Silver Bullet Page #10
- R
- Year:
- 1985
- 95 min
- 594 Views
HALLER makes no reply. He looks down at his feet.
HERB:
No. I thought not.
(to the others)
You folks stay here if you want. I wouldn't
ask anyone to do anything that runs counter
to his conscience. As for me... I'm going out
and hunt up a little private justice.
ANDY FAIRTON has swelled up again. He grins poisonously at
the slumped HALLER. He pushes off after HERB KINCAID. Other
men start to follow.
EXT. OWEN'S PUB
Men are streaming out, getting into station wagons and
pickup trucks. Engines roar into life. They begin backing
out even as more men come out of the pub. We even hear some
high-spirited yells; they are on their way and their blood
is up.
INT. OWEN'S PUB
LESTER LOWE, looking more distressed than ever, pushes his
way through the men toward the door, and THE CAMERA FOLLOWS.
LOWE:
Billy... Billy, this is a bad idea. Joe can...
BILLY (not looking at LOWE)
Joe's had his chance, Father. Leave me be.
He pushes outside. LOWE looks around wildly; his face says
he can't believe this is happening. He grabs PORTER
ZINNEMAN, then, as PORTER shoves by him, at a couple of
others with mounting desperation.
HALLER makes his way to LOWE through the thinning crowd and
draws him aside.
HALLER:
Let them go.
LOWE:
But-
HALLER:
This is that spirit of community you were
talking about. Grand, ain't it? Maybe they'll
shoot a hitchhiker or something and Andy can
mount the head and raffle it off. To benefit
the Medcu van, of course.
HALLER laughs.
LOWE:
But can't we do anything?
OWEN KNOPFLER hurries past them; he has a rifle over one
shoulder in a sling. In his left hand he carries the
peacemaker bat.
HALLER:
Sure. We can pray to Christ that none of them
get killed.
EXT. OUTSIDE OWEN'S
More cars and trucks pull away. There's a big old Ford
"woody" wagon still there, with ANDY FAIRTON standing
impatiently by the driver's side door. BILLY McCLAREN and
BOBBY ROBERTSON are with him, and a big, solid-looking woman
named MAGGIE ANDREWS.
OWEN comes out and crosses to the woody.
ANDY:
Well, it's about frigging time! They'll
have his hide tacked to somebody's barn
door before we get out there!
They pile into the car, ANDY behind the wheel. He throws it
into gear and backs out onto Main Street.
We see a parade of cars and pickup trucks headed out of
town.
He's standing on the curb and watching them leave town in
procession, some honking their horns, others yelling
cheerfully. The expression on his face is dark and brooding.
EXT. ELMER AND PORTER ZINNEMAN NIGHT
ELMER is lying on his belly, stuck halfway under a
barbed-wire fence. The seat of his pants is badly snagged.
The brothers are on the verge of a wooded area. We can see
ground mist creeping around the bottoms of the trees.
ELMER:
Help me Porter, goddammit!
PORTER grabs ELMER'S right arm and pulls. There's a RIPPING
SOUND. ELMER screams.
ELMER:
Don't pull me! You want to rip the right
cheek of my ass right off?
PORTER:
Well, Elmer, there are folks that'd say
you've been half-assed most of your-
ELMER:
Are you going to unhook me or be a wise guy?
PORTER begins to pick the barbed wire out of ELMER'S pants.
EXT. IN THE WOODS, WITH REV. O'BANION AND VIRGIL CUTTS
NIGHT:
O'BANION looks rather amusing in his hunting gear- like that
priest from "The Exorcist" on safari.
SOUND:
A HOWL, FAIRLY LOUDVIRGIL:
Jesus, that was close. Uh, pardon me, Rev'runt.
O'BANION
Come on. Be careful.
They move slowly ahead, O'BANION still a bit in the lead.
THE CAMERA FOLLOWS as the reverend pushes into some
knee-high brush.
SOUND:
A RUSTY METALLIC CLANG, followed by a FLESHY CHOMP.O'BANION begins to scream and struggle.
VIRGIL:
Rev'runt! What is it?
O'BANION (screaming)
My foot! My foot!
VIRGIL lunges to him and looks down.
EXT. O'BANION'S FOOT, VIRGIL'S POV
A medium-sized trap- something in which one might reasonably
catch a wild cat or a coydog, let us say- has its rusty
teeth sunk deeply into the reverend's ankle.
EXT. O'BANION AND VIRGIL
O'BANION (SCREAMING)
Get it off me! Get it off me!
VIRGIL (flustered)
Sure...okay...
He kneels down.
EXT. VIRGIL
He muscles the trap open, a little at a time.
EXT. O'BANION
Relaxing.
SOUND:
THE WOLF HOWLING CLOSE.EXT. VIRGIL
Startled and unnerved by the HOWL, the trap slips out of his
hands and snaps shut on O'BANION'S mangled ankle again.
EXT. REVEREND O'BANION
He screams.
EXT. THE MOON, CU
EXT. ANDY FAIRTON'S GROUP
ANDY, BILLY McCLAREN, BOBBY ROBERTSON, OWEN KNOPFLER, and
MAGGIE ANDREWS have been joined by two other men- MR.
ASPINALL and EDGAR ROUNDS.
They have drawn close together, listening as the HOWL FADES.
We can tell by their uneasy faces that some of the joy has
gone out of the evening.
They are standing on one side of a ravine. The bottom is
filled with a still ground mist. A few bushes poke out of
it. There are woods on the far side.
ANDY (pointing across)
It came from over there.
BOBBY ROBERTSON:
As far as I could tell, it could have come
from anywhere.
ANDY:
We'll spread out in a skirmish line. If the
bastard tries to go around us, we'll hear him.
BOBBY:
I dunno-
MAGGIE:
I think Bobby Robertson here's making lemonade
in his pants. That lemonade got ice cubes in
it, Bobby?
ANDY FAIRTON and EDGAR ROUNDS laugh. ASPINALL and BILLY
McCLAREN smile a little.
OWEN (quietly)
Let off him, Maggie. I'm scared, too.
BOBBY (stoutly)
I ain't scared! Let's go!
ANDY:
Okay. Spread out on me. Five feet apart.
EXT. ANDY'S GROUP, FROM THE BOTTOM OF THE RAVINE
Reading from right to left: OWEN KNOPFLER (his gun is still
over his shoulder; it is the peacemaker baseball bat he is
holding), BOBBY ROBERTSON, ASPINALL, ANDY FAIRTON, BILLY
McCLAREN, EDGAR ROUNDS and MAGGIE ANDREWS.
They come slowly down toward THE CAMERA, alert and ready for
anything- at least, they think so.
EXT. ANDY'S GROUP, ANGLE SHOT
They reach the bottom of the ravine and begin to make their
way across it. The mist is waist to chest deep. They push
toward the other side. Now they are about halfway.
SOUND:
A STEADY, LOW GROWLING, CLOSE.They all stop, scared.
BILLY McCLAREN
Where's it coming from? Other side?
BOBBY:
No- it's behind us. I told you you couldn't
trust-
ASPINALL:
It isn't on either side.
ANDY:
What are you-
ASPINALL is looking around, his eyes widening with fear.
ASPINALL:
It's under the fog. It's right in with us.
The GROWLING STOPS. There's a beat of silence. Then:
SOUND:
SNARLING...AND A RIPPING CHOMP as dinner is served.SOUND:
A SCREAM.EXT. EDGAR ROUNDS, CLOSE
He's the one screaming, and if he reminds us of O'BANION,
that's okay, because ROUNDS has also been caught in a trap.
He tries to run, stumbles, falls into the ground fog. He
goes on screaming. We can see his back for a moment, and
then it disappears.
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