Some Kind Of Wonderful Page #6

Synopsis: A young tomboy, Watts, finds her feelings for her best friend, Keith, run deeper than just friendship when he gets a date with the most popular girl in school. Unfortunately, the girl's old boyfriend, who is from the rich section of town, is unable to let go of her, and plans to get back at Keith.
Genre: Drama, Romance
Director(s): Howard Deutch
Production: Paramount Home Video
  1 win.
 
IMDB:
7.1
Metacritic:
55
Rotten Tomatoes:
81%
PG-13
Year:
1987
95 min
656 Views


To win big you gotta do what?

- Lose.|- Lose big.

What are we doing now?|We're losing big.

Double nickels.|Ten the hard way.

Mess with the bull, you get the|horns. You know what I'm saying?

Very uptown.

Hey, you're smiling.

I'm sorry.

Don't apologize. It's nice.|You have a lovely smile.

- You should smile more often.|- Okay.

Whenever I try not to smile,|I smile more.

No, I got the chin.

- I'll get the door.|- No, I got it.

Sorry I wasn't more on the ball.|I was... comatose.

Here, I brought you|something to eat.

A gift? For me?

- Yeah, thought you might be hungry.|- Gee, thanks.

Eating and driving, it's as handy|as skiing and doing your taxes.

Well, maybe you can eat it|at the next stop.

Could I book time to take a leak?

- What's your problem?|- Nothing.

Excuse me a minute, please.

Listen, you volunteered to do this.|I was all prepared to drive.

You said, "No, I'll drive|so you guys can talk." Remember?

It was this morning, moron.|Of course I remember.

So why are you giving me sh*t?

Let's go.

If my dinner reeks, let me know.|I'll put it in the trunk.

It's fine, really.

Well, then, we're off.

- Pardon me.|- No problem.

Good.

Thank you.

Break his heart,|I break your face.

What are we doing here?

- It's an art museum.|- What are we doing here?

You don't like art?

I do like art. It's just that...

Isn't it closed?

That doesn't mean|we can't go in.

Okay.

Hello. We've been waiting for you|a long time, my pop and I.

Come on in. Right this way.|Gimme five over here, pal.

- There you go.|- Amanda, Duncan.

- Nice to meet you, Amanda.|- And...

No monkey business.

Dad, freeze it, okay?

I told you before,|this is gonna be all fine.

God.

Those are nice legs, man.

I lose my job because of this,|you're in the dumper, Duncan.

Absolutely, Pop, absolutely.

Hey, thanks a lot.

Just remember,|anything for a pal, okay?

Have you ever been here before?

Yeah. Sixth grade.|I don't remember.

I come here all the time.

I've never been here|at night, though.

This place is my church.

I could come here and what anybody|says about me doesn't matter.

I have to come back here|when I can spend more time.

We have all night.

There's one in here|that I'd like to show you.

So what do you see in me?

- Be honest.|- What do you see in me?

You first.

Nobody thought anything about me|other than I look good next to them.

I went along with it|because I'd...

I'd rather be next to somebody|for the wrong reasons...

than alone for the right ones.

I'd rather be right.

Can't stand being alone.

Nobody can stand being alone.

The minute you stop thinking there's|someone for you, it's over, isn't it?

- Isn't it?|- I don't know.

I've been waiting a long time...

and I still don't have it,|but I will.

What are you talking about?

You know what I'm talking about.

- No, I don't.|- Yes, you do. It's not funny.

- I know you know what I mean.|- I don't.

This.

Tonight was a joke.

I was set up.|You used me, right?

- You think I used you?|- Didn't you?

- I don't know, in a way.|- In a way?

There's only one way|you use someone.

You either do, or you don't.

You didn't use me?

God, you hypocrite.

What's hanging in that museum?|My soul? No, it's my face.

You're using me|to pay back every guy...

with more money|and more power than you.

Paint it any color you want.

It's still you using me.

You're right.

I did use you.

For all those reasons.

I'm sorry.

Can we call it even?

We're even.

- This is for you.|- What is this?

It's my future.

In this box is my future.

Every cent I've ever earned.|It's for you.

- I can't take these.|- You have to.

I know you liked them. I saw you|wearing Shayne's, remember?

This is insane.|It doesn't make any sense.

You shouldn't|have to borrow anything.

You're too good for that.

Why are you crying?

I feel so terrible|for what I've been doing.

I hate feeling ashamed.

I hate where I'm from.

I hate watching my friends get|everything their hearts desire.

I gave in to that hatred|and I turned on what I believed in.

I didn't have to.|You didn't.

So you won't do it again.

You don't have to.

Ever.

What now?

Hardy's house.

Did you forget something? He wants|to beat the crap out of you.

- It's for real.|- I know.

If you want to do that,|drive yourself.

I have to face him sooner or later.

- It's not just Hardy. It's his friends.|- I can handle it.

I could beat the crap out of you.|You won't last six seconds.

I know what I'm doing.

Don't go overboard, studly.

Let's go.

- You don't have to do this.|- Yeah, I do.

Okay. I'll be here.

Thanks.

Guess what? Amanda brought him.

Welcome.

Glad you could come by. I was|worried you would disappoint us.

- Did you have a good time?|- Yeah.

She's deceptively innocent,|isn't she?

Clean, nice on the outside.

Did she do you?

See...

the one thing that|I'm glad about...

is that you get her used.

Back off, man!

That was not very smart, friend.|I don't even care about you.

She's the trash.|You're just a fool!

Take him outside|and kick the sh*t out of him.

Why don't you take me outside?

What?

I said, "Why don't you|take me outside?"

I don't play that way.|I would love to.

I am the host here.|I have guests.

I said take him outside, okay?

- You don't want to do this.|- Oh, really?

Yeah. You said yourself,|I'm the trash.

I got him into this.|Why don't you deal with me?

That's very touching, standing up|for your new man. I like that.

Let him go. Why don't you|do something right for once?

Forget it. It's worthless.|You can't talk to him.

What do you want?

You know what I want.

Okay.

Okay, you want me back?|I'm back.

Come on. It's not that easy.

You're gonna have to convince me.|I want you to beg.

Let him go.

Come on, you're a beggar. Beg.

Bastard.

You're gonna have to beg.

I don't think|that's gonna be necessary.

I didn't know Jenns lived in|a henhouse. Did you know that?

Must be a henhouse, 'cause I|don't see nothin' but chicken sh*t.

I don't want any trouble.|My parents will be home soon.

You leave now,|and we'll forget everything.

Let's just cut the bullshit.|All right?

Please? I'm here to wipe the floor|with your ass.

You know it, everybody knows it,|and you deserve it.

I think it's safe to say...

that this party is about to become|a historical fact.

Wait, wait.

- Let me talk to him.|- Okay.

Look, I'm perfectly willing|to forget this.

Okay? I see no reason|in carrying this on any longer.

It was a joke. It's gone too far.|It's over. Okay?

You want the truth?

You want the plain truth?

You're over.

Are you just gonna leave?

There isn't anything|I could do to him...

that he hasn't|already done to himself.

Wish I could live with that.

Good move, Amanda. I approve.

- Thanks again, Duncan.|- No problem, no problem.

You guys go along.|We're gonna stick around here.

Try to crank up this party|to a nice respectable level.

Don't worry. I won't mess him up.|I'm not even gonna touch him.

Just gonna make him cry|a little bit.

Rate this script:3.5 / 2 votes

John Hughes

An American filmmaker. Beginning as an author of humorous essays and stories for National Lampoon, he went on to write, produce and sometimes direct some of the most successful live-action comedy films of the 1980s and 1990s. Most of Hughes's work is set in the Chicago metropolitan area. He is best known for his coming-of-age teen comedy films which often combined magic realism with honest depictions of suburban teenage life. more…

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Submitted on August 05, 2018

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