St. Vincent Page #5

Synopsis: Maggie (Melissa McCarthy), a struggling single woman, moves to Brooklyn with her 12-year-old son, Oliver (Jaeden Lieberher). Having to work very long hours, she has no choice but to leave Oliver in the care of Vincent (Bill Murray), a bawdy misanthrope next door. Vincent takes Oliver along on his trips to the race track, strip club and dive bar, and an unlikely friendship is born. The man is a mentor to the boy in his hedonistic way, and Oliver sees the good in Vincent that no one else can.
Genre: Comedy, Drama
Production: The Weinstein Company
  Nominated for 2 Golden Globes. Another 6 wins & 21 nominations.
 
IMDB:
7.3
Metacritic:
64
Rotten Tomatoes:
77%
PG-13
Year:
2014
102 min
$33,454,313
Website
3,540 Views


VINCENT:

What’s your name?

OLIVER:

Oliver.

More silence.

VINCENT:

Little cold for shorts, don’t you

think?

OLIVER:

It’s a long story, sir.

VINCENT:

I’m sure it is.

Silence.

VINCENT (CONT’D)

I don’t like “sir.”

OLIVER:

Sorry, sir.

Hmm. The phone rings.

26.

THE KITCHEN - CONTINUOUS

Vin picks up the phone.

VINCENT:

Yes.

INT. MISSION HILLS HOSPITAL - CONTINUOUS

The CAT scan lab. Maggie’s in scrubs, whispering in the

corner of the room. ANOTHER NURSE is manning the

controls, as a PATIENT (seen through the glass) is slid

into the tube.

MAGGIE:

This is Maggie, Oliver’s mom.

this Vincent?

Is

INTERCUT WITH VIN IN THE KITCHEN

VINCENT:

Your kid’s here.

MAGGIE:

Yes. I just got his message.

that all right?

Is

VINCENT:

Is what all right?

MAGGIE:

That he stays there?

VINCENT:

Stays here. Like what, stays here?

MAGGIE:

I’m at work and...we got a few more

cases. So, I don’t get off for a

couple of hours and I can’t get him

the key anyway. I’m in a little

bit of a bind right now...

VINCENT:

You want me to baby-sit?

MAGGIE:

Well, he’s hardly a baby. He won’t

bother you. He’ll just do his

homework.

Oliver walks into the kitchen.

OLIVER:

Sir?

Vin holds up his hand, shushes Oliver.

27.

VINCENT:

What’re you paying?

MAGGIE:

Excuse me?

VINCENT:

For baby-sitting. I’m not a

philanthropy.

MAGGIE:

Okay...ten dollars an hour.

VINCENT:

Twelve.

Maggie is amazed.

MAGGIE:

Fine. Great. Can I talk to him?

Vin puts the phone down on the counter, walks off.

VINCENT:

It’s for you.

Oliver walks to the phone, picks it up.

VIN’S LIVING ROOM - LATER

Oliver and Vin are sitting on the couch watching an old

Abbott & Costello movie. Vin’s smoking, drinking.

Felix the Cat is sitting in Oliver’s lap. Vin’s not

thrilled.

VINCENT:

He doesn’t like many people.

OLIVER:

I’m good with animals, sir.

VINCENT:

Yeah. He doesn’t usually like

people who say they’re good with

animals either.

Oliver laughs at the movie. It’s rare.

VINCENT (CONT’D)

You’ve never seen Abbott &

Costello?

OLIVER:

No, sir. Are they old?

VINCENT:

They’re dead. That’s the oldest

you can be.

28.

OLIVER:

Or the youngest. Time freezes when

you die.

Hmm.

VINCENT:

Where’d you learn that?

OLIVER:

A book.

VINCENT:

What book?

OLIVER:

A kid’s book, sir. I doubt you

know it.

Little sh*t. Then...

VINCENT:

It’s dinner time. You hungry or

something?

Oliver looks at Vin, studies his face.

OLIVER:

A little, sir.

Vincent looks annoyed. He’s the kind of guy that gets

annoyed when someone wants something, even if he offered.

VINCENT:

Figures.

KITCHEN - VIN’S HOUSE - MOMENTS LATER

Vin’s scouring the kitchen, looking for something to feed

the kid. All he finds is a can of Spam and a package of

Saltines. He cracks the Spam open. Slices it like it’s

sushi. Decorates a dirty plate with concentric circles

of Spam and stale crackers. Not bad.

VIN’S LIVING ROOM - LATER

Oliver’s eating a Spam cracker sandwich. Watching the

movie. Perfectly at home.

Vin’s drinking his dinner, a huge stack of mail sitting

on his lap. Bank statements, overdraft notices. He rips

them up, one by one. His idea of filing.

The doorbell rings.

VINCENT:

Probably your mother.

29.

OLIVER:

Probably, sir.

Oliver doesn’t move.

VINCENT:

I guess I’ll get that.

OLIVER:

Thank you, sir.

Vin aches his way out of the recliner.

THE FRONT DOOR - CONTINUOUS

Vin peeks out the peep hole, then opens the door

for...Maggie.

MAGGIE:

Hi. Vincent.

VINCENT:

Yep.

He doesn’t instinctively let her in.

MAGGIE:

Thank you so much for watching

Oliver. I just started a new job

and...

VINCENT:

I don’t need the whole story.

MAGGIE:

Ok. Right.

Maggie digs in her purse and pulls out some cash.

MAGGIE (CONT’D)

Here...three hours. Twelve dollars

an hour-

VINCENT:

Thirty six.

MAGGIE:

Yes, I know.

She hands him two twenties.

VINCENT:

I don’t have change.

Of course he doesn’t.

MAGGIE:

That’s...fine.

30.

Vin counts the money, puts it in his shirt’s breast

pocket.

VINCENT:

Where’s his father?

That’s personal.

MAGGIE:

Well. That’s a long story...see...

VINCENT:

Don’t worry about it then.

A beat. We hear Oliver laughing in the background.

Maggie smiles.

VINCENT (CONT’D)

How come you don’t have anyone to

watch this kid after school?

MAGGIE:

We just moved in-

VINCENT:

I was there.

MAGGIE:

Right.

VINCENT:

You gonna pay for my fence?

MAGGIE:

Of course.

VINCENT:

And the tree?

MAGGIE:

The tree? How-

VINCENT:

Everything has a price. You’re an

adult, you should know that.

MAGGIE:

Okay. How much?

VINCENT:

I’ll figure out something fair.

A beat.

MAGGIE:

Let me know.

31.

VINCENT:

I can the watch the kid too. After

school for a few hours. Same

price.

Maggie is speechless.

VINCENT (CONT’D)

I’ll do eleven bucks an hour if you

supply the snacks. Little sh*t ate

all my Spam.

INT. MAGGIE & OLIVER’S HOUSE - LATER

Maggie and Oliver sit at a tiny round table, off the

kitchen. Oliver is chowing down on a frozen dinner.

MAGGIE:

You ate at Vincent’s house, no?

OLIVER:

Can we buy some Spam, ma?

MAGGIE:

Sure. Remind me next time we’re at

the store.

OLIVER:

Okay.

MAGGIE:

You like him?

OLIVER:

Who?

MAGGIE:

Vincent.

OLIVER:

He’s interesting. In an old,

grouchy sort of way.

MAGGIE:

That he is.

A beat.

MAGGIE (CONT’D)

You know, he offered to watch you

after school.

OLIVER:

He did?

MAGGIE:

Yep. I was thinking maybe that’s

not such a horrible idea.

(MORE)

MAGGIE (CONT'D)

It’s right next door. Would save

me having to find a baby-sitter.

OLIVER:

You’ll be home though. Right.

MAGGIE:

Late mostly, baby. We have to eat.

I have to work. Your

father’s...not helpful. The new

school isn’t cheap.

Oliver eats, thinks.

OLIVER:

I guess he’s too old to be

dangerous and not too old to be too

dangerous either. If you know what

I mean.

MAGGIE:

That’s what I thought. Maybe we’ll

give it a whirl. See what happens.

OLIVER:

Sure.

Then...

OLIVER (CONT’D)

Ma, are we still Jewish?

INT. BROTHER CRESPI’S CLASSROOM - CONTINUOUS

Crespi, teaching.

BROTHER CRESPI:

What is a saint?

Hands go up. Never Oliver’s. He’s doodling.

BROTHER CRESPI (CONT’D)

Rachele.

A tiny ASIAN GIRL answers.

RACHELE:

Individuals who display and act out

of exceptional holiness.

Damn.

BROTHER CRESPI:

Okay. That’s pretty perfect,

Rachele. Thank you. Who can name

a saint?

Hands.

32.

33.

BROTHER CRESPI (CONT’D)

Keesha.

KEESHA:

St. Michael the Archangel.

BROTHER CRESPI:

Great. He’s a classic. Jeremiah?

A LATIN BOY answers.

JERMIAH:

St. Jude.

BROTHER CRESPI:

Good one. What’s he known for?

JERMIAH:

He has a hospital.

Laughs.

BROTHER CRESPI:

He sure does. Okay...anyone know a

modern day saint? Bridgette?

Rate this script:4.0 / 6 votes

Theodore Melfi

Theodore Melfi is an American film director, screenwriter, and producer. He is best known for his feature length debut film St. Vincent starring Bill Murray. more…

All Theodore Melfi scripts | Theodore Melfi Scripts

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