Sometimes They Come Back... Again Page #2

Synopsis: Jon Porter returns to his hometown after the sudden and bizarre death of his mother. He hopes to leave as soon as the funeral is over but it's too late. The sinister forces that caused his sister's brutal murder 30 years ago are back. Jon knows the nightmare can't continue. He must stand up to his fear and exorcise the demons who have risen again to take posession of his beautiful teenage daughter - body and soul.
Genre: Horror
Director(s): Adam Grossman
Production: LionsGate Entertainment
 
IMDB:
3.8
R
Year:
1996
98 min
143 Views


FOR YOU--

"SHUT" AND "UP"!

I HAVE ONE WORD:

FOR YOU--"PSYCHO."

I THOUGH HE WAS CUTE!

HE FORGOT HIS WATCH.

IT DOESN' WORK, THOUGH.

IT LOOKS LIKE:

IT'S YOURS NOW,

HONEY.

CHASING:

AFTER SOMEONE:

AND HE'S COMING...

[CLICKING]

HEY,

CHECK THIS OUT.

OH, YEAH.

THAT'S GREAT.

MAYBE YOU SHOULD

JOIN THE CIRCUS.

SHUT UP.

HEY, CHECK IT OUT.

YOU'VE SEEN

YOUR SISTER NAKED,

BUT HAVE YOU EVER

SEEN HER BOINKING?

[HONK HONK]

LET'S GO.

SHH.

SHH.

YOU LOOKING:

FOR SOMETHING?

WE WERE JUST...

WE WERE JUST...

JUST GETTING LOST,

RIGHT?

YEAH. JUS GETTING LOST.

JON, LET'S GE OUT OF HERE.

COME ON! BFP.

LET'S GO.

I'LL CATCH UP

TO YOU LATER.

PROTECTING:

YOUR SISTER.

THAT'S COOL.

I LIKE THAT.

[LISA]

IT'S O.K., J.J.

I'LL SEE YOU

AT HOME.

DON'T YOU WORRY,

LITTLE MAN.

I GOT YOU COVERED.

[MAN]

YOU NEED:

TO ACT SOON.

YOU MUST PREPARE

BEFORE:

IT'S TOO LATE.

I DON'T KNOW WHA YOU'RE TALKING ABOUT.

YOUR MOTHER'S DEATH

WAS NO ACCIDENT,

JON.

I CAN'T HELP YOU

WITH THIS.

I DON'T NEED

YOUR HELP.

YOU NEED MINE.

YOU CAME TO ME:

30 YEARS AGO

FOR HELP.

THAT'S ALL

BEHIND ME NOW.

IT'S NOT BEHIND YOU

AT ALL.

I CAN HELP YOU:

STOP HIM, JON.

STAY AWAY FROM ME.

[STARTS ENGINE]

[DOORBELL BUZZES]

HI.

HI.

I HAVE YOUR WATCH.

IT'S UPSTAIRS.

OH, HEY,

DON'T WORRY ABOUT IT.

I HOPE I DIDN'T OFFEND

YOUR FRIENDS LAST NIGHT.

NO.

I--I BROUGHT THESE

ANYWAY.

THAT'S SO NICE

OF YOU.

OH! COME IN.

COME IN.

UM, I WAS JUS ABOUT TO MAKE DINNER.

MMM.

[SNORT]

LOOKS LIKE HE HAD

THE SAME IDEA.

NO! NO!

THIS IS MY:

GRANDMOTHER'S PIG.

HE MUST BE:

VERY DIRTY.

ACTUALLY, THEY'RE

VERY CLEAN ANIMALS...

CLEANER THAN:

A LOT OF PEOPLE.

DAD, THIS IS TONY.

HI, DAD.

HE WAS JUST COMING BY

TO SAY HI,

AND HE BROUGHT US

THESE FLOWERS.

ANYTHING ELSE:

WE CAN DO FOR YOU?

NO.

I'LL JUST SEE MYSELF

TO THE DOOR.

O.K.

YOU KNOW, YOU REALLY

SHOULD BE CAREFUL

WITH THAT THING.

YOU COULD HURT SOMEONE.

I'LL CATCH YOU LATER.

O.K.

[DOOR CLOSES]

WHAT WAS THA ALL ABOUT?

I DON'T LIKE HIM.

I NOTICED.

WHAT'S THE DEAL?

I JUST DON' LIKE HIM!

I DON'T KNOW.

HE REMINDS ME:

OF SOMEONE:

I USED TO KNOW.

O.K., BUT HE HAS BEEN

VERY SWEET TO ME.

HE TRIED TO GIVE ME

A BIRTHDAY PRESENT,

AND HE BROUGHT US

THESE FLOWERS.

YEAH, I GUESS

YOU'RE RIGHT.

HE MUST BE:

A REAL CREEP.

[MAN MOANING]

[CREAKING]

[WOMAN MOANING]

[STEVEN]

PICKING UP THE MAIL?

I USED TO SOMETIMES DO

THE PICKING UP THE MAIL

FOR MRS. PORTER.

REALLY?

I'M SURE

THAT SHE REALLY:

APPRECIATED THAT.

YEAH,

BUT I DIDN'T LOOK AT I BECAUSE IT'S NO MY AFFAIRS.

RIGHT. I GUESS

YOU'RE RIGHT.

PEOPLE'S MAIL

IS THEIR BUSINESS.

I DON'T LOOK

AT OTHER PEOPLE'S AFFAIRS

BECAUSE IT'S NO MY BUSINESS.

WELL, LIKE

IT'S NOT MY BUSINESS

TO TELL YOU:

WHO TO LIKE AND STUFF.

RIGHT.

WELL, I'M GOING TO

GO INSIDE NOW:

AND TAKE CARE:

OF MY BUSINESS.

O.K.,

BUT IF YOU EVER...

WANT TO KNOW WHAT I THINK

ABOUT THAT, UH...

BAD GUY...

WITH THE FAST CAR,

YOU JUST ASK ME, O.K.?

I WILL.

O.K., BECAUSE

HE'S NOT LIKE...

HE'S NOT LIKE

REGULAR PEOPLE.

HE'S DIFFERENT.

I SAW HIM WALKING

THE OTHER NIGHT,

AND THEN I SAW HIM

WALKING AWAY.

OH, NO. I MEAN...

I SAW HIM WALKING,

AND THEN...

AND THEN:

HE WAS GONE.

UH, RIGHT.

YEAH.

WELL, IT WAS

REALLY NICE:

TALKING TO YOU,

STEVE.

THANK YOU.

HERE HE COMES,

HERE COMES SPEED RACER

BURNIN' UP

THE QUARTER OF A MILE

[LAWN MOWER STARTING]

AND HE'S GONNA BE

CHASIN' AFTER

SOMEONE...

AAH!

...LOOK ALIVE

[WOMAN SCREAMING]

DRINK IT,

AND WE ALL:

LIVE FOREVER.

YOU FREAK!

I'M GOING TO

RIP OUT YOUR HEAR AND EAT I WHILE IT BEATS.

NO!

UGH!

[TICKING]

LET'S GET OUT OF HERE.

HEY, WATCH OUT!

OH, MY GOD.

AAH!

AAH!

AAH!

[CAR HORN HONKING]

HEY,

WHAT'S YOUR PROBLEM?

YOU BETTER WAKE:

ON UP, BUDDY!

COME ON.

LET'S GET OUT OF HERE.

I GOT TO GET BACK TO WORK

IN 40 MINUTES.

[WOMAN]

ARCHER CONTINUES TO PESTER ME

ABOUT HER DEATH--

I CAN'T UNDERSTAND

THAT CRAZY OLD MAN.

HE ASKS ME:

ABOUT AN OLD WATCH

LISA WAS WEARING

WHEN SHE DIED.

I CAN'T REMEMBER THERE BEING

ANY OLD WATCH:

WHEN THEY FOUND:

THE BODY.

[MICHELLE]

GOOD MORNING.

THIS IS GOING TO

TAKE A LOT LONGER

WE HAVEN'T EVEN

BEEN THROUGH HALF

OF THESE ROOMS YET.

LET ME GIVE YOU:

A HAND.

I'M HAPPY TO DO IT.

I JUST DON'T REALLY

WANT TO SPEND:

WHERE'S THAT WATCH

YOU WERE WEARING

THE OTHER NIGHT?

THAT NECKLACE?

UM...

IT'S...

HA!

I CAN'T REMEMBER.

OH, GREAT.

THINK WE CAN FIX IT?

SURE. HOLD THIS.

GRR...

OH, COME ON.

HERE. YOU JUST--

AAH! AAH!

MAYBE WE SHOULD HIRE

AN ELECTRICIAN.

THERE MUST BE:

SOME TOOLS:

AROUND HERE:

SOMEWHERE.

HERE IT IS!

AAH!

AAH! UGH!

OH, MR. PORTER,

YOU SHOULD USE PROTECTION.

I'LL BE CAREFUL.

NO, NO. NO.

YOU SHOULD USE PROTECTION.

HERE. THESE ARE

PROTECTION GLOVES.

SEE, ELECTRICITY--

ELECTRICITY CAN KILL YOU.

THEY CAN PROTECT YOU

FROM THE ELECTRICITY--

EVEN UP TO:

A MILLION VOLTS.

THAT'S A LO OF ELECTRICITY.

MM-HMM.

YEAH.

THANKS, STEVE.

YOU'RE WELCOME.

OH, NO, MR. PORTER.

YOU KEEP THEM.

YOU KEEP THEM:

FOR A WHILE:

BECAUSE YOU MAY NEED

TO USE THEM AGAIN.

WELL...THANK YOU

VERY MUCH.

YOU'RE WELCOME.

[ARCHER]

HELLO, JON.

HELLO, FATHER.

CHANGE YOUR MIND?

YOU WERE:

CALLING MY MOTHER

BEFORE SHE DIED.

SHE WOULDN'T LISTEN

TO ME.

WHAT DO YOU KNOW

ABOUT HER DEATH?

THE SABBATH APPROACHES.

THIS IS THE ONLY WAY

TO KEEP THEM AWAY.

FATHER. NO!

STAND BACK!

OH, THE SPIRI INDEED IS WILLING,

BUT THE FLESH:

IS WEAK...

AND SO MY BLOOD:

IS GROWING WEAK,

AND THEY KNOW THAT.

WHO KNOWS THAT?

DO YOU BELIEVE:

IN HUMAN EVIL, JON?

I BELIEVE PEOPLE

SOMETIMES LOSE THEIR WAY.

WHAT A VERY:

THOUGHTFUL ANSWER.

YOU MUST FEEL:

SO VERY SAFE:

ALL THA PSYCHOANALYTICAL

BLATHERSKITE.

HEAR NO EVIL,

SPEAK NO EVIL,

SEE NO EVIL.

IS THA HOW THEY TEACH

PSYCHOLOGY TODAY?

NOW, SEE THIS.

"DOMINATUS..."

HAD NO SALOMON DOMINION

OVER DEMONS?

NO DOUBT HE TRIED.

THE REWARDS ARE...

IMPOSSIBLY:

TEMPTING.

30 YEARS AGO,

YOU INTERRUPTED:

A CABALISTIC:

SABBATH.

YOUR SISTER:

WASN'T JUST MURDERED.

SHE WAS SACRIFICED

AS PART OF A DEMONIC RITUAL.

THE REAL ONES:

ARE VERY RARE.

THEY'RE VERY HARD

TO TRACK.

EXACTLY WHEN:

THE CABALISTIC SABBATH OCCURS,

WHICH MAKES:

THE TASK AT HAND...

VERY DIFFICULT.

YES, I CAN SEE THAT.

YOU ALREADY SUSPEC THAT WHAT I'M SAYING

IS TRUE.

YOU WOULDN'T BE HERE

IF YOU DIDN'T.

LET ME MAKE:

SOMETHING:

VERY CLEAR:

TO YOU, JON.

YOU CAN'T RUN AWAY

FROM THIS.

THIS EVIL WILL FOLLOW YOU

WHEREVER YOU GO.

IT ALREADY HAS.

IF YOU WAN TO STOP IT,

YOU MUST CUT IT OFF

AT THE SOURCE,

GO BACK TO WHERE

IT ALL STARTED.

BUT HE DIED.

THEY ALL DIED!

I SAW I WITH MY OWN EYES.

A POORLY EXTINGUISHED FIRE

IS QUICKLY REIGNITED.

YOU MUST HAVE SOMEHOW

ALLOWED THEM TO DIE.

UNLESS THEY DIE:

BY YOUR HAND,

AND TAKE YOU AND EVERYONE

CLOSE TO YOU WITH THEM.

HE'S COME BACK TO FINISH

WHAT YOU INTERRUPTED, JON,

AND EACH TIME:

HE KILLS,

HE CAN BRING BACK

ANOTHER OF HIS MINIONS

YOU'RE SAYING

I HAVE TO COMMI MURDER.

YOU WON'T BE

COMMITTING MURDER, JON.

Rate this script:0.0 / 0 votes

Guy Riedel

All Guy Riedel scripts | Guy Riedel Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Sometimes They Come Back... Again" Scripts.com. STANDS4 LLC, 2024. Web. 6 Jul 2024. <https://www.scripts.com/script/sometimes_they_come_back..._again_18479>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Sometimes They Come Back... Again

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A The end of the screenplay
    B A camera movement
    C A transition between scenes
    D The beginning of the screenplay