Somewhere Page #5
Official White Version 06/04/09 33.
NAKED BLONDE:
Are you sure?
Johnny smiles with a nod.
Yes.
JOHNNY:
73
He shuts the door, before Cleo can see her.
INT. JOHNNY’S SUITE - EVENING
CUT TO:
73
JOHNNY:
Come on Cleo, let’s go get a burger
downstairs.
They head out.
74
CUT TO:
INT. CHATEAU MARMONT LOBBY - NIGHT
Johnny and Cleo eat burgers together and play poker, while
they watch people in the lobby.
74
JOHNNY:
There’s your outfit.
Cleo looks to see a woman in a super tacky dress, and smiles
at her dad, like she’s going to pick a better one for him.
A young wasted girl passes by.
YOUNG WASTED GIRL
Hi, Johnny.
Official White Version 06/04/09 34.
Cleo looks at him with a raised eyebrow.
We overhear some people talking about the fires spreading.
CUT TO:
75 INT. CHATEAU HALLWAY - NIGHT 75
Johnny throws Cleo over his shoulder as they head down the
hall. She screams and objects but loves it.
CUT TO:
76 EXT. CHATEAU PATIO - DAY 76
Johnny and Cleo play ping-pong.
CUT TO:
Johnny jumps in to the pool.
CUT TO:
Johnny’s P.O.V. under water: Cleo jumps in.
She smiles at him.
They look at each other as they descend.
They exhale until they are sitting at the bottom of the pool.
They have an underwater tea party.
CUT TO:
78 EXT. CHATEAU POOL AREA - DAY 78
Johnny and Cleo lie on the grass and look up at the sky.
She twirls a little daisy in her fingers.
They look at the clouds.
P.O.V. - Clouds floating through the pale blue sky.
CUT TO:
Official White Version 06/04/09 35.
79 EXT. CHATEAU POOL AREA - DAY 79
As Johnny and Cleo leave the pool area, she stops at
someone’s golden retriever puppy.
CLEO:
Aw, he’s so cute!
She gives the dog a hug as they continue on their way.
CUT TO:
80 EXT. CHATEAU MARMONT - DAY 80
We follow Johnny and Cleo from a distance as they walk back
to their room. Cleo’s hair is in a towel turban.
CLEO:
It’s about this girl, she’s in love
with this guy, but he’s a vampire,
and his family is all vampires, so
she can’t really be with him...
JOHNNY:
So, why doesn’t she become one,
too?
CLEO:
Because she can’t, he doesn’t want
to turn her into a vampire, and if
she gets too close to him, he won’t
be able to help himself...
CUT TO:
Official White Version 06/04/09 36.
80A INT. CHATEAU LOBBY - NIGHT 80A
Johnny plays the piano while Cleo reclines and listens in a
big chair nearby. He plays Bach in the almost empty lobby.
The lights are low, it’s a quiet Sunday night.
A room service waiter passes by with a tray.
81 EXT. CHATEAU MARMONT - MORNING 81
It’s the next day. Johnny and Cleo pack the trunk with her
things for camp.
They get in his car, and head out.
CUT TO:
They drive out of town, out on the open road.
The sun streams in the window as they drive along.
Johnny glances over at Cleo. Her face is mostly covered by
her hair, but he sees she’s crying.
JOHNNY:
What’s wrong, Cleo?
She tries to hide her crying.
JOHNNY:
Why are you crying?
CLEO:
I don’t know when Mom’s coming
back.
(MORE)
Official White Version 06/04/09 37.
She just said she had to go away
for awhile...and she didn’t say
when she was coming back.
CLEO (cont'd)
JOHNNY:
Aw, c’mon, Cleo, she’ll be back
soon. Before you get back from
camp, She’ll be back waiting for
you...and I’ll get you there.
Everything’s going to be fine.
He pulls her head to his shoulder and hold her next to him as
they drive.
84 EXT. DESERT - LATE AFTERNOON 84
They drive on.
CUT TO:
Johnny shows Cleo how to play craps.
Dealer tells him she needs to step back from the table.
DEALER:
She can’t actually be at the table,
she’ll need to take a step back,
and can be here passing through.
She stands by him as he explains the game to her and about
taking risks.
JOHNNY:
Ok, so, taking the full odds is
always the best bet. It’s the only
bet where the player and the house
have the same advantage, got that?
She blows on the dice for good luck, and he rolls.
Official White Version 06/04/09 38.
The other players cheer him on.
CUT TO:
86 EXT. CASINO ROOF TOP- DAY 86
Johnny and Cleo take off in a helicopter.
They fly over Nevada.
CUT TO:
87 EXT. DESERT SUBURBIA - AFTERNOON 87
The helicopter lands in a field on the edge of suburbia.
Johnny and Cleo get out of the helicopter and walk away from
it to a waiting taxi.
Johnny walks her to the taxi and gives Cleo a big hug, like
She gets in the taxi with her tennis racket and her little
suitcase.
Johnny stands with the helicopter behind him. It’s loud and
windy from the blades.
He has to yell to be heard, he doesn’t really know what to
say.
JOHNNY:
I’m sorry I haven’t been around
more-Cleo
looks out the taxi window at him- huh? She can’t hear
him over the helicopter blades.
JOHNNY:
Bye, Cleo.
Cleo gives him a little wave from the window as her taxi
leaves.
Official White Version 06/04/09 39.
Johnny gets back in to the helicopter.
88 INT. HELICOPTER - LATE AFTERNOON 88
Johnny looks like- now what?
He looks out the window at the vast landscape below.
CUT TO:
89 INT. CHATEAU MARMONT HALLWAY - DUSK 89
Johnny makes the trip down the hallway back to his room.
Some model girls in skimpy outfits and portfolios get out of
the elevator and pass him.
We overhear L.A. conversation in the distance.
He gets to his room, as he gets out his key, he sees on the
fire escape:
A sexy topless woman getting her hair cut by a hairdresser in
tight jeans. Little pieces of fallen hair trims cover her
chest. She looks at him with a blase look.
He opens his door and goes in his room.
CUT TO:
90 INT. JOHNNY’S ROOM -EVE 90
Johnny lies in his bed, staring up at the ceiling.
The lights are low, the carpet is stained. He looks at his
suitcase that he never unpacked.
CUT TO:
91 INT. JOHNNY’S BATHROOM - DAY 91
Johnny splashes cold water on his face. He looks at himself-
looking for something, someone.
CUT TO:
Official White Version 06/04/09 40.
92 INT. JOHNNY’S SUITE -LIVING ROOM DAY 92
Like a ghost, he kicks the room service tray into the hall
and shuts the door.
A “do not disturb” sign hangs on the doorknob. There are two
other old room service trays piled up to the side.
CUT TO:
93 INT. JOHNNY’S ROOM - NIGHT 93
Johnny sits on the floor by the bed talking in to the phone.
There’s a small lamp on in the dark room.
Layla?
JOHNNY:
LAYLA:
Yes, Johnny...what’s wrong?
JOHNNY:
I’m f***ing nothing...I’m not a
person.
There’s silence on the other end.
LAYLA:
Why don’t you volunteer or
something.
JOHNNY:
I’m serious. I don’t know what to
do... I want to be a -(
ALT- I want to be a f***ing real person)
You will.
LAYLA:
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"Somewhere" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/somewhere_605>.
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