Spring Breakers Page #11

Synopsis: Spring Breakers is a 2013 American satirical crime action drama film written and directed by Harmony Korine. It stars James Franco, Vanessa Hudgens, Selena Gomez, Ashley Benson and Rachel Korine and follows four college-aged girls on their spring break in Florida where they meet an eccentric local drug dealer named Alien who helps them in a time of desperation, and their eventual descent into a world of drugs, crime, and violence.
Genre: Crime, Drama
Production: A24 Films
  11 wins & 32 nominations.
 
IMDB:
5.3
Metacritic:
63
Rotten Tomatoes:
67%
R
Year:
2012
94 min
$13,900,000
Website
3,843 Views


He leans out his window and sticks a gun towards them.

He points it directly towards BRIT and ALIEN in the front

seat.

He speaks in a calm monotone voice.

He has a slight slurred lisp.

His eyelids are heavy as if he just smoked a lot of weed.

ARCHIE:

Wattup niggas? Wattup Alien?

Ya'll wanna die right now? Feel

like dying tonight? You know thesestreets belong to me? I run these

streets nigga. Not you. Maybe Ishould I kill you right now?

(pause, he acts like he’s

trying to decide)

Should I shoot you in yo f***in’face?

Out of nowhere a really UGLY FEMALE THUG with wild eyes andgold teeth and dreadlocks pops her head out of the top of hissunroof.

She wearing a bullet proof vest with no shirt on underneath.

She has an uzi in her hand.

She points it at the back seat.

She makes a horrible face.

She fires two quick shots into the back passenger side door

ARCHIE (CONT’D)

These streets is mine niggas!

ARCHIE leans back into his car and then peels away.

The FEMALE THUG stays with her head out the sun roof all thewhile pointing her uzi at them until she completelydisappears from sight.

I/E. CADILLAC - NIGHT

COTTY is bent over squeezing her arm.

Everyone seems in shock.

66.

COTTY looks down at her arm.

There’s a hole in it.

COTTY:

(matter of fact)

My arm.

She leans herself all the way forward in the seat.

The screen goes red.

INT. ALIEN’S HOUSE/BATHROOM - NIGHT

We see an extreme close up of some tweezers pulling a tiny

bullet out of COTTY’S arm.

We hear her moan.

Extreme close up of her face wincing in pain.

ALIEN pulls the bullet out and smiles.

He looks at it in the light.

ALIEN:

Got it.

CUT TO:

EXTREME CLOSE UP OF THE BULLET BEING TOSSED INTO A WHITE

SINK.

A bit of blood gets on the sink.

INT. ALIEN’S HOUSE/SHOWER - NIGHT

COTTY is standing in the shower. Her head is down.

The light in the shower casts a boozy bluish glow.

Water is pouring down her face.

She begins to cry like a little girl.

We see a close up of her little red painted toes.

We see drips of blood being washed away onto the floor and

down the drain.

67.

INT. ALIEN’S BEDROOM - NIGHT

CANDY and BRIT are tightly wrapping a thick bandage around

COTTY’S arm.

COTTY is sitting on top of the bed full of money.

She is swigging a bottle of Vodka straight from the bottle.

She looks up at CANDY.

COTTY:

(in a whisper)

I wanna go home now. Spring breakis over.

BRIT and CANDY pause for a second.

They give COTTY an intense look.

Close up of all their faces.

They continue wrapping her arm with the bandage.

CUT TO:

WE BEGIN TO SEE A QUICK SERIES OF IMAGES THAT ILLUSTRATE WHAT

IT LOOKS LIKE ONCE EVERYONE LEAVES SPRING BREAK.

Empty beaches.

We hear the sound of piano keys barely being played.

COTTY:

(her conversation from theprevious scene continuesover these images)

I know you both wanna stay.

Abandoned motels at night.

COTTY (CONT’D)

I know you love it here.

Desolate strip malls.

The piano continues playing.

COTTY (CONT’D)

Everyone else is going back to

school now.

Empty bars.

68.

COTTY (CONT’D)

Everyone is going back to their

live’s now.

Broken street lamps.

Trash in parking lots.

Stray dogs walking the shoreline.

EXT. BUS DEPOT - DAY

BRIT and CANDY are giving COTTY a hug.

The piano sound continues, now becoming a pretty melody.

CUT TO:

COTTY WALKS UP TO THE BUS.

Her arm is wrapped up in a thick bandage.

She steps onto the bus. She turns and waves.

BRIT and CANDY wave and then blow her a kiss.

The piano continues.

I/E. BUS - DAY

The bus is driving.

Close up of COTTY with her head against the window.

A single tear falls down her cheek.

We photograph this in exactly the same way as the earlier

scene with FAITH on the bus.

The piano starts to fade out a bit.

EXT. ALIEN’S BEACH HOUSE/BACK DECK - NIGHT

BRIT and CANDY are standing up next to one another.

They are both looking at their reflections in the swimming

pool.

They have a stone cold look on their faces.

69.

ALIEN is playing the piano with a cigarette in his mouth.

There is a shotgun on the piano in front of him.

We watch their reflection for a moment.

The sound of dogs barking.

EXT. ALIEN’S BEACH HOUSE/SWIMMING POOL - NIGHT

It’s very dark.

The three of them are making love in the water.

The only light comes from the glow inside of the pool.

EXT. ALIEN’S BEACH HOUSE/BACK DECK - NIGHT

They are all sitting side by side on the edge of the pool

with their knees in the water. They are all unclothed.

ALIEN is in the middle.

They are all hunched forward.

We see them only from behind.

CANDY turns her head and speaks to ALIEN with no emotion in

her voice.

CANDY:

(looking directly at hisface)

You’re scared aren't you?

ALIEN remains silent.

CANDY (CONT’D)

(speaking to him in acomforting way, as if shehas pity on him)

If you’re too scared then we’ll

kill him ourselves?

Long pause.

ALIEN stares down at the water.

BRIT:

We aren't scared of anything.

It’s very dark out.

70.

There is mist coming up from the water.

INT. ALIEN’S LIVING ROOM - NIGHT

BRIT and CANDY are slow dancing with one another.

A slow jam is playing on the speakers.

ALIEN is smoking a joint on the couch.

The lights are down.

BRIT is holding a champagne bottle in one hand.

INT. ALIEN’S KITCHEN - NIGHT

We see ALIEN put a brief case onto the kitchen counter.

He clicks it open.

ALIEN:

(off screen, conversationtaken from a forthcomingscene)

When you finish there’s gonna be alot of heat down here.

There are two brand new Uzis inside.

He takes them out and sets them onto the counter.

CUT TO:

CLOSE UP OF ALIEN PUTTING SILENCERS ON THE END OF EACH GUN.

He holds them up towards the light.

ALIEN:

(off screen)

You need to vanish. Go back to

school.

He points them directly towards us.

INT. ALIEN’S KITCHEN - NIGHT

CANDY and BRIT are holding the guns directly towards us.

They seem completely at ease.

71.

ALIEN:

(off screen)

You need to disappear. You almost

don't seem real anyway.

They examine each other.

ALIEN is standing off to the side watching them.

INT. ALIEN’S BEDROOM - NIGHT

The girls are both lying on their backs on the bed full of

money.

The lights in the room are red and hazy.

ALIEN is sitting down on a chair by the wall.

He is speaking in profile. A dark shadow cuts across his

face.

He stares down towards the floor and speaks.

ALIEN:

Sometimes when I look at you it

doesn’t even seem real.

He looks over at them.

They seem completely in their own world.

EXT. SPEED BOAT - NIGHT

ALIEN steers a speedboat flying across the ocean.

Water is spraying on both sides of the boat.

CANDY and BRIT are standing in the front of the boat.

ALIEN:

(off screen)

It seems like a dream.

They have their ski masks on.

Water is flying.

They are both wearing matching fluorescent pink bikinis.

They are holding mini uzis.

They are blankly staring up into the blackness of the sky.

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Harmony Korine

Harmony Korine is an American film director and screenwriter. He is best known for writing Kids and for writing and directing Spring Breakers, Gummo, Julien Donkey-Boy and Mister Lonely. more…

All Harmony Korine scripts | Harmony Korine Scripts

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