Smokey and the Bandit Page #10
- PG
- Year:
- 1977
- 96 min
- 4,593 Views
BANDIT:
(into mike)
Go breaker.
VOICE:
(from CB)
Bandit, I just thought I'd lay a
Smokey report on you.
BANDIT:
(into mike)
Go head on, breaker.
VOICE:
(from CB)
I would say your future's looking
dim, boss.
BANDIT:
(into mike, nervous)
What's your twenty and what's your
handle?
VOICE:
(from CB)
My handle's Smokey Bear and I got
you by the tail.
A SIREN BLASTS behind them, whipping Bandit and Kate around.
Sheriff Clayton is right on their ass -- no more than three
feet away -- his siren wailing and his advertising flashing.
BACK TO SCENE:
Bandit slams down the CB mike.
BANDIT:
(to Kate)
That's a Texas cop. What the hell's
he doing in Arkansas?
KATE:
(uneasy)
I don't know. Maybe Jerry Jeff sent
the heat after us.
BANDIT:
(worried)
A Texas Bear in Arkansas.
(then)
Something's up and at this point in
my life, I don't want to know what
it is.
He trounces on it and the Shelby Cobra II springs to life,
laying twenty feet of third gear rubber. Suddenly, the Texas
Sheriff's car looks like it's standing on jacks.
INSIDE SHERIFF'S CAR
as Sheriff Clayton floorboards it and takes off after Bandit
I.
CLAYTON:
(to himself)
I'm gonna get that bastard. No one
makes Buell Clayton look like a fool.
Let's get going.
ARKANSAS HIGHWAY - DAY
as Bandit I races past camera. A beat and here comes the
Texas Sheriff. Hard and fast.
INSIDE BANDIT I - MOVING
Bandit is all concentration. Both hands on the wheel. Pressing
120 MPH. Kate fumbles for her cigarettes, but they all go
flying out of the pack. One lands on her lap. She lights it.
BANDIT'S VIEW
up ahead, the big rear end of Bandit II.
BACK TO SCENE:
Bandit fires up his CB and flips to the next odd channel.
BANDIT:
(into mike)
I'm whipping around you, Bandit II.
Smokey on the rubber.
Cledus looks up ahead.
HIS VIEW:
Traffic. Coming head on.
BACK TO CLEDUS:
keying the mike.
CLEDUS:
(into mike)
You're gonna have to create your own
lane, buddy. You got oncoming.
INSIDE BANDIT:
Bandit turns to Kate. She shrugs and closes her eyes. He
floors it.
KATE:
(a mile-a-minute)
You know, my mother was a dancer,
too. Her big shot was the touring
company of 'Brigadoon.' She's been
married three times. To a redneck, a
poet and her tennis instructor.
(not missing a beat)
See, I motor-mouth when I get nervous.
I was nervous when I first got into
the car. Now I'm scared shitless.
BANDIT:
Believe me, there's nothing to be
afraid of.
With that, Bandit flies off the highway, onto the shoulder.
Kate closes her eyes even tighter.
FULL SHOT:
as Bandit pulls alongside the big eighteen-wheeler, hanging
onto the shoulder for his life.
HIS VIEW:
up ahead -- a dirt road crossing. He'll never make it past
the huge eighteen-wheeler in time.
NEW ANGLE:
as Bandit I hits the dirt road crossing, flies into the air,
comes down, smashes into a highway sign and sends it
splintering twenty feet into the air. Before he can whip the
wheel around, Bandit is staring at an endless row of rural
mailboxes. Kate turns her head, as Bandit I mows down the
mailboxes. Whap! Whap! Whap! Whap! Whap!
Bandit drops the Cobra into first, zooms past Bandit II and
sails back onto the highway.
BANDIT:
Still with me?
Kate slowly opens her eyes. She's alive.
ANGLE - SHERIFF CLAYTON'S CAR
trapped behind the huge eighteen-wheeler. Clayton pulls out
in an attempt to squeeze between Bandit II and the oncoming
traffic.
Brakes squeal, as SEVEN CARS are forced to hit the side
shoulder. Just as Clayton moves halfway past the eighteen-
wheeler, Cledus puts on the press -- edging Sheriff Clayton
over.
Clayton's rear fender catches on the rig and rips off with a
terrifying SCREECH. As his fender bounces down the highway,
Clayton pulls in front of Bandit II a split-second before an
oncoming BUS almost creams him.
INSIDE BANDIT II
Cledus sees the passing car is Texas heat and immediately
flips over to the next odd channel and keys up his CB.
CLEDUS:
(into mike)
Bandit I, do I have copy?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Smokey and the Bandit" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/smokey_and_the_bandit_185>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In