Sound of Metal

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ORCHESTRA TUNING, audience settling. High officials inglassed-in boxes toast each other. Doors closing...

BAM – from behind the orchestra – TERRORISTS with MACHINE

GUNS BURST in... The audience SCREAMS... The terrorists cover

the ordinary people – the HIGH OFFICIALS are held in theBOXES...

INT./EXT. VAN, PLAZA, DOWNTOWN KIEV, UKRAINE – DAY

As POLICE FLOOD THE PLAZA, the DRIVER turns to the PASSENGER

–

DRIVER:

(in Ukrainian)

– Wake up the Americans. –

The Passenger turns to the back where four BLACK-CLAD YOUNGMEN SIT, WAITING. The nearest one seems to be SLEEPING...

PASSENGER:

Hey –

EYES CLOSED, the young man C*CKS his weapon, chambering around, POPS it out of the slide, CATCHES it, opens his eyes –

this is THE PROTAGONIST...

The Passenger nods, ‘okay’. The Driver looks down at aVARIETY OF UNIFORM PATCHES...

SIRENS. The Americans shoulder WEAPONS, pull on HELMETS...

A UKRAINIAN SWAT VAN SCREECHES to a halt outside the theatre

–

The Passenger spots its markings – TOSSES the correspondingpatches to the Americans, who slap them onto their shoulders.

Ukrainian SWATs pour out of the SWAT van –

The Americans JUMP out of the back of their van, SLIPPING

UNNOTICED INTO THE STREAM OF SWATS pouring into the lobby...

INT. LOBBY, CONCERT HALL – CONTINUOUS

SWATs mass at each entrance... the Protagonist watches GASCANISTERS brought in TO THE AIR-CONDITIONING SYSTEM. TheSWATs pull on GAS MASKS...

INT. BOX, CONCERT HALL – CONTINUOUS

A WELL-DRESSED MAN sitting next to a UNIFORMED OFFICIAL looksdown into the stalls – people SLUMP, UNCONSCIOUS, IN AWAVE...

2.

He turns to the Official – who motions calm, draws a

SIDEARM...

INT. THEATRE, CONCERT HALL – CONTINUOUS

A Terrorist wets a rag in a drinking fountain, ties it aroundhis nose and mouth. Others have WORKMAN’S RESPIRATORS AND

FACE MASKS. They COCK THEIR WEAPONS, preparing...

INT. LOBBY, CONCERT HALL – CONTINUOUS

THE SWATS BREACH – POURING into the theatre – exchangeGUNFIRE with the TERRORISTS...

INT. CURVING CORRIDOR – DAY

RUNNING. Fast but silent...

FOLLOW the four Americans – they hit a junction – handsignals – they SPLIT two ways –

FOLLOW two of them – one of them PEELS OFF up a staircase –

FOLLOW the last, the Protagonist – checking each box...

INT. BOX, CONCERT HALL – CONTINUOUS

The Protagonist BURSTS in – takes out the Official beside theWell-Dressed Man –

PROTAGONIST:

We live in a twilight world...

The Well-Dressed Man stares, shocked –

PROTAGONIST (CONT'D)

We live in a twilight world...

WELL-DRESSED MAN

(focuses)

And there are no friends at dusk.

PROTAGONIST:

You’ve been made. This siege is ablind for them to vanish you.

WELL-DRESSED MAN

But I’ve established contact –

PROTAGONIST:

Bring you in or kill you – I havetwo minutes. Make up your mind.

The Well-Dressed Man nods, climbs to his feet...

3.

PROTAGONIST (CONT'D)

Where’s the package?

WELL-DRESSED MAN

Coat check.

He hands the Protagonist a numbered ticket.

INT. CORRIDOR, CONCERT HALL – CONTINUOUS

The battle between SWATs and Terrorists rages... SWATS movedown the corridor, checking the boxes one by one...

INT. BOX, CONCERT HALL – CONTINUOUS

The Protagonist SMASHES the glass – checks the drop to thestalls, pulls out a black rope, ties it to a column...

As they DROP, Terrorist gunfire rings out – they LAND –

hiding amongst the UNCONSCIOUS AUDIENCE. The Well-Dressed Mantakes a seat, FEIGNS SLEEP – the Protagonist ROLLS under the

seats –

BLAM! Terrorists near the stage open fire – SHOTS ring out –

hitting two sleeping audience members, nearby – the Well-

Dressed Man TWITCHES – the Protagonist holds his ankle –

urging him to keep still –

BLAM! A third sleeping audience member is shot – the

Protagonist jumps up, DRAWING THE TERRORISTS’ fire away fromthe Well-Dressed Man –

The Protagonist races towards two REAL UKRAINIAN SWATS whocover him from the Terrorists – one of them goes down.

The Protagonist takes cover beside the real UKRAINIAN SWAT –

WHO IS PLANTING A BOMB UNDER THE SEATS... he gestures to thedead SWAT’s pack... the Protagonist unzips the bag to find aBOMB, COUNTING DOWN IN SYNC WITH THE OTHER BOMB –

UKRAINIAN SWAT:

(in Ukrainian, impatient)

– What’re you doing? –

The Ukrainian SWAT uses his gun to PROD the Velcro patch onthe Protagonist’s shoulder. It FALLS OFF...

UKRAINIAN SWAT (CONT'D)

(in Ukrainian)

– Who are you? –

The Protagonist is at a loss... BAM! The Ukrainian SWAT is

taken out by another ‘SWAT’ –

‘SWAT’

No friends at dusk, huh?

4.

PROTAGONIST:

You’ll do.

The Protagonist GRABS the bombs, points at the Well-DressedMan –

PROTAGONIST (CONT'D)

(to the ‘SWAT’)

Get him to the rally point.

The ‘SWAT’ leads the Well-Dressed Man down a fire exit –

INT. LOBBY, CONCERT HALL – CONTINUOUS

The Protagonist RACES across the lobby, gunfire RINGING OUT –

LEAPS over the counter into the COAT-CHECK AREA...

Landing on the floor next to an unconscious coat-check girl.

He spots another bomb – ‘4:23’, ‘4:22’... the Protagonistchecks the number on the coat-check ticket and efficientlymoves across numbered racks until he finds a SPORTS BAG.

He unzips it to find a BLACK METALLIC OBJECT the size of asoftball.

He stuffs it into his pack and SCRAMBLES over the counter...

INT. SERVICE CORRIDOR – CONTINUOUS

– the Protagonist RUNS, checking numbers on doors... he STOPSat a door, THROWS it open, JUMPS in low –

INT. UTILITY ROOM – CONTINUOUS

THREE ‘SWATS’, guns trained, and the Well-Dressed Man. TheProtagonist throws a bomb to SWAT 2, then shows the OBJECT tothe Well-Dressed Man –

PROTAGONIST:

I’ve never seen encapsulation likethis.

WELL-DRESSED MAN

We don’t know how old it is. It’s

the real deal.

PROTAGONIST:

Did you have an out?

WELL-DRESSED MAN

Service tunnels to sewers.

PROTAGONIST:

Swap clothes.

5.

The ‘SWAT’ and the Well-Dressed Man start changing. TheProtagonist hands SWAT 3 the object –

PROTAGONIST (CONT'D)

Take this, take him, take his exit.

I don’t trust ours any more.

(to SWAT 2)

Can you defuse it?

SWAT 2

(shakes head)

Centrally synchronized. Are theremore?

The Protagonist nods, STUFFS the bomb in his pack –

PROTAGONIST:

Covering their tracks.

SWAT 2

Taking out the audience?

PROTAGONIST:

Just the cheap seats.

SWAT 3

Not our mission –

PROTAGONIST:

Mine, now.

The newly dressed ‘TARGET’ steps up –

‘TARGET’

I’m with you – the Ukrainians areexpecting a passenger.

INT. THEATRE, CONCERT HALL – CONTINUOUS

The Protagonist and the ‘Target’ race through the SLEEPINGAUDIENCE COLLECTING BOMBS – the TIMERS tick down – ‘1:58’,

‘1:
57’.

Crouched at a bomb, the Protagonist notices a BULLET HOLE inthe side of the chair – a TINY WHIFF OF SMOKE GATHERING...

CLICK – a gun is to his head – he spins around to see aSWAT... ‘0:34’, ‘0:33’... The ‘Target’ has his own gun on theSWAT – A STAND-OFF – all around them, UNCONSCIOUS

CIVILIANS...

PROTAGONIST:

Walk away – you don’t need to killthese people.

The Protagonist turns back to the bomb... ‘0:32’, ‘0:31’. Atthe bullet hole the PUFF OF SMOKE THICKENS...

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