Sing Street Page #13
- PG-13
- Year:
- 2016
- 106 min
- $3,233,839
- 5,083 Views
BRENDAN:
They’re happy/sad.
A Gothic, pop/love song starts up on the turn table and
Brendan smiles.
BRENDAN:
Close the door.
Conor pushes the door closed, transfixed by the sound.
Brendan takes his seat. Conor, his.
It’s going to be a long night.
DISSOLVE TO:
EXT. SYNGE STREET SCHOOL GATES - ANOTHER DAY
As the song continues, Conor walks through the school gates.
He is with Eamon and Darren. Conor is now dressed in a long,
black overcoat.
(CONTINUED)
70.
(Possibly his Mum’s), an endless scarf, and has dyed his hair
black, and back combed. A junior Sherlock Holmes/Cure-head.
EAMON:
How do you mean, you’re
“Happy/Sad”?
DARREN:
Yeah. How am I supposed to market
that?
CONOR:
It means that we’re not pop
anymore.
EAMON:
Were we pop? I’m happy being any
type of band. I just want to play.
CONOR:
That’s fine. Be who you are, Eamon.
EAMON:
I don’t know who I am. Maybe I’m
Happy/Sad too? I don’t know.
DARREN:
(shouting)
What does Happy/Sad mean??! How can
you be both bleedin things?? It
makes no sense.
CONOR:
(stopping)
It means that I’m stuck in this
shithole, full of morons and
rapists and bullies, and I’m going
to deal with it. Okay? It’s just
how life is now. And I’m going to
try and accept that and get on with
it, and make some art!
DARREN:
Right.
EAMON:
How does it affect our music?
CONOR:
Positively.
INT. THE DART TRAIN - DAY
Song continues over.
The whole band, with Darren and Raphina, ride the dart train
out of the city.
(CONTINUED)
71.
They are carrying the camera, and a few props- picture frames
and paint brushes. The band are all Cure Heads now, and look
quite good. But it’s low-budget Cure Heads. Conor and Raphina
sit across the aisle from them. Music plays over, as they
ride out towards the sea. A welcome break from the city.
Conor watches the sun burst behind Raphina’s profile. He
smiles, taking out the camera and filming her.
Conor describes to the gang what this video will be about,
reading from his journal...
CONOR:
So the idea of this video is about
a guy standing halfway down a pier.
And a beautiful woman walks past
him. Towards the lighthouse. Half
an hour later, she hasn’t come
back. So he investigates. But she’s
gone.
DARREN:
Wha?
CONOR:
There’s nowhere to go. And yet
she’s not there?
DARREN:
She’s vanished?
EAMON:
She’s jumped in. She’s killed
herself.
CONOR:
Correct. She’s really sad.
RAPHINA:
No she’s not. She’s a mermaid.
She’s jumped back into the sea. You
see, she got washed up in a fishing
net. And she’s been in the city.
But she’s been dying to return to
the water. To her friends. Where
she belongs.
Conor likes this. He smiles. He starts writing this into his
journal.
CONOR:
Yeah. That’s better.
EXT. THE PIER - DAY
The band have set up their gear at the end of the pier,
looking out to the Irish sea. Conor is framing up the camera.
(CONTINUED)
72.
The wind threatens to blow it over on its tiny, lightweight
tripod.
CONOR:
Okay, so we’re playing here, and
Raphina walks past. Then I’ll show
you where you can jump off. From
here it will look like you’ve gone
into the sea.
He shows Raphina and the others a little ledge behind the
wall, where it will appear as though she’s dropped into the
sea, but is in fact just on the other side.
RAPHINA:
It’s not far enough down. You’ll
see the top of my head.
CONOR:
You’ll have to dip your head down
to make it look real.
The others look doubtful, including Raphina.
CONOR:
Trust me.
EXT. THE PIER - LATER
They are halfway through another song, miming to playback.
Darren is operating the camera. They all look very gloomy and
introspective; ala The Cure, staring down at the ground, and
barely playing their instruments.
But the song is brilliant. Darren holds up the picture frames
in front of the musicians in separate shots.
Conor stands with his hands in his pockets. Now Raphina
enters frame, walking towards the end of the pier.
She pauses for a moment, and NGIG holds up a picture frame in
front of her as she walks. She is mouthing the lyrics. As she
gets to the end of the pier, she stares out to sea
dramatically. Conor is watching her in the background,
singing.
Then she jumps. But NOT onto the ledge. In fact, she jumps
way past it and into the sea.
For a moment, Conor hasn’t seen what’s happened. He goes on
singing. But Darren looks up from the viewfinder.
DARREN:
(shouting over the music)
Em, I think she went into the sea.
Seriously.
(CONTINUED)
73.
Conor looks over towards the wall. No sign of Raphina.
CONOR:
Sh*t!
He breaks away from the group and runs over, jumping up onto
the wall.
Down below, Raphina is struggling in the choppy water.
CONOR:
What the hell??
RAPHINA:
KEEP-BLOODY-FILMING!
CONOR:
What?
Behind him, Darren runs with the camera and tripod. He has
heard her, and is rolling. Now the camera is on Conor.
CONOR:
What’ll I do?
DARREN:
Stop looking in the camera.
RAPHINA:
Save me!
CONOR:
What?
RAPHINA:
Jump in. It’ll look great!
CONOR:
But my clothes??
RAPHINA:
I can’t swim!
CONOR:
You mean the character or actual
you?
RAPHINA:
ACTUAL ME!
She is thrashing around in the water, starting to get pulled
under. Conor throws off his coat and looks towards Darren.
Darren steadies the shot. Gives the thumbs up. Raphina is
shouting for help, off.
Conor dives into the sea. Darren tilts down as he hits the
water. A perfect shot.
(CONTINUED)
74.
DARREN:
YES!
Conor swims over to Raphina who is genuinely starting to
drown, and pulls her towards the ledge. The camera follows.
The rest of the band have gathered on the edge of the pier,
looking down and cheering.
EXT. ON THE WATER - CONTINUOUS
Down below, Conor pulls her onto the safety of the ledge as
she spits mouth fulls of water.
CONOR:
Jesus Christ! What were you
thinking?
RAPHINA:
(up to Darren)
Did you get it??!!
Darren gives a thumbs up, as he scans back over the shot.
RAPHINA:
Fantastic!!
The band laughs.
CONOR:
Can you really not swim?
RAPHINA:
Nope.
CONOR:
Then why did you do that?
RAPHINA:
For our art! You can’t do things by
half, Cosmo.
He shakes his head, searching her. They are both shivering
and wet. Suddenly, he reaches in, and steals a kiss. She is
silenced by it. Amazed.
CONOR:
Sorry... I... I’m sorry. That
was...
RAPHINA:
Great. Is what it was. Fair play.
CONOR:
(happy)
Was it?
What about Evan?
(CONTINUED)
75.
RAPHINA:
Evan’s just a means to an end.
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"Sing Street" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/sing_street_1055>.
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