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Simone Page #13
- NOT RATED
- Year:
- 2013
- 72 min
- 378 Views
VIKTOR:
I can't explain it to you now --
you'll see when it's all put
together.
(walking away)
Anyway, we got it a couple of takes
ago. Let's move on.
Hal, dumbfounded, tentatively touches the non-existent wall.
INT. VIKTOR'S SOUNDSTAGE - NIGHT
Viktor digitally adds SIMONE standing beside a sportscar with
HAL in a scene from "Eternity Forever". He works on her
close up.
SIMONE:
(eyes welling with tears)
-- What you don't understand,
Clyde, is that love is like a wild
flower, but that flower only
grows --
Viktor hits STOP and Simone freezes. Viktor brings up a menu
and chooses from a range of "EMOTIONAL OPTIONS".
JOY SADNESS FEAR
elated melancholy anxious
jubilant tearful frightened
giddy weeping petrified
ecstatic blubbering loss of bladder
inebriated Kevorkian control
CONTEMPLATION INNOCENCE SENSUALITY
reflective chaste seductive
thoughtful virtuous lustful
meditative angelic bestial
stoic Madonna Madonna
bored out of her [Blessed Virgin] [Like A Virgin]
skull
He fine-tunes SIMONE's performance -- sliding a cursor on a
performance axis from "BROAD" to "SUBTLE".
VIKTOR:
Let's take it down a notch.
SIMONE:
-- What you don't understand --
Simone freezes again. Viktor make another adjustment.
VIKTOR:
I like it. But still too big.
(making a correction)
Smaller teardrops next time.
Simone's tears retreat into her eyes.
VIKTOR:
It's not working. It's not alive.
Let's try it again.
She repeats the line. Viktor mimes the performance.
SIMONE:
(teardrops arriving on
cue)
-- What you don't understand,
Clyde, is that love is like a wild
flower, but that flower only grows
on the edge...
(dramatic pause)
... of a very high cliff.
Simone FREEZES.
VIKTOR:
Perfect, Simone.
Viktor returns SIMONE to her neutral background.
VIKTOR:
I'm only sorry you still have to
work with flesh and blood for the
time being -- as user friendly as
you are, even I can't manufacture
an entire cast.
"To Vivian. Love, Simone" -- VIKTOR writes on the publicity
shot. He applies lipstick and adds a kiss to the photo.
Viktor wipes his mouth and looks to SIMONE on his screen --
she is waiting patiently, as usual.
VIKTOR:
We are going to have to change our
plans, Simone -- you have no idea
what an affect your performance is
having on people. We can't stop
now. There's too much to say --
these films they speak, they speak
to the human condition. We're
changing lives. No, revealing the
truth now would be too cruel.
(searching for more
justification)
Anyway, when you're seeking a
greater truth -- in the work -- you
are not so concerned with the
Simone doesn't appear convinced.
SIMONE / VIKTOR
You're going to get in a lot of
trouble, Mr. Taransky.
VIKTOR:
(irritated at her pricking
his conscience)
Why do you have to bring that up?
There's always risk -- life's a
risk. It's worth it. Besides, how
could something so lovely be a
crime?
(regarding her tenderly)
Well, I think we've done enough for
today. You've been cooped up in
there too long. How about you and
me go out on the town? They're
expecting us.
He turns to a copy of "The Echo". A photo of Viktor at the
gate of his Malibu home. "SIMONE HELD CAPTIVE - Self
proclaimed Svengali Keeps Star Out Of Limelight". Viktor
puts Simone to sleep and picks up a briefcase.
VIKTOR, briefcase in hand, strides through the lobby of an
opulent hotel. He approached the CONCIERGE.
VIKTOR:
I'm checking in a special guest...
(obviously conspiratorial)
... Miss Enomis.
The Concierge straightens as he recognizes Viktor from a copy
of "Variety". Headline: "Taransky Rides Ingenue's Coat-Tails
CONCIERGE:
Miss Enomis, yes.
VIKTOR:
Miss Enomis demands her privacy.
You will switch off all
surveillance cameras. I will
escort Miss Enomis to her room
alone via the rear exit. She will
require no help with her luggage.
She does not wish to be disturbed
at any time for any reason. She
will be departing for a function
tonight at eight sharp.
(tipping him with a
hundred dollar bill)
I'm sure I can rely on your
discretion. Do you understand?
CONCIERGE:
(passing the key to
Viktor)
Oh, I understand.
As Viktor departs, the Concierge holds the registration card
to the mirror.
ENOMIS becomes SIMONE.
The Concierge picks up his phone.
VIKTOR enters the hotel suite. We see a montage of scenes --
Viktor revelling in his masquerade.
A) VIKTOR pulls down the covers of a bed and rolls around in
the sheets to give it a slept-in look.
B) VIKTOR sprays cologne in the bed.
C) VIKTOR tosses skimpy lingerie on the floor of the closet.
D) VIKTOR eats several candy bars from the mini-bar.
E) VIKTOR puts one of his own movies in the DVD player.
F) VIKTOR writes a note on the bedside pad.
G) In the bathroom, shower running, VIKTOR attempts to open
a tampon -- it shoots out of the applicator like a penny
rocket.
H) VIKTOR cuts a lock of "faux" hair from a Simone wig and
scatters it on the counter.
I) VIKTOR shakes open a bag of toiletries, the toothbrush
bouncing into the toilet bowl. He retrieves it.
J) VIKTOR looks through the drapes of the hotel window -- a
jam of PRESS PHOTOGRAPHERS has congregated outside the
rear entrance.
K) VIKTOR shines a lamp against a doll casting a life-size
shadow on the drapes. A "walking" silhouette is visible
to the media on the street.
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"Simone" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/simone_432>.
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