Sleepless in Seattle Page #6
- PG
- Year:
- 1993
- 105 min
- 1,477 Views
WYATT:
(pushing it to the
center of the table)
Would someone look this up,
don't tell me where.
Becky is riffling through some papers on the table,
among which are some tearsheets from the Associated
Press wire.
BECKY:
Listen to this. Phone service
in the greater Chicago area was
tied up for two hours Christmas
phone-in show to get a wife for
his father. Two thousand women
called in for the number.
KEITH:
Jesus.
ANNIE:
and says my dad needs a wife
the car saying, this is
completely disgusting, you're
taking advantage of a child,
and then the father gets on and
this shrinkette says, do you
want to talk about it? And he
says no as a matter of fact I
don't, and I am saying, bravo!
Right on! Don't talk to her,
it's none of her business --
(she's completely into
this story now)
-- and then suddenly, for no
reason at all, he's talking
about how much he loved his
wife, and how he just --
(she snaps her fingers)
fell in love with her and I am
crying. Me. A tear is
actually rolling down my face.
It was like what happens when I
watch those phone company ads.
I don't have to see the whole
ad, I just have to see the part
mother a refrigerator with a
big red bow on it, have you
seen that one?
Everyone looks at her. Apparently she's finished.
BECKY:
about this.
ANNIE:
About what?
BECKY:
Whatever it is.
KEITH:
(waving the AP story)
What it is is, there are a lot
looking for love.
WYATT:
Especially over a certain age.
Annie is looking at them. This isn't what she was
talking about at all, although she isn't quite sure what
she was talking about.
KEITH:
It is easier to be killed by a
terrorist after the age of 40
than it is to get married --
ANNIE:
That is not true. That
statistic is not true.
BECKY:
It's not true, but it feels
true.
ANNIE:
There's practically a whole
book about how that statistic
is not true --
WYATT:
Calm down. You brought it up --
ANNIE:
(sharply)
I did not, Wyatt.
A beat, everyone pauses. Things are a little out of
hand.
BECKY:
So where were we?
WYATT:
New Year's Eve. I'll do it,
okay?
BECKY:
Okay.
ANNIE:
If someone is a widower, why do
they say he was widowed? Why
don't they say he was widowered?
Everyone looks at her strangely.
ANNIE:
I was jus wondering.
Annie walking purposefully, followed by Becky, hurrying
to catch up.
BECKY:
What was that about up there?
ANNIE:
What was what?
BECKY:
What's with you?
ANNIE:
Nothing's with me.
INT. BALTIMORE RESTAURANT - DAY
Becky and Annie are having lunch.
BECKY:
"Sleepless in Seattle"?
ANNIE:
That's what she called him on
the show. Because he can't
sleep.
BECKY:
And now 2,000 women want his
number. The guy could be a
crackhead, a psychopath, a
flasher, a junkie, a
transvestite, a chain-saw
murderer, or someone really
sick, like Rick.
ANNIE:
Actually, he sounded nice.
BECKY:
Oh? Oh, really? Now we're
getting down to it.
ANNIE:
Not.
She reaches down for her purse.
A hand reaching down to pick something up -- the Seattle
newspaper, and
Sam carrying the paper down/up the stairs to an old
house that's being renovated. Jonah, who is playing
Cameboy, is walking along with him. WORKMEN are active
everywhere. Dry wall going up, cabinets being
installed, tile being set.
One of Sam's partners, BOB LANGMAN, is walking with him,
and JAY MATHEWS, the on-site supervisor, is waiting for
them in an unfinished doorframe. Bob is hefty, older,
always eating something dietetic. Jay is younger and
always wears as little as possible, even in cold weather.
BOB LANGMAN:
Now she wants a circular
stairwell off the den.
JAY:
(to Jonah, in b.g.)
Punch me, punch in right here.
(points to his stomach;
Jonah punches)
And she wants the Sub-Zero with
the side-by-side doors --
BOB:
Which means --
SAM:
The cabinets have to be redone
--
They all nod at each other. The woman has been a
nightmare.
BOB:
So we thought --
JAY:
Since you're on the make again
--
SAM:
Great. This is great. The
whole town knows. Just out of
curiosity, how do you two know?
BOB:
Grace heard it.
SAM:
Grace the dispatcher. Great.
BOB:
The point is, take the client
out to dinner and ask her to
marry you and then maybe we
won't have to redo the kitchen
cabinets.
SAM:
Why me? What about Jay?
JAY:
Hey, my plate is full.
SAM:
Well, okay. What's the big
deal? If she'll forget the
new fireplace, I'll marry her.
Just point me in the right
direction.
JONAH:
Dad, I don't know about this
one --
SAM:
Oh, you're changing your mind
--
JONAH:
No, I'm not, but --
SAM:
What's the matter with this
one? Wouldn't you like to have
Imelda Marcos as your mother?
JONAH:
Dad --
Sam cuffs him good-naturedly.
SAM:
We better take the measurements
for the new cabinets.
He walks away past some workmen, ladders, etc. and
starts checking the cross-beams in the ceiling over in
another area of the site. Bob follows after him. Jay
tosses Jonah a hammer and they start knocking nails into
the wall.
BOB:
Sam, if you're not doing
anything New Year's --
obviously you're not doing
anything New Year's -- we're
having some people over, all of
them married, not one even
remotely interested in playing
around. Does that sound great
or what?
(whistfully)
I can't think of the last time
I was at a party when anything
actually happened.
SAM:
Thanks, but I'll pass. It's
kind of a big night. I don't
CUT TO:
SHOT OF HOUSEBOAT BEING TOWED BY A TUG DOWN THE RIVER (OR A
SEAPLANE LANDING) - TWILIGHT
EXT. HOUSEBOAT - TWILIGHT
Jonah watching it. Sam visible in the distance in the
kitchen.
INT. KITCHEN - TWILIGHT
As Sam is busy installing the spice rack. He marks the
wall, hammers in the nails, etc.
SAM:
(as he starts putting
new spices into the
rack, in alphabetical
order)
P?
JONAH:
P.
(beat)
Dad?
SAM:
(absently)
What?
JONAH:
I forgot to mention. Jed
called --
SAM:
Just out of curiosity, do you
don't begin with a J? I feel
like it was a failure of the
imagination on our part naming
you Jonah.
(looking at the spices)
What is marjoram? Does anyone
know?
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