Star Trek Beyond Page #5

Synopsis: After stopping off at Starbase Yorktown, a remote outpost on the fringes of Federation space, the USS Enterprise, halfway into their five-year mission, is destroyed by an unstoppable wave of unknown aliens. With the crew stranded on an unknown planet and with no apparent means of rescue, they find themselves fighting against a ruthless enemy with a well-earned hatred of the Federation and everything it stands for. Only a rebellious alien warrior can help them reunite and leave the planet to stop this deadly menace from beginning a possible galactic war.
Director(s): Justin Lin
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 3 wins & 27 nominations.
 
IMDB:
7.1
Metacritic:
68
Rotten Tomatoes:
85%
PG-13
Year:
2016
122 min
$158,804,470
Website
5,054 Views


This way.

Where is he?

It's really the hell of stretch.

Your friends are over there.

Come on.

Krall, takes the weapon and continues the mission.

Commander, Uhura, they took her.

Get remain of the crew to safety.

Come on. Let's go. Move.

- I've got it, Mr Scott.

- Okay, Mr. Chekov.

Analyze the signal.

We got to grab 20 at a time.

- Aye.

- Let's hope it does not get messy.

Energize.

Spock! What are you doing here?

Clearly,

I am here to rescue you.

Let's go.

Good to see you, man.

You'll die here as your father.

Ten seconds before transporter recharged, Doc.

Wait for my signal.

- Doc.

- We won't leave without her.

Come on, let's move, go, go!

We have done everything we can,

captain. Just turn on your beacon.

- Scotty, you have everyone?

- Aye, sir.

Everyone except you and Jayla.

Open the beacon and we will grab you.

Your friends will abandon you.

Captain, your beacon.

- There he is.

- Energize.

Jayla!

Let's not do that again.

I agree, James T.

Captain, this thing he has...

Yorktown. He is going to destroy Yorktown.

You take my house and you make it fly.

Scotty, can you get this thing start?

What, start it? Yes.

Flying is certainly a different thing.

These old vessels were built in space.

They were not supposed to take off from atmosphere.

Let's get it out of here.

They called this starship

for a reason, captain.

Why you tell me this now?

Because I don't want disappoint you, you know

in case you don't make it back

How thoughtful of you, Mr. Scott.

Captain.

He has launched

The attack of Yorktown may be just the beginning.

Armed with this bioweapon,

he could rid all life

and use the base's advanced technology

to attack an untold number of federation planets.

Let's just get this thing fly.

It's not just get it started, sir.

Okay. All systems online.

The lithium chambers at

70% and climb.

The subengines are prepared.

Mr. Sulu.

You can, you know, fly this thing, right?

You are kidding me, sir?

Fantastic.

Scotty, how do you look in?

Ready as you wish, sir.

That's what I like to hear, all right.

Bones, where are you with the crew?

I could use a functioning med bay,

But all rest are secure down here.

Mr. Sulu.

We have to achieve maximum velocity

in order to make stabilizers to lift

Are you sure this thrust is capable of do that?

We'll find out.

Go ahead, Mr. Sulu.

Aye aye, Captain.

Mr. Chekov, be ready to forward the stabilizers

on my mark, one quarter impulse

Right

- One half impulse, Mr. Chekov.

- Aye.

We should belt up, go,go

Easy, Mr. Sulu.

Let's not a break in pieces.

The impulse, Mr. Sulu.

Now, Mr. Chekov.

I've alerted on imcoming vessels.

No replied all frequency id request.

Visual.

Red alert!

Look how far they've come.

Receive distress signals on every frequencies coming from Yorktown.

Krall has already started attack.

Mr. Scott, what kind of weapons do we have?

We have pulse phased cannons and spatial torpedoes.

Great. Lock and load.

That's not matter.

You can not defeat bees.

Maybe we can lead them away.

How could we get Yorktown time to get people to safety?

We are horse and buggy.

We are barely hold together as it is, Captain.

Captain.

The flight patterns of bees are determined by individual decisions.

Krall's drones formations are too complex

not to rely on some form of unified subgraphic coordination.

- I surmise...

- Spock, skip to the end.

What he thinks is that if we disorient the swarm we can kick its ass.

Precisely.

Scotty, can you beam me

onto to one of those drone ships?

Have you got completely mad?

- Yes or no?

- No.

Yes. Maybe.

Captain, I'm familiar with the

interior of those ships, this makes me

more qualify for this away mission

Spock, you are still hurt.

She's right, Spock.

I acknowledge and respect your concerns.

Perhaps you will feel more confident if I

were accompanied by someone

who is familiar both with the ship and

and my injury.

He is gonna love this.

You want me to do what?

Come on, Doc.

Wait a minute.

You green blooded ingrate.

This was your idea.

It's a good idea, Bones.

You know next time you have a piece of pipe stuck

into your

call the plumber

Make sure to find a way to break those things.

If you guys have any trouble,

I will beam you straight back.

Energize.

Damn it, Jim.

I'm a doctor, not...

Do you realize that the last time

I flew this things

we collapsed?

So don't blame me...

We hit something.

Spock to Franklin.

Spock, we read you.

Captain, from what I see, ships

indeed share a subgraphic language

to coordinate their actions.

Sending to you now.

That was the signal.

They weren't jamming us, they were talking to each other.

How do we get them stop talking?

What about electromagnetical focusing?

We can use the transporter to disrupt the network.

The objective might not be too specific.

If we can plant some sort of disruptive communication signal inside the swarm,

it can adversely affect the capacity of coordinate.

It would have to be the frequency they will not anticipate.

It will cause a chain reaction that

will wipe out the whole swarm.

Sir, a closed network like that might be

sensitive to very high frequency.

VHF.(very high frequency)

Radio.

We can broadcast something from the ship

to cut out their links

- Something loud and distract.

- Loud and distracting?

I've got just that thing.

Not break my music.

Break it? Don't worry I won't break it.

60 seconds for them breaking through.

I will reconfigure VHF into

multiphase speeding.

- Let me do it.

- No, lassie.

There, see? Simple.

Captain, we are ready to broadcast.

The signal won't travel far. We have to get closer.

- How close?

- Very.

Intercept course, Mr. Sulu.

Yes, sir.

My old friend.

Swarm ships are gathering and forming an attack wave, sir.

We've got their attention.

Hold steady, Mr. Sulu.

Brace yourself everybody.

Spock, standby to drop out from the formations.

- Scotty, are you prepared back there?

- Aye, sir

Ready to broadcast at 57.7 MHz.

- Could you turn it on, lassie?

- I like the beats and shouting.

Let's make some noise.

That's a good choice.

Faster, Doctor. We are at risk of

hitting by their erratic movements.

Your backseat driver.

- Be careful, Doc.

- Yes, I see.

Classical music?

Yes doctor, it would seem to be

Lt. Uhura, make sure Yorktown use this frequency

to broadcast.

Sir, we have received a disturbance frequency.

Broadcast!

You're all right, Spock?

We are fine, Captain.

But there are still three ships heading into the Yorktown.

It's got to be Krall.

Keep on him, Spock.

Do whatever it takes to stop him from using that weapon.

My house is breaking.

The hull was depolarized.

I need you, Jayla. Let's go.

Do not lose them, Doctor.

You can change the place with me, Spock.

Captain, intercepting all three ships

is of impossibility.

Give me the layout of Yorktown.

There. Yorktown headquarters.

Mr. Chekov, can you do a bioscan of central palaza?

Rate this script:5.0 / 1 vote

Simon Pegg

Simon John Pegg (né Beckingham; born 14 February 1970) is an English actor, comedian, screenwriter, and producer. Pegg came to public prominence in Britain as the co-creator of the Channel 4 sitcom Spaced, directed by Edgar Wright. Pegg went on to co-write and star in the Three Flavours Cornetto film trilogy: Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013). He and Nick Frost wrote and starred in the sci-fi film Paul (2011). Pegg portrays Benji Dunn in the Mission: Impossible film series (2006–present) and played Montgomery Scott in Star Trek (2009), Star Trek Into Darkness (2013), and Star Trek Beyond (2016), co-writing the latter. more…

All Simon Pegg scripts | Simon Pegg Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Star Trek Beyond" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/star_trek_beyond_18770>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Star Trek Beyond

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A A type of camera shot
    B A character's inner monologue
    C A subplot
    D An object or goal that drives the plot