of the dinning room is lined with windows that have
been boarded up.
The table is set. Mash potatoes, spaghetti, French toast,
chicken teriyaki and bacon cheeseburgers are all displayed
elegantly on serving dishes.
The Hess family sits around the table. Beat. The scene is
somber. No one is moving.
GRAHAM:
What's the matter with everyone?
Eat.
No one says anything. No one eats.
Beat.
MORGAN:
I'm scared.
BO:
Me too.
GRAHAM:
I don't want to hear anymore talk
like that. And I don't want to see
anymore faces like the ones I'm
looking at.
(beat)
We are going to enjoy this meal.
Nothing can stop us from enjoying
this meal! Enjoy!
Bo sits next to her three glasses of water and begins to
cry.
GRAHAM:
Stop crying!
MORGAN:
Don't yell at her!
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"Signs" Scripts.com. STANDS4 LLC, 2025. Web. 25 Feb. 2025. <https://www.scripts.com/script/signs_381>.
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