Soul Men Page #6
Nah.
Hey, Louis.
You know, Cleo was telling me
that Odetta never told her nothing
about her father,
not even his name.
But she did say
he was a musician.
You ain't said nothing stupid
to the girl, have you?
Like what?
Oh, like, uh,
Cleo, you know, I'm your daddy.
Well, I'm still
feeling out the situation.
What the f*** was that
that "You ought to come
to Memphis with us" sh*t?
Now that, right there,
that's a recipe for disaster.
Louis, Louis, I know
this ain't easy for you.
But I never thought I'd have a child.
Now I'm part of this big
old circle called life.
man, might be here to live on,
and maybe forever.
If you don't shut up
and go to sleep,
a big piece of Floyd Henderson ass
might not wake up in the morning.
Oh, Louis, Louis.
I respect the fact that you want
to cloak your pain with your anger.
Good night.
Oh, hey! What the f*** is that?
What's wrong?
You been taking
them dick pills again?
I though it was my cholesterol meds,
I swear I did.
You can't be spooning
with a motherf***er with that!
What's wrong with you?
- Uh, I...
- Nasty son of a b*tch!
Give me some covers.
I'm gonna sleep on the floor.
Sh*t.
Go on, then. Sleep on the floor.
Nobody wants you, Louis.
I don't like boy p*ssy no way.
I hope your back hurt
like a motherf***er.
Better my back than my a**hole.
Nasty... I'll beat
your motherfucking...
All them years I spent in prison,
ain't nobody roll up on me like that.
I was going to ask you about that.
You ought to be ashamed
of your goddamn self,
nasty son of a b*tch.
# Like I never had #
# When I'm feeling bad #
# Come on and comfort me #
# Oh, baby, you know the way #
# I showed you how to love me right #
# So comfort me tonight #
# Come on and comfort me, honey #
# You know the way, baby #
# I want it, I want it #
# Why don't you #
# Comfort me? #
Floyd!
Yo.
Mr. Henderson. Mr. Henderson?
No, this is Louis.
Mr. Hinds.
It's Phillip Newman
of FC Management.
How are you, man? I'm a huge fan.
So?
So...
cash flow problems, my man.
I've withdrawn $10,000
from my old parents' savings account
to tide you over until
things get sorted out.
Who'd you say you was again?
Phillip.
I wrote you letters
when the man had you
locked down in the pen, you know?
I know you're innocent.
Sh*t ain't right.
Okay, Phillip, um, look here.
We're on our way to Memphis.
Um, why don't you meet us
at, um, the fountain at Peabody Hotel,
5:
00?Memphis. All right!
I'm hungrier than a mo...
There you are, girl.
You make up your mind?
You want to go to Memphis
with us, or not?
What you gonna do?
What happened?
Nothing. Nothing happened.
Nothing happened.
- No.
- Uh-uh, uh-uh.
Let him get his whupping.
Why you hit her?
The hell you gonna
do about it, man?
I'm the n*gger with the gun, man.
Oh, sh*t.
Damn! Ugh!
- Aah!
- Come on.
Get your albino
Ike Turner ass up, uh-huh.
Come on.
Aah! Okay! Oh, sh*t! Aah!
My follicles, man!
Look her in the eye and say
"I'm sorry I hit you,
and I'm never gonna put
my hands on you again. "
- My bad, baby. I ain't...
- Say what I told you to say!
I'm sorry I hit you.
I ain't never gonna do it again.
Now, say you're sorry
for sampling my bass line
and for stomping
on my partner's record.
I'm sorry for sampling your bass line
- and stomping on your Real Deal record.
- Okay.
Now, we taking a road trip,
and we need some gas money.
I ain't got no money, man!
Can you help us?
I saw you out there selling that sh*t.
It's weed, it ain't crack man!
I ain't got...
- Give me the money!
- Okay, okay.
There's money in my shorts...
Ain't nobody reaching
in your drawers, get it out!
Okay, okay.
I got to reach around my meat, man.
- Here.
- Take it.
Take it.
Oh, damn. My hair hurts.
Take it, man! Aah!
Ow! You're breaking my arm!
Oh, hush.
That's just a little
Chinese submission hold.
This is what it feels like
when I break your arm.
- Sh*t!
- Break his arm.
Oh, bastard!
I know motherfuckers like you, Lester.
Used to see them
in the yard every day.
You'd better hope
you don't never go inside
because you,
you straight up b*tch material.
What about my car, man?
What about your car?
Oh, sh*t.
I ain't got no clothes on.
This is bullshit.
So what? You run around
with your drawers
hanging off your ass anyway.
I wasn't really gonna shoot you!
Get the f*** out of here.
See, I'm the n*gger
with the gun now.
You better hope my arm
don't get better.
I'm gonna learn karate
and kick your ass!
F*** you!
It was a good thing you stepped in
when you did what you did, partner,
because if I'd have
got a piece of him,
I'd have f***ed his sh*t up
entirely, and you know that.
Come on.
I'm too old to be tussling
with the motherf...
I'd have shot him. I'd have popped...
I'm six, seven years older.
I'd have, like, tussled...
# Whoo #
Welcome back to the Soul Patrol.
I'm Isaac Hayes.
I want to give a shout-out
to Floyd Henderson
and Louis Hinds, The Real Deal.
They're back in Memphis tonight
peforming at the House of Soul.
# Train number 1 is gone #
Welcome back home, fellas.
# Train number 2 is gone #
# Train number 3 is been gone #
# How long must I wait for you #
Look out with it.
# Whoo, hey, yeah #
# It's the Memphis train #
The Orpheum Theatre!
Our show's up in there.
# How long must I wait for you? #
# Yeah, yeah #
# Ooh, wee #
# The Memphis train #
# Let me try it one more time #
# Say, ooh, ooh, ooh, wee #
Oh, my God.
Mr. Henderson, Mr. Hinds,
let me just start off by saying...
Thank you.
What's up?
Phillip, tonight we're
playing at the House of Soul.
Make sure you be there, baby.
Right on.
Hello. Welcome to the Peabody.
How can I help you?
You can help me by giving me
three of your best
doggone suites, baby.
Well, it'll be my pleasure
to assist you today.
May I see some identification, please?
Okay.
Right there.
Go to hell, Louis.
Mr. Henderson?
It is I.
Will you excuse me
for just a minute, please?
Okay.
Henderson.
Ahh, I-I'm sorry,
Mr. Henderson, Henderson.
We're unable to accommodate you.
Perhaps we could
recommend another hotel.
For what, man? I'm in Memphis.
I want to stay at the Peabody.
Yes, sir, I understand
you've stayed with us before,
and apparently,
that's the problem.
It seems that the last time
you stayed here...
March 12, 1978, to be exact...
you hosted a party,
during which the room
and several other areas of the hotel
- sustained extensive damage.
- Uh-oh.
I don't recollect nothing like that.
I think that's the night
Sly and Bootsy
came by with the fire-eater.
Is that the one with the snake?
- That's the one.
- Hmm.
Perhaps you could put those rooms
in the name of Louis Hinds.
Yeah, perhaps.
Louis Hinds, we'll try that.
I'm sorry you had
to see that, Linda.
What's on there?
Let me see that sh*t.
I want to see what's on there.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Soul Men" Scripts.com. STANDS4 LLC, 2025. Web. 27 Jan. 2025. <https://www.scripts.com/script/soul_men_18545>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In