Stag Night Page #3

Synopsis: Four men out on a STAG NIGHT in New York prematurely exit an underground train after the soon-to-be-best-man begins to hassle two women. Trapped at a deserted station these six adults become the target of a gruesome manhunt when a secret gang of cannibal dwellers, living in the tunnels discovers them. Tensions will rise as they fight to make it through the night with all their limbs attached.
Genre: Horror, Thriller
Director(s): Peter A. Dowling
Production: LionsGate Entertainment
 
IMDB:
4.9
R
Year:
2008
84 min
77 Views


- Guys!

- I said that's enough!

Come on!

Come on.

Come on, Tony.

Did you hear that?

What is it?

Mike, okay.

- Take care, Tony.

- Okay.

Tony! Tony!

Tony!

No!

Mikey!

Mikey, he is not one of them!

- Are you okay?

- Yes, I'm fine.

- Is everything okay? Are you okay?

- I'm fine. It's okay.

- I saw him get Io and I thought ...

- Mikey?

Mikey, I'm fine.

He is not one of them. Mikey?

- What are you doing?

- Is everything okay?

Are you okay?

Is everything okay?

Lord?

Sir, are you okay?

Sorry, are you okay?

Here.

You can help us out here?

You can help us out?

Sir, if you understand,

please need to help us.

Trapped.

- What did he say?

- No way out!

Do not listen to him,

is crazy.

Did you see that?

What is it?

that boy again.

What is he doing?

a signal.

Come, let's get outta here.

It's hopeless.

Come on!

Come on!

Run!

Come on!

No way out!

Mikey! Mikey!

We can not run anymore

than a dog!

And where?

This way.

Come on!

Drugs.

Where?

A mileage marker.

There is a station here.

As they are still

following us?

I am.

Following are my blood.

Are you still bleeding?

- Let me see.

- bad.

You can stop?

He needs a doctor.

Gotta go.

You can follow us, Joe?

I'm the rabbit, man,

born to run.

- We gotta go.

- Come on.

Joe, come on, man!

What are you doing?

If you find a phone before me,

Maddie call and say I'm fine.

- What?

- Do not worry, man.

The Iast paid beer.

Joe, dude, come on!

Joe! Joe!

And the stadium is standing

for this amazing boy.

Only 22 years and has a strong

candidate for the Olympics.

Want to race,

son of a b*tch?

5:
49 a.m.

Come on!

Mikey, hurry!

Come on!

Damn!

Help!

Help!

Say hi to Daddy.

Hi, Dad.

Hi, Daddy!

DANGER:

THIRD RAIL ON:

Come on.

Ali!

Come on!

We're going in circles.

Are you kidding?

We will never leave.

- Do not say that.

- Why not?

- Why not give up now.

- We have no choice.

We came through there.

Our only option is to go back.

I'm not coming back

for drug tunnel.

What part of "no choice"

you do not understand, Tony?

Look around you, Mikey.

We will not do!

Okay?

We'll leave here.

Let's get this damn tunnel!

We owe it to Carl,

to Michelle and Joe!

Let's get this damn tunnel ...

we'll call the police and ensure that

these bastards have what they deserve.

You hear me?

I've heard.

Did you hear that?

Damn, come on, hurry!

Come on!

Mikey! Mikey!

Come on. Come on.

Come on.

Drugs.

Get off of me.

Mike.

Motherfuckers here!

You want me?

Come on, I'm here!

What is he doing?

Come get me!

Tony!

No!

Come on!

Damn!

Damn, what are you waiting for?

You want me?

Come get me!

Come on!

Come on.

Come on!

Are you okay?

Yes

Run, Mikey!

Take.

We need to find Tony.

Where?

I do not know.

Do not know if it's the same tunnel.

Tony?

Tony!

Damn! Tony!

I think you should not cry.

- We're not leaving without him.

- No, I understand.

If the platform is less down there,

So where we fall ...

should be the other side

this wall.

Sure, we must find

a path.

Come on.

If anything happens to Tony,

I do not know what I'll do.

- The things I said ...

- People say things that do not.

I know he knows it.

But you do not know Tony.

Do not know.

He thinks he's a tough guy.

Damn!

- You did?

- Yes.

Work?

Can you help us please?

We need a phone.

Please?

We just need help.

Anyone?

Can you help us please?

We just need a phone.

Stop right there.

Who are you?

What are you doing?

Drop the knife, man.

No, we were attacked.

Three friends were killed and

My brother is somewhere in the tunnel.

That's horrible.

Are you well?

You have a phone

we can use immediately?

No.

Nothing works.

And the output?

Can you show us the output?

Yes, yes.

Let me get a flashlight.

Brita?

Go with him. Okay?

He will show you the output.

No, no, no.

Where'd you go?

I'm not leaving without Tony.

What? Are you kidding?

Can not go back there, they'll kill him.

There are only two of them now

and are without the dog. I'll be fine.

- What?

- How many?

Three.

One of us has to get on the phone.

Okay? Call the police.

- Let them come here.

- Police?

Can not bring the police

down here.

I do not know what did not.

Three friends of mine were murdered

and turned into dog food.

We are sorry for your brother,

but ...

- But what?

- It's not our problem.

Mike!

What are you doing?

Let me go!

What are you doing?

No, no, no!

Do not!

Here is our house.

We have a life here.

No, please.

Do not know what they are doing.

Yes, we know.

6:
20 a.m.

Damn!

Get off me, you bastard!

Damn!

Damn it!

My God!

- Are you okay?

- Yes.

You're right, you're fine.

- My God!

- You're right, you're fine.

Brita!

Damn!

Beware!

No!

Brita?

Okay, okay.

I will raise it.

Come on.

C'mon, you're fine.

Sorry.

- No.

- Come on.

Okay.

Okay, okay.

Let me see.

Let me see.

Right.

Okay, okay.

Breathe.

You've found Tony?

Yes

He's dead.

I'm sorry.

Neither had a chance to say

that he was my godfather.

But he was.

What's her name?

Claire.

Her name is Claire.

She's lucky

for having chosen her.

Brita?

Hello?

Mike?

Mike, are you?

Yes

Yes

Honey, what is it?

Talk to me.

Whatever it is,

'll be alright.

I love you.

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Peter A. Dowling

Peter Anthony Dowling is a British screenwriter and film director. He was born in Salford, England, in 1969 and started his career in children's animation in both the UK and Germany, working on cartoons such as The Raggy Dolls, Benjamin Bluemchen and Renada. After winning the Fulbright TEB Clarke Fellowship in Screenwriting 1996/7, judged by William Goldman and paid for by John Cleese, Dowling moved to the United States, briefly attending the University of Southern California, and then sold a spec screenplay to Arnold Kopelson (Platoon, Se7en) and 20th Century Fox. His first produced movie was Flightplan starring Jodie Foster which was commercially successful in the U.S. and grossed over $223,000,000 worldwide. Starting in 2007 he began to direct, and his first film was Stag Night. more…

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Submitted on August 05, 2018

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