Stakeout Page #4

Synopsis: The film opens with a daring escape of a convict imprisoned for killing an FBI agent, then moves on to two Seattle detectives chasing a suspect who gets away, destroying a forklift in the process, these two detectives are reassigned to a stakeout, watching the girlfriend of the escaped federal prisoner. One falls in love with her, the escaped convict eventually catches up to her, with them actually, and in the midst of their getaway, the escaped convict learns that his woman's man is a cop, but the two detectives kill him, saving the day.
Genre: Action, Comedy, Crime
Director(s): John Badham
Production: Touchstone Pictures
  2 wins.
 
IMDB:
6.6
Metacritic:
69
Rotten Tomatoes:
87%
R
Year:
1987
117 min
716 Views


Any trimline or videophone|or anything at all?

- You really are a phone man, aren't you?|- Why do you say that?

You're still working on another line.|Get it?

- Got it. - Good.|- Sixteen thirteen.

- Hope your phone breaks real soon.|- Promise you'll fix it if it does?

I promise.

Bye.

Eating in between meals?

"Eating in between meals?"

Wait a minute. Don't go!

Oh, sh*t.

You wouldn't be headed|in my direction, would you?

I'm sorry, I don't know your name.

- Uh, uh, uh, uh, Bill.|- Bill. - Bill. - Bill.

- I'm Maria.|- Hi.

Hi. Can I make you a trade?|A cup of coffee for a ride home?

My bike has a stupid flat, and it's|only getting ready to rain, and I-

Well, uh, um-

- Please?|- Yeah, yeah, what the hell.

- Okay, thank you.|- We'll put it in the trunk. Come on.

I don't believe this.

- Yeah.|- Hi.

- I'm gonna be a little late.|- No, no, no, no, take your time.

No, no, I stopped off|for a cup of coffee.

Well, uh, then have two cups.

Nothing going on here.|Just some dull old police work.

Great, great. Tell me, uh,|how's that forklift coming?

- I'll be about a half hour.|- Where are my doughnuts, you prick?

Maybe more.

You really are a nice guy,|aren't you?

- Don't say that!|- Why? You are.

You gave me a ride home.|You're unpacking my groceries.

You fixed my phone.|You're nice.

I know, I know, I know.|I'm nice. I'm nice. I hate that.

It's a curse.

It's like "medium. "

I always wanted to be bad.

Uh, these go in the sack.

You think bad is good?

Well, yeah. I always wanted|a little bad, you know?

I thought it would make|my nice better.

Let me tell you something.|Bad isn't all it's cracked up to be.

Bad is bad, and I think right now|I'd settle for a little nice.

I think.

What are we talking about?

Dinner.

Do you like Mexican food?

I made this mean camarones veracruzanos.|You like spicy?

I love spicy.

Good. Well, then, you're gonna|want to marry me after this.

Oh, Chris.

For crying out loud.

Oh, yeah.

We could be so hot together

Hot together

We could be so hot together

Together

- Aw, this is ridiculous.|- We happened to be at the same party

- We left it up to chance|- I'm gonna kill him.

I was born on the Day of the Dead, see,|and it's a very big deal in Latino cultures.

They want it to make fun of death and|to take it seriously at the same time.

So every year|as long as I can remember...

someone in my family's always given me|some kind of skeleton on my birthday.

And now I've got this full graveyard.

We could be so hot|Hot together

Got a big family?

My younger brother still lives|at home with my mom except this week...

and I've got a ton of relatives|in Veracruz.

About your brother- I, uh-|I happen to know a couple of cops.

I could ask around, you know,|find out what's going on.

- You think they'd tell you?|- Yeah, if they want their phones to work.

Oh, that would be nice. Oh, God.|I'm sorry. There's that word again.

God, I like your smile.

Excuse me.|I must be kind of drunk.

- Maria, let me ask you something.|- What, Mr Bill?

How come you know so much|about what's bad?

Well...

there was this man once,|and he was violent and crazy...

and dangerous, and I-

I was insane.

I was insane because|I was with him for a while.

It's all over now.

Did you love him?

I was crazy, I think.

- Where is he now?|- Why do you ask?

Why do you think?

- I think I have to go.|- Yeah, me too. I've got the late shift.

No, no, no, leave them.|I'll do them in a couple of years.

You want to know what|the best thing you said tonight was?

What?

- That you liked my smile.|- Oh.

I know, I know, I know.|I'm nice. I know.

I'm not that nice.

Honey, I'm home.

I bumped into her|at the goddam store.

What was I supposed to do,|pretend that I'd never seen her before?

Anyway, we're supposed to be watching the house,|right? So I was watching the house from the inside.

Nothing. Here are your doughnuts.|Here. I didn't eat one of them.

There's a glaze on it and everything.|I got you some Pringles and some Oreos.

You, uh, gonna get together|with her again?

- Maybe go to see a movie maybe?|- Oh, give me a break. Come on. Hey, she made me some dinner.

- That was it.|- Nothing more?

Nothing more.

Okay, Mr Liar.

Sergeant Bernie called,|said that Reynaldo McGuire...

was arrested on the 17th|for a GTA.

Wouldn't just happen to be|any relation, would it?

Give me a break, will you?|She told me her brother was in jail.

I checked it out.|I thought it was a lead.

- A lead?|- Yeah. A lead.

Okay. Fine. You tell me you're checking|out a lead, I'm gonna believe you're-

Checking out a lead.

I realize this is a sh*t detail.

Oh, boy. I mean, can we talk, you know?|Nobody's really gonna care what we do.

- Bottom of the barrel.|- Right.

But I would appreciate that you not act like|a walking hard-on while we're working together.

Excuse me.

Succinctly put.

All the money|in the cash register right now.

Okay, okay.|Take it easy.

Reach me up and get me|a hunting knife, would you, please?

Sorry, buddy, we're closed.

- Seventy-two.|- What do we got? What do we got?

- Two seventy-three.|- All right. That's plenty, man.

That's all we need.|All we need is gas money.

- Yeah, it's hardly worth rubbing people out for.|- What?

Nothin'.

What did I do now?

Reynaldo, right?

Ray.

I heard you got yourself|into a little trouble.

You a cop?

- You a criminal?|- No.

This girl's father's got it in for me.

He does, huh?

Why?

He doesn't want me|seeing his daughter.

- She's pretty precious, huh?|- Yeah.

So why'd you hot-wire the car?

We thought it'd be okay.

I was stupid.

It's not very pleasant|being in here, is it?

Why do you care?

I just want to find out what kind|of a guy you are before I get you out.

Get me out. I can't take|another night in this place.

You like to work with your hands?

I got a job here, construction.|Starts Monday morning, 7:30 to 5:00.

Five days a week.|Got to be home every night.

That's the deal.

Every night.

Take it and you're out of here.

Mess with me and you're right back in.|What do you say?

Deal.

Okay.

What rock did they find you under?

Anything I can do to make your stay here|more pleasant, buddy, you just let me know.

- Great.|- Hey, Lecce, I want to talk to you.

- You should be getting some sleep. What are you doing?|- I heard you wanted to talk to me.

Yeah, a couple of cops sitting on a stake-out in|fourth precinct just got caught on a procedure.

Seems they got overanxious,|blew their cover.

I don't want this to happen here.|You pass it on.

- No funny stuff. - No funny|stuff. Okay, got it. - Right. Right.

Okay, you got it. You got it.|No funny stuff.

Excuse me!|Bill, how are you?

- I'm okay. I'm okay.|- What are you doing here?

Well, I just had, uh, a, uh, you know.|No, no, no, what are you doing here?

- I heard you were supposed to be at work.|- Well, I was, but they let me off early so I could see my brother.

- You know, they only have certain|hours here, and- - Hey, fishman.

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Jim Kouf

Jim Kouf (born July 24, 1951) is an American screenwriter, director, and producer. He received the 1988 Edgar Award for Best Motion Picture Screenplay for his work on Stakeout (1987). more…

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Submitted on August 05, 2018

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