Spark: A Burning Man Story Page #4
I mean, you can't just make the
event bigger.
Yeah, this is... it's like in
our house every day of the week.
[LA GRACE]:
Obviously everybodyis freaking out about
what's going on with the tickets
for Burning Man this year.
The... the initial reaction was
- - was absolute shock
and complete frustration and,
you know, flat out anger.
And so then that heightened all the other
little things that people whisper, like,
"Oh, they're, you know, it's... they're...
they're, you know, they're about money"
and "It's changed"
and "It's, you know,
they're not what it used to be".
You know, and so it heightens all the
things that it whispered in the hallway
and it... and... and it elevates
them to a shout.
If we can all get on board
and create a semi-transparent
process,
one that might even say, that
these groups..
Are the curators and are
somewhat... managed.
[STEVEN RASPA]:
I've just got tosay though,
I'm very uncomfortable with
the term curator.
The thing that I love about
Burning Man is that
we haven't applied judgment
to people's work.
Everybody's effort
is equally valued.
[RASPA]:
The biggest part ofthe experience has been
So if now we're... we're placing a
higher premium on things that are
judged by this small group
of people,
I think it sort of antithetical
to the larger amazing spirit of
of the whole thing, personally.
So I... I'm saying that this is
important but language-wise...
We don't have a choice.
We need another word.
We're already curating
out there.
The camps themselves...
...Matt says you can't just join
[ARGUING LOUDLY].
No, you're right.
That's why we wanted to change the
word is what you're saying, Steven?
[RASPA]:
Right, and I don't wantus, then, how... how many...
how much effort did we put into saying, 'we're
not a festival, we're not a festival? '
We don't schedule everything,
we don't curate everything.
So I don't want us
to become a festival.
It's not as... as... as simple as
putting butts in stadium seats.
That works if it's just a
spectacle, that's...
but then people wouldn't feel
the way they do.
I mean, people want... people
want to go to the Super Bowl
and they're disappointed
but they don't get irate,
as if they had been betrayed
by their parents, you know,
as if it was an
intimate betrayal.
We've always faced existential
challenges,
you know, from the very
beginning.
This is nothing like the
dread year of '96.
That involved personal,
deep, dark stuff.
People are streaming
into the circle.
This is swordfish-people are
streaming into the circle.
We had 10,000 people and we got to that size
that you couldn't manage, really, anymore.
[fire burning, screaming,
crowd yelling]
My children,
That's right, there are those amongst
you who are not spontaneous,
those amongst you
who are not creative.
Hard though it may be to
believe, you know who you are.
[crowd screaming, becoming
rowdy]
We'll talk to him after the show
if we survive.
[LAW]:
We did absolutelyeverything we could
to try and ensure that the event
wasn't unsafe.
And... and it was unsafe,
we couldn't control it.
You know, we burned
the Helco Tower
and that was a 32 foot tower
with 10 gallons of gasoline
aerating in the dry air.
And I was watching the wind to
make sure that it didn't shift
because if the wind shifted, you would
have been... I would have emulated.
[noisy crowd]
[explosion, crowd cheering]
[shattering]
[cheering and yelling continues]
[GOODELL]:
And that wasterrifying.
I remember... I didn't think I
was going to come back.
It was before I met Larry and thought
I wasn't ever going to come back.
I was terrified.
It was definitely Mad Max and scared
the sh*t out of everybody there.
You keep people back.
Move back as far as possible, we've got
propane tanks right there that are too close.
So there was no guiding force,
no organization at all.
So it was like a train tipping
around a corner, like,
about to go off the
rails for days.
[crowd yelling, fireworks]
[flames burning loudly]
[firetruck sirens]
At, like, 6:
00 in the morning,somebody who was
high on something
ran over a tent
with two people in it
and then hit another tent
[HARVEY]:
It became apparent that we wereresponsible for everybody's welfare,
there wasn't anybody else.
It was on us.
So then we were de facto
The State,
which... which was a conundrum for
the... for the... the hipsters,
you know, what... what does an
anarchist say to that?
[raucous crowd, fire burning]
[LAW]:
I could see whereit was going.
It's like if we're going to
keep doing this event,
we're going to have to have
a bureaucratic infrastructure,
and, you know, spin stuff.
And I can't-I couldn't do
that.
I couldn't be part of that.
[HARVEY]:
It was a question of twodifferent visions of what it should be.
Should it be civilized or should
it be essentially a...
a repudiation of...
of order and authority?
But if it's a repudiation of
order and authority
and you're the organizer and it
involves thousands of people,
what's that say for you?
What kind of a moral position
is that to be in?
We could have just said,
okay, we're done.
That experiment was fun,
it's done, it's complete.
And we could have not gone
to the other level,
but clearly there was more to be had if
you were interested in what we are now.
Well, I didn't want to be a cop and
I didn't want to be a bureaucrat
and it was clear that that's what was
necessary for the event to get bigger.
Well life after Burning Man has been,
you know, like 15 or 16 years for me.
I keep my little office for my little sign
business here, and I, uh, write here,
and it is a unique building,
they have giant neon clocks
and neon letters that wrap all the way
around the building on the 16th floor.
So I keep the neon going and
also work on the clocks.
I took my son to Disneyland not that long
ago and we had the time of our life.
A wonderful time.
But you have to accept the
control factor
that maintains the
infrastructure of Disneyland.
It's a great event,
but it's anything but
an uncontrolled event.
It's a controlled, professionally
mounted, corporate-owned event,
which makes money.
[MIKEL]:
During those early daysthat John Law's referring to,
yes, there was tremendous
amount of freedom.
And we can always go back to
that... to that small group,
But...
further than that.
In order for us to survive and
get along on this planet,
we need to engage everyone.
We have to engage thousands,
millions of people.
kAnd I think that, for me, is
the most important freedom.
This is significant, it's a
significant thing, it's important.
We have to do it, we're giving our
lives to it, it's that important.
[BOYNTON]:
My engineer ran
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Spark: A Burning Man Story" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/spark:_a_burning_man_story_18611>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In