Southpaw Page #3

Synopsis: As tragedy strikes him in his prime, famed boxer, Billy Hope, begins to fall into a great depression. Once the decision regarding the custody of his daughter is under question, Billy decides to get his life back on track by getting back into the ring.
Genre: Drama, Sport
Director(s): Antoine Fuqua
Production: The Weinstein Company
  10 nominations.
 
IMDB:
7.4
Metacritic:
57
Rotten Tomatoes:
59%
R
Year:
2015
124 min
$42,373,328
Website
5,154 Views


coming to me and coming to me

because of my relationship with Billy.

- 'Cause we family, Mo.

- I know.

- Daddy!

- Oh!

Oh, man, we was talking about you

like a dog, champ.

You should've heard the things

Maureen was saying about you.

I said, "The champ? Never!"

- Daddy, come jump with me!

- Okay.

- You okay?

- Yeah. How you doing?

- Took me too long to get here.

- You okay?

- Don't look at me like that.

- You been icing? You been icing?

- Look, Billy, I told Maureen...

- Yeah?

I got HBO to commit to $30 million.

Ten million per fight.

I just told you, we're passing on Turay.

- Yeah, man.

- Daddy, come on!

Make sure she doesn't break her neck.

- He's laughing.

- Oh, boy.

- Come on.

- I'm coming.

"I just want to thank everybody

from the Children's Club

"'cause this place saved my life.

"I grew up in the system.

"My mother had me

when she was incar... incarcerated."

That... How do you spell "incarcerated"?

- You should say "in jail."

- I-N-C-A-R-C-E-R...

It doesn't matter.

It doesn't matter, babe.

Doesn't matter. "I got...

I got dumped into foster care the..."

I don't want to do this.

I can't do this.

- Hey. Come on.

- I don't want to do this.

- I don't want to talk about this.

- What do you mean?

I don't need to stand up there

in front of a whole

group of people and tell them

my f***ing life story.

Stop. You're acting crazy. It's okay.

No, they're gonna look

at me like I'm an idiot.

No, they love you. Those kids love you.

And it's for them. It's a charity, baby.

Don't be nervous. You're fine. Okay?

Okay?

Put your pants on.

Let's go, so we can get home, okay?

- Mmm-hmm.

- Mmm-hmm.

Hey, Leila.

I'm gonna tell you something.

And it is very important.

Okay? I want you to listen.

- I love you.

- I love you.

- So predictable.

- Man.

The Children's Club

of New York would like to welcome

the Light Heavyweight

Champion of the World...

Billy Hope.

Um...

I'd rather...

I'd rather take a couple punches

than be up, be up here, but, um...

Well, I wouldn't be up here tonight,

uh, if it wasn't for the...

for... for the Children's Club.

They gave me a bed.

They gave me my first pair of gloves.

Some gloves...

you know, smelly, ratty and...

all tattered.

They were mine.

You know?

You got your soul in those gloves.

Hey, hey, hey,

- They gave me a home.

- Hector, chill out.

I met my boys.

That whole table, I would stay

away from 'em, if I were you.

Billy!

Behave yourself... there are

a lot of rich people here.

Um...

When I was...

When I was... When I was 12 years old,

there was this little girl.

She was skinny.

She had ratty hair.

She had been through it.

She stuck with me

when I was, uh, um...

was incarcerated...

a couple times.

And I knew she was there.

I wouldn't be here

without my wife Maureen.

Now, you, with your fancy cars

and... or your fancy dresses

and your fancy suits

and your beautiful hair,

take some of that money and...

and give it, give it...

give us that sh*t.

All right.

Swagger? No, I got pizzazz.

That's a level above swagger.

That's that new sh*t.

Come on, everybody tired of

that old sh*t, man.

Miguel, Miguel.

B*tch boy. Here he comes.

Speaking of old sh*t.

Watch this.

Hey, Billy, why you leaving so soon?

- Come on, baby, let's go.

- What?

Hey, man, I hope you're not

taking everything personal.

Man, I'm just trying to sell a fight.

Let's go. Don't give him any press.

What, I got to f*** your

b*tch to talk to you?

Billy, let that go. Come on,

keep walking. Come on, let's go.

How about this? I'll take your b*tch,

then I'll take your belt.

Come on, let it go.

- Baby...

- How about I take your belt,

- Let's go home.

- then I take your b*tch?

- Let it go. Baby.

- There he is. There he is.

Let's go home. Walk away.

Stop it. Stop. Billy.

- Billy...

- I'll take your belt, b*tch.

Billy!

- Stop it! Stop!

- Get out of the way, Mo!

Billy! Billy!

B*tch-ass n*gger!

Billy, stop! Stop it!

F***in' little b*tch!

Get the f*** off me!

- I'm good. I'm good. I'm good.

- B*tch-ass motherf***er!

It wasn't me, man! He shot my...

Huh? Huh?

Billy?

- Hey, hey. Hey, what's up?

- Billy?

What's up, baby? What's wrong?

- What's wrong? What's wrong?

- I don't know...

- What?

- I don't know.

- What happened?

- Something happened.

Hey, I don't know what to do.

- Am I okay?

- Yeah, yeah, you're okay.

- Am I okay?

- You're okay. You're okay.

F***. F***, baby. Okay. Okay.

What do I do? I don't know,

do I lie her down?

Do I lie her down?

I don't know what to do.

- Go get some help!

- Okay.

Hey, call 911, man! Come on!

Okay, baby, it's okay, it's okay.

Hey, no, no, no, no. Hey, Jon Jon!

No, baby, I don't want to lay down.

- No, no, no, stay up...

- I don't want to lay down.

Hector did that sh*t!

It wasn't me! Get off me!

Hector, what the f*** are you doing?

What are you f***ing thinking, man?

Get a doctor here!

- Get a f***ing ambulance!

- Get a f***ing ambulance!

Yeah, yeah? What's up? What's up, baby?

Baby, I want to, I want to go...

- I want to go home.

- We're gonna go home.

Baby, I want to go home.

I want to go home.

Okay, okay, okay. Just stay with me.

Hey, look at me, look at me,

look at me, look at me.

Hey, look at me in the f***ing eyes!

Look at me in the eyes, baby!

Baby, look at me in the eye!

Look me in the eye!

Look me in the eye,

there we go, yeah, yeah.

It's not that bad.

It's not that bad, baby.

No, no, no, it's okay.

It's okay. It's okay.

No, no, no...

- Just... that's a little blood.

- I saw the blood.

I know, like, we're... you and me,

we seen blood. It's a lot of blood.

Oh, baby, baby, baby, baby.

- No. No, no, no, no.

- It's okay. It's okay.

It's okay, baby. I love you.

No, no, no, no, no, no, no!

No, no, no!

Hey, hey! Oh, sh*t.

No, no, baby, it's just

a little blood, baby.

- It's just a little blood.

- Leila. Leila.

- Let's go home.

- Hey, we'll do it.

- I can go home.

- I know, baby.

- We can go home.

- Okay, okay, okay.

We're gonna go home.

You want to go home?

- Yeah. Yeah.

- Okay, okay.

There you go, baby, there you go.

There you go. Cradled in your arms.

Wait, wait, wait.

Hey. Hey.

No, baby, baby, baby, wait, wait.

Wait, no. Look me in the eye.

Look me in the eye, baby!

- Look... It's okay.

- F***!

Baby, baby, stay, stay, stay.

Baby. Baby, stay, stay, stay.

Baby, no. No, no, no...

Wait, baby, wait.

Sh*t...

Is there a doctor here?

Doctor?

We need a doctor! We need a doctor!

We're sorry to hear about your loss.

We're gonna try to make this

as, uh, simple and easy as possible.

We need an eyewitness

to identify the shooter.

No one's talking,

or they don't want to be involved.

Do you remember anything?

What... what time is it?

It's 6:
00 a.m.

We know it's been a long night for you,

but we got to ask these questions.

The housekeeper's there with my,

with my daughter, so I... Can I just...

uh, I can't find my phone.

We just need another moment

Rate this script:0.0 / 0 votes

Kurt Sutter

Kurt Leon Sutter (born May 5, 1960) is an American screenwriter, director, producer, and actor. He worked as a producer, writer, and director on The Shield, and appeared on the show as hitman Margos Dezerian. Sutter is also the creator of Sons of Anarchy on FX; he wrote, produced, and directed the series, as well as played incarcerated club member Otto Delaney. Sutter spent time with members of an outlaw motorcycle club in Northern California as research for Sons of Anarchy. Sutter's wife, actress Katey Sagal, was the show's lead actress. more…

All Kurt Sutter scripts | Kurt Sutter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Southpaw" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/southpaw_18581>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Southpaw

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 2018?
    A Moonlight
    B Green Book
    C La La Land
    D The Shape of Water