Silence Page #7
RODRIGUES (V.O.)
“On that day, the faithful received
fresh hope. I was renewed.”
As the priest celebrates the Mass, consecrating the host, the
faces of the villagers -- even of Kichijiro -- reflect the
power of this open demonstration of faith.
RODRIGUES (V.O.)
“Their lives here are so hard. They
live like beasts and die like beasts.”
Outside, villagers bringing the sick, infirm, children and
babies to the priests form a broken line going back into the
hills.
TIME CUT:
Now Rodrigues distributes Holy Communion. He realizeshe does not have hosts for the whole congregation and decides
to break small particles from his own host to distribute. The
Villagers receive it with deep humility. Some even weep
quietly.
RODRIGUES (V.O.)
“But Christ did not die for the good
and beautiful. That is easy enough.
The hard thing is to die for the
miserable and corrupt. But here I knew
I was one of them, and I shared the
hunger of their spirit.”
34
TIME CUT:
Villagers continue to make their way to the farmhouse-the sick are carried. Rodrigues passes among the faithful
with SMALL WOODEN CRUCIFIXES MADE FROM WOOD SPLINTERS;
VERONICAS, small pendants with the image of Jesus; and OTHER
DEVOTIONAL OBJECTS made of paper. Rodrigues takes his rosary,
and unfastening the beads gives one to each until they are
gone. The Villagers REACH OUT FOR them eagerly - everyone, that
is, but Kichijiro, who shrinks back.
RODRIGUES (V.O.)
“They are desperate for tangible signs
of faith, so I provided what I could.
I worry they value these poor signs of
faith more than faith itself, but how
could we deny them?”
TIME CUT:
Rodrigues distributes the last of the devotionalobjects. But the villagers seem to expect more. They don’t want
to disperse.
GOTO SICK MAN:
Padre. Listen to me. Konhisan.
TIME CUT:
Rodrigues looks out.RODRIGUES:
Now...will you say with me...the words
of this prayer.
He bows his head. The congregation follows.
RODRIGUES:
(in rough but determined
Japanese)
“Ten ni mashimasu warera ga on’oya,
mina o tattomaretamae, miyo
kitaritamae...”
The congregation joins him in saying the prayer.
41 EXT. GOTO CRUMBLING FARMHOUSE DAY 41
TIME CUT:
After the prayer, Rodrigues walks among the faithful.RODRIGUES (V.O.)
“And they came to me. I felt God
Himself was so near.”
He STOPS and speaks with an OLD GOTO MAN.
35
RODRIGUES (V.O.)
“One prayer was answered on Goto. It
was there I learned the first real
news of someone who might be Father
Ferreira.”
RODRIGUES:
You’ve seen him then. A stern man?
GOTO MAN:
(shakes his head)
Oh no. Kind. So they say. It’s said he
made a place for infants and the sick
at Shinmachi. But who can know for
sure? That was before the trouble.
RODRIGUES:
Where is that?
GOTO MAN:
Near Nagasaki. But so dangerous to go.
The Old Goto Man slips back into the crowd. Rodrigues’ face
shows a strange mixture of concern and excitement.
CUT TO:
42 EXT. GOTO CLEARING IN THE WOODS DAY 42
CAMERA TRACKS through dense, quiet woods.
RODRIGUES (V.O.)
“In Goto I baptized over a hundred
adults and children, heard confessions
without number, gave instruction and
celebrated Mass. But it was from
Kichijiro that I felt the greatest
need.”
CAMERA NOW DISCOVERS: Kichijiro on his knees before Rodrigues
in a clearing like a small Gethsemane.
KICHIJIRO:
I was Kirishitan. I am Kirishitan.
RODRIGUES:
You did not take the crucifix.
KICHIJIRO:
I did not deserve it.
36
RODRIGUES:
Because you denied God?
KICHIJIRO:
Yes, but only to live. Peter denied
Him three times, and still Peter loved
God. My whole family. They...we were
betrayed by an informer. The
Inquisitor Inoue wanted us to give up
our faith. Stamp on Jesus with our
foot. Just once, just fast. But they
would not.
CUT TO:
Close up of the fumie. A foot hovers over it, WAVERING. It is a
board to which an iconic religious image has been attached--in
this case an image on metal of Christ.
KICHIJIRO (V.O.)
But I did.
Kichijiro's foot COMES DOWN on the fumie as his family watches.
CUT TO:
44 EXT. GOTO CLEARING IN THE WOODS GOTO DAY 44
Kichijiro becomes increasingly distraught as he speaks.
KICHIJIRO:
My brothers and sisters...our
parents...were all put in prison. I
was released. But I could not abandon
them, even if I had abandoned God.
CUT TO:
45 EXT. GOTO BEACH EXECUTION SITE DAY 45
Filled with samurai, guards, officials and the curious: a large
crowd has gathered to watch a familiar ritual.
KICHIJIRO (V.O.)
So I watched them die.
37
In the center of the surrounding crowd, Kichijiro's whole
family--his mother and father, two brothers and two sisters-have
been prepared for execution: his sister is bound to a
stake, another is tied to a stake, four are bundled in straw
sacks and piled on top of each other. They are lit on fire.
SMOKE fills the sky and FLAMES CONSUME the bodies of the
prisoners, who SCREAM AND CRY to the heavens for mercy.
One of Kichijiro's sisters has long hair, hanging loose. As the
flames devour her body, they seem to rush up the hair, quickly
surrounding her head with what looks, for a brief, horrible
In the crowd, Kichijiro, covered with filth and looking like a
wild dog, TURNS AWAY from this horror and tries to run. But his
legs won't support him. He FALLS to the ground.
KICHIJIRO (V.O.)
Whatever I do, wherever I go, I see
the fire and smell the flesh. The one
thing more terrible to me than their
dying is my shame.
CUT TO:
46 EXT. GOTO CLEARING IN THE WOODS DAY 46
Kichijiro is close to tears.
KICHIJIRO:
After I saw you and Padre Garupe for
the first time...I thought...I started
to believe...that God might take me
back. Because in...in my dreams, the
fire was no longer so bright.
Rodrigues looks at him very closely: he wants to believe this
testament, but he is still skeptical.
RODRIGUES:
Jesus said, "Every one therefore that
shall confess me before men, I will
also confess him before my Father who
is in heaven. But he that shall deny
me before men, I will also deny him
before my Father who is in heaven."
Kichijiro, chastened, lowers his head.
38
RODRIGUES:
(beat; then relenting)
Do you want me to hear your confession
now?
KICHIJIRO:
(in tears)
Bless me, Father, for I have sinned.
CUT TO:
47 EXT. BOAT ON THE WATER NIGHT 47
The Boatman is taking Rodrigues and Kichijiro back to Tomogi.
Kichijiro sprawls against the side of the boat.
RODRIGUES (V.O.)
“Confession may have been good for
Kichijiro’s soul, but I admit, Father,
it did not do much for his thirst.”
Kichijiro salutes Rodrigues with a bottle of rice wine
(doburoku) as he takes a long gulp.
RODRIGUES (V.O.)
“But still those six days at Goto, and
Kichijiro’s renewal of faith, made me
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Silence" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/silence_1317>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In