Sister Act Page #7

Synopsis: Sister Act is a 1992 American comedy film directed by Emile Ardolino and written by Joseph Howard. Featuring musical arrangements by Marc Shaiman, the film stars Whoopi Goldberg as a Reno lounge singer who has been put under protective custody in a San Francisco convent of Poor Clares and has to pretend to be a nun when a mob boss puts her on his hit list. Also in the cast are Maggie Smith, Kathy Najimy, Wendy Makkena, Mary Wickes, and Harvey Keitel.
Genre: Comedy, Crime, Family
Production: Buena Vista
  Nominated for 2 Golden Globes. Another 8 wins & 8 nominations.
 
IMDB:
6.3
Metacritic:
51
Rotten Tomatoes:
71%
PG
Year:
1992
100 min
$139,605,150
1,485 Views


CHRISTY:

Christy. Christy Van Cartier.

MOTHER SUPERIOR:

Enough joking.

CHRISTY:

That's my real name! Currently I'm a

singer. Sort of.

MOTHER SUPERIOR:

Very well.

CHRISTY:

Oh my God. This isn't happening, tell

me this isn't happening. It's a

nightmare, I'm back at St. Anne's!

Page 23.

MOTHER SUPERIOR:

St. Anne's?

CHRISTY:

Parochial school. Akron. St.

Android's.

MOTHER SUPERIOR:

You were unhappy?

CHRISTY:

I was expelled! When I was fifteen?

MOTHER SUPERIOR:

The reason?

CHRISTY:

Beats me! What do you think? Smoking!

Heavy petting, without a chaperone. Heavy

petting, with the chaperone. And wearing

a black bra, under my uniform. The demon

bra.

MOTHER SUPERIOR:

I see.

CHRISTY:

You see? You see? I have to get out of

here I have to make a phone call.

Don't you get it? I'm in a convent!

You're a nun!

MOTHER SUPERIOR:

(very stern)

Sit down.

CHRISTY:

What?

Mother Superior rises. She is an extremely imposing

woman.

MOTHER SUPERIOR:

Sit.

Christy sits in a wooden chair across from Mother

Superior.

MOTHER SUPERIOR:

Miss Van Cartier.

CHRISTY:

What?

(belligerent)

MOTHER SUPERIOR:

Your cigarette -- out.

Christy inspects her cigarette.

Page 24.

MOTHER SUPERIOR:

(ruefully)

It has come to pass.

CHRISTY:

What?

MOTHER SUPERIOR:

I joined this convent some thirty years

ago. At that time, the world knew some

measure of peace. And hope. Our order

was a beacon of hospitality, to families,

to children, to a neighborhood filled

with promise. And, as the years have

passed, I have watched that promise

destroyed. Drugs. Gangs.

(staring at Christy's

outfit) Spandex. And.

so I have made this

convent an oasis, a

retreat from horror.

And now that horror has

invaded these sacred

walls.

CHRISTY:

Are you talking about me?

MOTHER SUPERIOR:

And all those like you.

CHRISTY:

You mean black people?

MOTHER SUPERIOR:

Absolutely not. I mean the wicked. The

heedless. And their Las Vegas

concubines.

CHRISTY:

(very suspicious)

What's a concubine?

MOTHER SUPERIOR:

Check your driver's license.

Christy stands, facing off with Mother Superior.

CHRISTY:

Fine. Got it. Look, the way I see it,

I'm stuck here, right? I mean, I'm here

or I'm target practice. So here's the

deal -- I don't bug you, you don't bug

me. I'll catch up on some sleep, watch

some tube, lay back and lay low. So just

get me a key and show me to my room, and

do not disturb. Capisce?

MOTHER SUPERIOR:

(suspiciously

gracious)

Of course. But it's almost lunch.

Page 25.

CHRISTY:

Cool. Is there a menu? Or buffet?

MOTHER SUPERIOR:

Before we do, you might like to freshen

up. And you'll certainly want to change

CHRISTY:

(sniffing her clothes,

the same outfit she's

had on since the night

at Vince's office)

Deal.

INT. CONVENT CHANGING ROOM

A small room, with a sewing machine, some bolts of fabric,

and several wooden cabinets. There is a wooden screen in a

corner, marking a changing area. Christy is behind the

screen; we hear her, but do not see her, Mother Superior

stands beside the screen, catching the various items of

clothing which Christy tosses to her.

CHRISTY (O.S.)

How about a robe? One of those big

terry cloth jobs, with like embroidery on

the pocket. "Guest of St. Katherine's"

MOTHER SUPERIOR:

Would you like that?

Mother Superior takes Christy's skirt and blouse, and

tosses them down a chute marked "INCINERATOR."

CHRISTY (O.S.)

You should hand-wash that blouse, and

send somebody out for some things. I

look good in reds, purples, hot pink --

and shoes. Five-inch heels. F***-me

pumps. Oh, man -- sorry. 'Scuse my

mouth.

Mother Superior carries Christy's lacy bra at the end of a

ruler; it goes down the incinerator.

MOTHER SUPERIOR:

Excused. Open the cabinet to your left.

You will find appropriate attire.

CHRISTY (O.S.)

Can do.

INT. CHAPEL

A group of nuns are praying, their heads bowed. They hear

a muffled SCREAM, from elsewhere in the convent. They look

up, puzzled.

Page 26.

INT. CONVENT CHANGING ROOM

Rate this script:4.3 / 3 votes

Paul Rudnick

Paul M. Rudnick (born December 29, 1957) is an American playwright, novelist, screenwriter and essayist. His plays have been produced both on and off Broadway and around the world, and Ben Brantley, when reviewing Rudnick’s The Most Fabulous Story Ever Told in The New York Times, wrote that, “Line by line, Mr. Rudnick may be the funniest writer for the stage in the United States today. more…

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