Smashed Page #8

Synopsis: Smashed is a 2012 American drama film directed by James Ponsoldt, written by Ponsoldt and Susan Burke, and starring Mary Elizabeth Winstead and Aaron Paul. Winstead and Paul play a married couple, Kate and Charlie Hannah, both alcoholics. After a series of embarrassing incidents caused by her drinking habit, Kate decides to get sober with the help of a coworker and a sponsor from Alcoholics Anonymous.
Genre: Drama
Production: Sony Pictures Classics
  10 nominations.
 
IMDB:
6.8
Metacritic:
71
Rotten Tomatoes:
85%
R
Year:
2012
81 min
$375,981
Website
869 Views


52.

KATE:

It's weird -- in after-school

specials the getting-sober part was

only like a minute of the movie and

suddenly...daddy’s all okay.

Several people LAUGH.

KATE (CONT’D)

But it's so f***ing hard and weird

and suddenly I have all these other

problems now that drinking isn't

the problem.

JENNY *

Like what? *

KATE:

Everything else. Work, my nonexistent

relationship with my

mom...

JENNY *

When was the last time you saw her?

KATE:

(tries to remember)

A year, at least.

JENNY *

Well...maybe it’s time.

KATE:

Maybe.

(beat)

And then there’s my marriage. I

mean, Charlie’s great. Really

great, he’s supportive, especially

at first. It’s strange, though. I

feel like alcohol was the thing

that connected us and now that I

don’t drink we lead these two very

different lives.

(beat)

We haven’t slept together in

forever...

(laughs)

I haven't pissed myself in awhile,

though. So that’s good.

JENNY *

It takes time.

Kate gives an exasperated look.

53.

JENNY (CONT’D)

(half-stern cheerleadertone)

Keep working the steps.

(glances at her watch)

Let’s grab coffee tomorrow, okay? Ishould actually run you home nowand come back. I need to start

locking up.

*

KATE:

I could stick around and help

you...

MR. DAVIES

(to Kate)

I could take you home.

(off Kate’s reaction)

If you want.

44 INT./EXT. MR. DAVIES’ CAR - NIGHT 44 *

Mr. Davies pulls up to Kate's house.

MR. DAVIES

My ex-wife -- she doesn't drink --

well, not like us, but as soon as I

got sober I started to change andshe just...didn't.

KATE:

I didn’t know you were married.

Beat.

MR. DAVIES

Yeah, I was married once --

(laughs)

-- in my other life. But Ishouldn't be talking to you aboutthis stuff.

Why?

KATE:

MR. DAVIES

I don’t know...

KATE:

Because you’re a dude we can't

talk? I don't get that "men stickwith men, women stick with women"

stuff.

54.

MR. DAVIES

Well, if you were sitting where I'm

sitting you'd understand.

KATE:

Are you trying to tell me that you

have a crush on me?

MR. DAVIES

What am I, one of your students?

Crush?

KATE:

Yeah, crush.

MR. DAVIES

(long beat)

I kind of do, yes. I have a crush

on you. I know that's wrong --

you’re newly sober and married and

I shouldn't be thinking about you

like that. But yeah, I should put

that out on the table.

(beat)

Honesty.

KATE:

It's okay. I think you’re a really

good guy.

MR. DAVIES

Oh, great -- good guys are the

nerds that carry the pretty girls’

books.

KATE:

Oh, c’mon...

MR. DAVIES

I think you’re beautiful.

Kate smiles bashfully.

MR. DAVIES (CONT’D)

And smart, and sexy, and cool...

Mr. Davies moves slightly closer to Kate.

MR. DAVIES (CONT’D)

And I know it's wrong, but -- in

meetings I stare at your lips and

your legs and all I can think about

is f***ing your moist p*ssy.

*

55.

Kate jumps back, aghast.

MR. DAVIES (CONT’D)

(off Kate’s horrified

expression)

Oh, crap! I don’t know why I just

said that. I’m really, really

sorry.

KATE:

WHAT THE F***?

MR. DAVIES

(genuinely sorry)

Oh, that was a bad thing to say,

right?

KATE:

YES.

MR. DAVIES

I'm so, so sorry. I’m just

confused, and I don’t know how to

talk to women -

KATE:

Jesus -- you can't just go around

telling people you want to f***

their "moist p*ssy.”

(beat)

Who even says that?

MR. DAVIES

I'm really sorry.

Kate gets out of the car, slams the door shut, then leans in

to say --

KATE:

I have to go inside my house --

where I live with my husband.

(beat)

Thanks for your creepy version of

honesty.

45 INT. KATE & CHARLIE’S HOUSE - BEDROOM - NIGHT 45

Kate lies in bed and appears slightly bored as -

-- Charlie is under the covers, going down on Kate.

KATE:

You okay?

56.

CHARLIE:

(from under the covers)

Yep -- I'm just pacing myself. The

tortoise wins the race.

KATE:

Actually, I’m not really in the

mood.

CHARLIE *

But I wanted to give you a 90 days

gift.

KATE:

It’s okay -- the 90 days was the

gift.

CHARLIE:

Sorry if I was doing a bad job --

I’m kinda hammered.

KATE:

It's alright. Charlie...

(long beat)

...I miss you.

CHARLIE:

Huh? *

Charlie comes up from under the covers -- and looks a bit *

tipsy. *

KATE:

I mean...I don't know. I don't

really feel connected to you

anymore.

CHARLIE:

Did I do something?

KATE:

No.

(beat)

We don't talk that much.

CHARLIE:

We used to talk, but now you come

home and go to meetings and by the

time you get back I'm -

KATE:

Kinda drunk.

57.

CHARLIE:

I was gonna say “tired.”

Silence.

KATE:

There’s some stuff I need to do

this weekend. I think I’m gonna go

up to Lake Arrowhead.

CHARLIE:

Really? To see your mom?

Kate nods.

CHARLIE (CONT’D)

Why?

KATE:

(defensive)

Do I need a reason?

CHARLIE:

With your mom? Kinda.

(beat)

Is this the “amends” step?

KATE:

No.

CHARLIE:

Well then why’re you going?

KATE:

(beat)

We send her checks. But we never

actually see her. Sometimes it

feels like I’m paying her to not be

in my life. I thought it would be

nice to visit her.

(beat)

And Jenny thinks it would be a good *

idea.

Charlie LAUGHS.

KATE (CONT’D)

What?

CHARLIE:

I don’t know...I mean, do you do

everything your sponsor tells you

to do?

58.

KATE:

No. Do you think I’m brainwashed or

something?

CHARLIE:

I dunno...it’s been a long damn

time since you’ve seen your mom.

(beat)

And you didn’t listen when I

suggested we visit her.

KATE:

(suddenly gets that it’s

an ego thing for Charlie)

Oh, baby -- I listen to you. Thisjust...it felt like the right time.

(beat)

With all the changes I’m going

through.

CHARLIE:

Well, can I come with you? It’ll belike a little vacation.

KATE:

Um...I think I should go alone.

CHARLIE:

Come on, if you do that you’ll justget depressed. If I go we can tryto make it fun. Go hiking andstuff.

KATE:

Well, if you go, don’t take this

the wrong way but -- I’d like it ifmaybe you didn’t drink.

(beat)

Just while we’re there.

CHARLIE:

(smiles)

I think I can handle not drinkingfor like a day.

Kate smiles and snuggles up into Charlie’s arms.

46 INT. SUBARU (MOVING) - DAY 46

Kate and Charlie drive and listen to MUSIC.

47 OMITTED 47 *

59.

47A OMITTED 47A *

48 INT./EXT. SUBARU - LAKE ARROWHEAD - RESIDENTIAL STREET - DAY48

Kate and Charlie are parked in front of a ---

HOUSE. Small. A little run-down. Sort of a vague ski cabinlook. There’s some dirty lawn furniture in the front yard aswell as a DOZEN LAWN-GNOMES.

CHARLIE:

Ah...the lawn-gnomes. I missedthose guys.

Kate playfully punches Charlie in the shoulder.

CHARLIE (CONT’D)

(waving to a lawn-gnome)

Hi, Holger!

Kate LAUGHS. Long beat.

CHARLIE (CONT’D)

So...we gonna go in?

Charlie glances at Kate and reads the anxiety on her face.

49 EXT. KATE’S MOTHER’S HOME - DAY 49

Kate and Charlie walk to the front door.

KATE:

(unsettled)

I should’ve brought something.

CHARLIE:

You’re fine.

KATE:

Something, you know? Flowers, or...

CHARLIE:

Wine?

KATE:

No. Definitely not that.

They get to the door. Charlie looks at Kate -- who seems likeshe’d be okay if they ran back to the car.

Rate this script:3.0 / 1 vote

James Ponsoldt

James Adam Ponsoldt is an American film director, actor and screenwriter, now based in Los Angeles. He directed the drama films Off the Black and Smashed, the romantic comedy-drama The Spectacular Now, and the drama The End of the Tour. more…

All James Ponsoldt scripts | James Ponsoldt Scripts

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