Slow West Page #10
building a fence
Two posts are up and JOHN ROSS is nailing up a cross spar
VICTOR places a bullet in the chamber of the rifle
JOHN ROSS lifts the long piece of wood up and hammers in a
nail, fixing the spar a post
The sun is beating down hard
VICTOR gages the distance between himself and JOHN ROSS while
adjusting the sights and aiming
JOHN ROSS, sweating, removes his hat and stares up at the sun
VICTOR is about to pull the trigger, until a sound of the
ROSE and KOTORI appear and run about fifty yards to the rightof the house (JOHN ROSS is to the left). There is a washing
line with sheets flapping in the breeze, and a pony tied to a
post
KOTORI helps ROSE up onto the pony
VICTOR looks at ROSE, looks at JOHN ROSS, looks at ROSE
CUT TO:
59.
65
EXT - SILVER BIRCH FOREST - DAY 65
SILAS and JAY wind through the silver birch
JAY’s hand is now wrapped in a dirty bloody rag
They ride out of the forest and onto a plain and stop
JAY jumps down from his pony and walks out onto the plain
In the distance a house, a washing line, a wheatfield, too
far to see people, but it is the Ross house, and ROSE isriding, and JOHN ROSS is mending the fence and VICTOR iscrouched at the back of the field, but from JAY’s view it
looks peaceful and beautiful
JAY:
I’ve made it
SILAS is behind JAY, still on his horse
SILAS:
Are you sure that’s them
JAY ignores SILAS and lets out a relieved sigh
JAY:
Exactly what I imagined
As JAY looks towards the house, SILAS dismounts, unhooks the
rope from the saddle and walks towards JAY
SILAS has made a small loop in the end of the rope and heloops it over JAYS hand, pulls the loop tight and grabs JAYby the scruff of his neck
JAY (CONT’D)
Hey
SILAS drags JAY backwards, JAY struggling, falls to theground, and is dragged along the ground on his back
JAY (CONT’D)
Silas! Silas, SILAS, what are youdoing.. Stop, no.. Silas!
SILAS hauls JAY up against the nearest silver birch tree onthe edge of the plain, moves behind JAY and passes the ropearound the trunk, and ties his hands together
JAY is sitting, his back up against the trunk, wriggling andspitting with rage
SILAS, behind JAY, pulls out his large hunting knife
JAY sees the knife, stops wriggling, places his head againstthe tree, shuts his eyes
60.
JAY thinks Silas is about to slit his throat
JAY (CONT’D)
Do it quick
SILAS looks at JAY incredulously
SILAS:
I ain't going to kill you
SILAS cuts the long end of the rope beyond the knot
SILAS (CONT’D)
I’m keeping you alive. We don’thave a gun between us
SILAS walks around and sits in front of JAY, rubs the tree
above JAY’S head and the white powder of the silver birchrubs off onto SILAS’S hand
SILAS grabs the back of JAY’S head
SILAS (CONT’D)
Hold still
SILAS rubs the white powder over JAY’s face
JAY:
What is this!
SILAS:
Stops the sun burning you up
JAY rages
JAY:
I’ll protect Rose or die trying
SILAS turns and walks to his horse
SILAS:
That’s what I’m afraid of
JAY (YELLS)
Lay a finger on her and I’ll kill
you
SILAS ignores JAY, grabs the reins of JAY’S horse, climbsonto his horse
JAY throws himself into a rage
JAY wriggles, dribbles
Begins to rub the rope up and down the back of the tree
61.
SILAS gallops off with both horses across the plain in thedirection of the Ross house
CUT TO:
66
EXT - BACK OF WHEATFIELD - DAY (VICTOR) 66
ROSE and KOTORI walk slowly back to the house
VICTOR keeps them in the sights of his rifle, his finger on
the trigger
..But first his view is blocked by the washing line, then by
the scarecrow, then ROSE and KOTORI enter the house and shut
the door
VICTOR lowers his rifle
VICTOR looks back towards JOHN ROSS and lifts his rifle and
has JOHN ROSS in his sights again
JOHN ROSS picks up a couple of nails from a little wooden
box, places one nail between his teeth and begins to hammerthe other one into the fence
VICTOR steadies himself, holds his breath and his rifle
stills
A nail is hammered into wood
Sweat drips from the rim of JOHN ROSS’s hat
As the hammer strikes the head of the nail, VICTOR pulls the
trigger, a loud bang echoes across the plain
JOHN ROSS’S hammer falls to the ground
67
INT - PIONEER HOUSE - DAY - (ROSE) 67
Inside the house ROSE hears the bang
She stops what she’s doing and listens, the echo of the
gunshot still audible
68
EXT - TREE ON EDGE OF PLAIN - DAY - (JAY) 68
JAY frantically rubbing, also hears the shot and freezes
69
EXT - EDGE OF WHEATFIELD - DAY - (VICTOR) 69
VICTOR lowers his gun, and in the distance, JOHN ROSS fallsto the ground
62.
70 EXT - MIDDLE OF PLAIN - DAY - (SILAS) 70
SILAS gallops fast towards the house, JAY’s horse gallopingby his side
71 EXT - FENCE OUTSIDE HOUSE - DAY - (JOHN ROSS) 71
JOHN ROSS lies dead - blood in the grass, ROSE can be heardshouting (from screen right) inside the house
ROSE (O.S.)
Dadda!! Da!!
CUT TO:
72 EXT - TREE EDGE OF PLAIN - DAY - (JAY) 72
JAY rubs rope against tree, faster than ever and it isbeginning to fray
CUT TO:
73 EXT - MIDDLE OF PLAIN - DAY - (SILAS) 73
SILAS gallops across the plain
CUT TO:
74 EXT - EDGE OF WHEAT FIELD - DAY - (VICTOR) 74
VICTOR, now standing, puts his jacket on, brushes himselfdown, looking towards the house
CUT TO:
75 EXT - TREE EDGE OF PLAIN - DAY - (JAY) 75
As JAY rubs the rope against the tree we hear voices frombehind him in the forest
A general mumble of stories being told, jokes exchanged,
horse trots, twig snaps
JAY freezes and shuts his eyes
He is well hidden, low down, his shirt the colour of the
silver birch, his face white with the dust from the bark
PAYNE’S posse slowly ride past JAY and out onto the plain, noone notices the boy tied to the tree
Chit-chatting away, the last to pass JAY is the MINSTREL - he
whistles and strums a sad lament on his banjo
63.
The posse are heading straight for the house
JAY’S breathing quickens, matters going from bad todevastating
Once out of earshot, JAY begins rubbing the rope with added
ferocity
CUT TO:
76
EXT - WHEATFIELD - DAY - (VICTOR) 76
VICTOR walks through the wheatfield, past the scarecrow,
towards the ROSS house
..Until he notices SILAS galloping into view from the right
of the house
VICTOR ducks down into the wheat
SILAS rides to the back of the house
CUT TO:
77
EXT - TREE EDGE OF PLAIN - DAY - (JAY) 77
JAY rubs, about half of the rope frayed
PAYNE and his posse are half way between JAY and the ROSS
house
CUT TO:
78
EXT - PORCH OF ROSS HOUSE - DAY - (SILAS) 78
SILAS runs around the building and onto the porch
SILAS:
John Ross!! Rose Ross!!
SILAS bangs on the wall and the door
SILAS (CONT’D)
You need to leave this house ..
There are men coming here to killyou!
To the left of the door, a paper window - oiled andtranslucent
Fingers rip a hole in the paper, and ROSE’s eye appearspeeping at SILAS
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"Slow West" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/slow_west_581>.
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